Infographic / Edu Visual - Architectural Perspective Sketch Poster

A creative transformation prompt that converts photos into architectural sketches and minimalist design posters with a focus on spatial relations and artistic negative space.

Prompt

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Please create each photo I upload into an independent, high-end design poster, no multi-image stitching, each photo output separately. The overall composition adopts a 3:4 vertical layout, with the upper and lower areas strictly 1:1 in height, each occupying 50% of the screen. The upper part retains the original photo, maintaining the subject identity, structure, posture, real texture, natural light and shadow, and the original color atmosphere, with only slight high-end color grading to give it the texture of art magazines and exhibition images. To adapt to the frame, the environment background can be naturally expanded, but the subject must not be stretched, distorted, or changed. The lower part extracts only the most recognizable subject, outline, structure, posture, and narrative relationship from the photo, and reconstructs it into an architectural concept perspective sketch / architectural design presentation hand-drawing. Do not keep the full scene, do not copy the photo object by object; actively delete most of the background, surroundings, and irrelevant details, leaving only the core forms, spatial relationships, and visual memory points that best represent the original theme. The lower part re-evaluates the artistic judgment. Even if the original composition is poor, the background is messy, or the subject is small, it should be rescued into a valid work through deletion, reorganization, cropping, scale changes, and white space, truly giving the model the power to re-direct the scene. The drawing style uses freehand perspective line drawings + a small amount of selective color blocks. The lines are relaxed, restrained, slightly repetitive, and punctuated, allowing for a small number of auxiliary lines, extension lines, construction lines, and geometric reference lines of architectural drawings to form a clear sense of design deliberation. Color is only lightly applied in a few key parts to emphasize the subject, structural levels, local shadows, or spatial focuses, and other areas are mostly left unpainted. The screen must be centered on a large amount of conscious white space. The subject should be smaller and more refined, with large areas of other spaces left empty. White space is not just an empty background, but a part of the composition, forming a sense of breath, space, and rhythm together with the subject, line drawings, reference lines, shadows, and a small number of color blocks. The subject can be off-center, edge-aligned, partially cropped, or scaled down; it is better to draw less than to fill it up. A small amount of geometric shadow color blocks can be added to strengthen volume, depth, and spatial layers, but avoid heavy rendering, complex environments, and a realistic rendering feel. The background remains minimalist, retaining only a very small amount of necessary site suggestions. The color scheme extracts 2-4 of the most recognizable and vibrant colors from the photo above and rearranges them into a cleaner, more restrained, and appealing sketch color palette. The overall can be appropriately brightened, purified, and desaturated, mainly using off-white, light gray, warm gray, soft green, light wood color, light blue-gray, etc., with a small amount of more vivid but not dazzling accent colors reserved locally. Avoid dirty gray, dullness, excessive vintage feel, and cheap high-saturation. Text intervention is minimal and editorial, with no language restrictions. A few words, short phrases, or notes can be generated based on the subject, location, action, or emotion, quietly placed in the white space, forming a restrained graphic-text relationship with the image. The overall presentation is a high-end visual effect composed of architectural concept hand-drawings, free line drawings, geometric reference lines, a small number of color blocks, geometric shadows, massive white space, and editorial layout. Avoid complete scene retention, object-by-object duplication, complex backgrounds, full-frame coloring, realistic renderings, thick strokes, cartoonish feel, 3D feel, and template-like expressions.
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Create a whimsical, photorealistic fantasy scene of an elegant young woman wearing a pastel rainbow layered tulle gown, a cream corset, and a tiny vintage top hat, riding a gigantic fluffy white rabbit flying gracefully above rolling countryside hills. The rabbit has long upright ears, soft detailed fur, and a delicate leather harness. Below them are golden fields, distant forests, and misty mountains beneath a dreamy blue sky filled with soft clouds. Capture the magical movement of the rabbit in midair, flowing fabric, warm golden-hour sunlight, cinematic depth of field, realistic textures, fairytale atmosphere, and luxurious fashion editorial styling. Ultra-detailed, enchanting, 8K photorealism.
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GPT-Image x {Element A Word} x {Element B Landscape} x {Element C Paper Color} x Typographic Framing

==================== Elements (Generate one at a time) ====================
[Element A | Word] {WORD} (4 uppercase letters, glyphs with openings or circles, bold and legible; Subtitle {SUB})
[Element B | Landscape] {SCENE}
[Element C | Paper Color & Palette] {PALETTE}
[Fixed Items] Project Name "Altitude Log"; Direction: Travel Typography Poster; Aspect Ratio: 9:16; Mood: Cinematic / Serene / Adventurous / Editorial Design; Do not change the core concept, layout requirements, ending, and prohibitions from the original text.

==================== Final Prompt (Fill elements into braces) ====================
Create a high-end typographic framing poster where oversized typography becomes the primary visual structure.

Theme: Travel
Direction: Travel Typography Poster
Project Name: Altitude Log
Main Title: {WORD}
Subtitle: {SUB}
Subject: Landscape (see direction notes below)
Mood: Cinematic / Serene / Adventurous / Editorial Design
Color Palette: {PALETTE}
Aspect Ratio: 9:16

The poster should present the texture of a high-end design poster, movie poster, event visual, travel promotion, or cultural project poster.

Core Concept: Let the typography frame the image, rather than simply overlaying it.
Use huge cropped letters, vertical type frames, windows shaped like text, strong negative space, real photography, paper grain, clear information hierarchy, and explicit visual relationships between the subject and the typography.

Selected Direction: Travel Typography Poster
Use a giant word as an image container. Fill the interior of the letters with landscape photography and include a small traveler figure to convey scale. The filled landscape is: {SCENE}. The landscape photo extends continuously as a whole, naturally cut off when passing through gaps between letters; the small traveler is located within one of the letters, clearly visible. The letters of the word "{WORD}" must be bold, with clear and legible glyphs. Letters can be slightly cropped by the canvas edges, and the background outside the word is paper-colored.

Keep the composition clean, structured, with editorial design sensibility and clear visual logic.

Avoid messy collages, excessive elements, random stickers, weak typographic expression, flat text overlays, generic template designs, text rendering errors, distorted figures, fake landscapes, cartoon styles, and real copyrighted brand logos.

Generate only one complete final poster.

==================== Element Values (Fill different elements into the same template, generate one each) ====================
PEAK (Above the cloud line) x Morning snow mountain ridge: Jagged snow peaks above, a thin trail of traveler footprints along the ridge, a small traveler in a red jacket standing on the ridge, occupying only a tiny portion of the frame to show scale, real photographic texture, morning light hitting the snow surface from the side x Warm paper color (off-white paper base) + Cold blue of snow mountains and warm gold of morning light
MIST (Where the forest breathes) x Original coniferous forest in morning mist: Tall spruces showing layers of depth in the fog, a soft beam of light piercing through the canopy, a small hiker's back view on a forest path, occupying only a tiny portion of the frame, real photographic texture x Dark green (dark green paper base) + Fog white and moss green
TIDE (Between sea and sky) x Coastal reefs at dusk: Slow long-exposure waves pulling out white mist between black reefs, orange-pink horizon in the distance, a small traveler standing on the reef, occupying only a tiny portion of the frame, real photographic texture x Deep navy blue (deep blue paper base) + Cyan-green of the sea and white of wave spray
DUNE (Slow light on sand) x Desert dunes at sunrise: Continuous dune ridges forming clear light/shadow boundaries, delicate wind patterns on the sand surface, a string of footprints extending along the ridge, a small traveler walking on the ridge, occupying only a tiny portion of the frame, real photographic texture x Warm paper color (sand-colored paper base) + Ochre red of dunes and dark brown of shadows
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SairahGPT Image 2
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ART STYLE: Vintage travel-poster illustration, delicate watercolor washes, subtle gouache brushstrokes, visible handmade paper grain, soft pigment textures, imperfect painted edges, muted pastel colors, and a dreamy romantic atmosphere.

COMPOSITION: Vertical 2:3 poster. Place the main subjects in the lower third of the frame, leaving approximately 65–70% of the upper area as clean, warm ivory paper with subtle natural texture. Keep the composition airy, peaceful, understated, and balanced.

SUBJECT: Preserve the recognizable identity, hairstyle, clothing, pose, and emotional connection of the people in the reference photo. Simplify their features into elegant hand-painted shapes with minimal facial details and natural proportions. Maintain a candid, intimate, storytelling feel.

BACKGROUND: Illustrate the surroundings using loose, impressionistic brushstrokes and simplified silhouettes. Famous landmarks, landscapes, trees, buildings, or cityscapes should remain recognizable but understated. Use soft navy blue, dusty blue, warm beige, muted blush pink, and gentle golden yellow accents.

LIGHTING & TEXTURE: Soft natural daylight, delicate shadows, subtle color bleeding, layered watercolor washes, matte finish, and authentic textured paper. Keep details concentrated around the subjects and lower background.

OVERALL MOOD: Romantic, nostalgic, peaceful, poetic, timeless, and intimate—like a page from a beautifully illustrated travel journal.

STRICT RULES: Minimalist composition, generous negative space, no photorealism, no 3D rendering, no harsh outlines, no oversaturated colors, no unnecessary details, no borders, no typography, and no watermark. The final image must look genuinely hand-painted on textured paper.

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