Seedance 2.0 prompts

9 seconds, 90s Hong Kong style urban nostalgic film texture, neon rainy night, strong film grain, alternating cold blue and warm red neon lights, characters performing extremely seriously, atmosphere like a destined reunion. 
0-2 seconds: Flashback, in the corridor of an old residential building, the young male protagonist casually stabilizes a loose red plastic stool, gently pushes it back against the wall, close-up shot;
3-6 seconds: Reality, at the entrance of a convenience store on a rainy night, a woman in a dark trench coat slowly walks out of the neon reflection, shielding the male protagonist from a flying umbrella and cardboard box, Slow Dolly In shot, the atmosphere is solemn like a reunion after many years;
7-9 seconds: The male protagonist quietly asks, “Are you the person from back then?” The woman calmly replies, “No, I am the plastic stool you stabilized.” The next second, she instantly transforms back into the red plastic stool, tripping the male protagonist lightly, causing him to fall awkwardly to the ground, forming a serious absurd comedy.
All characters are original fictional roles, not any real celebrities or public figures, do not imitate any real person's appearance, and do not show any recognizable celebrity features; facial features are low-distinction, typecast, non-realistic processing, without overemphasizing facial details.
Prohibited: firearms, fighting, chasing, crime, police elements, subtitles, LOGO, watermark.

Paragraph 1:
Realistic style, surreal details, cinematic realism, 8K, 35mm lens, shallow depth of field, soft natural daylight, bright indoor yoga studio, wooden floor, morning light streaming through floor-to-ceiling windows, clean and minimalist background. The woman's skin has a natural glow, a focused and calm expression, long hair tied in a low ponytail. 15-second video, precise duration control: [0-4 seconds] She starts from a standing pose and slowly enters Warrior II, front leg bent, back leg straight, arms extended flat, gaze towards the front hand, core engaged, shoulders relaxed, deep breathing. The camera slowly pushes in from a 45-degree side angle. [4-9 seconds] Smooth transition to Downward-Facing Dog, hips lifted upwards, hands and feet pressing into the ground forming an inverted V-shape, spine lengthened, heels trying to touch the ground, head naturally drooping. The camera follows the movement trajectory from the side, then slightly circles. [9-15 seconds] Enters Plank, then slowly lowers into Eight-Limb Pose, then pushes up into Upward-Facing Dog, chest open, shoulders back, finally returning to Downward-Facing Dog to end. The camera shoots from a low angle, emphasizing strength and extension, movements are continuous and powerful, muscle lines are naturally visible, real skin texture and subtle sheen of sweat, realistic physical simulation, fabric naturally follows body movement without any deformation, maintaining consistent face and body shape throughout, high-detail realism, cinematic lighting and depth of field, reference image for upper body.

Paragraph 2:
Extend Video 1 by 15 seconds. Realistic style, surreal details, cinematic realism, 8K, 35mm lens, shallow depth of field, soft natural daylight, bright indoor yoga studio, wooden floor, morning light streaming through floor-to-ceiling windows, clean and minimalist background. The woman's skin has a natural glow, a shy expression, slightly flushed cheeks, and a hint of sweat, long hair tied in a low ponytail. 15-second video, precise duration control: [15-21 seconds] Jumps or walks forward from Downward-Facing Dog into Standing Forward Fold (Uttanasana), feet together or slightly apart, hands touching the ground or hugging the calves, spine fully folded forward, head close to the knees, clear stretch in the back of the legs. The camera slowly pushes from left to right from a low side angle (near the ground), capturing the curve of the spine, the slight upward lift of the hips, and the taut lines of the back of the thighs. Sweat naturally slides down the lower back towards the top of the hips. [21-26 seconds] Inhale into Half Standing Forward Fold (Ardha Uttanasana), hands resting on shins or the ground, chest pushed forward and open, spine extended, gaze forward and slightly upward, hips slightly pushed back to maintain leg stretch. The camera slowly moves up from a low 45-degree front angle, the lens height rising from the knees to the chest line, emphasizing the chest expansion, abdominal engagement, and the light and shadow on the collarbone. The fabric slightly stretches across the chest and abdomen, forming natural folds. [26-30 seconds] Exhale into a full Standing Forward Fold (Uttanasana), then inhale, sweeping the arms up into Chair Pose (Utkatasana), knees deeply bent, hips sitting back, arms stretched upwards, core fully engaged, clear engagement of the front thigh and glute muscles, back remains straight. The camera slowly circles from a low 45-degree front-right angle to a very low angle directly in front (near foot height), the lens follows the trajectory of the arms lifting, while pushing forward to show the soles of the feet towards the camera, toes naturally spread and gripping the ground for balance, capturing the volume of the front thighs and glutes when engaged, the subtle sheen of sweat on the instep, and the detailed tension of the spread toes. Overall video: continuous and powerful movements, muscle lines naturally visible, real skin texture and subtle sheen of sweat, realistic physical simulation, fabric naturally follows body movement without any deformation, maintaining consistent face and body shape throughout, high-detail realism, cinematic lighting and depth of field.

A 15-second cinematic anime duel. The scene begins with two strong lights clashing: on the left is a silver-haired man in a black high-collar uniform, his eyes emitting a brilliant cyan aurora, with liquid blue particles flowing around his fingertips; on the right is a pink and black-haired man with black markings covering his face, hands clasped performing a mysterious seal, surrounded by dark red lightning. The background is a grand, red ancient building silhouette.

Fixed-position wide-angle time-lapse photography, fully documenting the entire process of a building from empty foundation to completion. The camera remains fixed, only using time compression (10-30x fast-forward) to present the construction rhythm, showing natural light cycling through the scene (morning → noon → dusk → night). Phase 0: Empty Starting Point - The flat, empty raw site with survey stakes and layout lines visible. Construction equipment has not yet arrived. The background environment (mountain/sea/city skyline) is clearly visible as the only stable, unchanging element throughout the entire piece. Static frame lasts 3 seconds. Phase 1: Site Preparation and Foundation Work - Excavators and bulldozers quickly arrive, safety fences erected, safety signs in place. Excavators dig foundation trenches, soil loaded onto transport vehicles and moved to one side of the site. Reinforcement mesh quickly laid in the foundation pit, concrete mixer trucks enter, pour, and level. Foundation outline gradually becomes clear in the frame. Phase 2: Main Structure Growth - Scaffolding rapidly rises from the ground like a skeleton growing. Concrete columns and floors are poured layer by layer, each completed level visibly raising the entire building—presenting a stepped rising rhythm (not continuous flying up). Cranes continuously rotate, precisely lifting reinforcement, formwork, and concrete components to working levels. Material stacking areas remain visible beside the building, material piles grow and shrink with work progress. Phase 3: Envelope and Exterior Wall Closure - After floor structure completion, exterior wall materials begin installation: Brick structure: workers lay bricks layer by layer, walls rise quickly Glass curtain wall: crane lifts whole glass units, workers position and fix them Wooden exterior: workers assemble piece by piece, wooden boards cover in sequence Stone facade: pre-cut stone panels lifted, adhered, pressed tight Building transitions from transparent skeleton to being "filled" with exterior walls, outline becoming increasingly clear. Phase 4: Roof Completion - Roof structure completed with worker coordination: waterproof layer laid, insulation layer covered, surface materials placed piece by piece (tiles/metal roofing/flat roof paving). Roof closure marks completion of main building form, overall outline presented for the first time. Phase 5: Doors, Windows and MEP Installation - Door and window frames precisely installed in openings, glass slowly positioned by workers with lifting equipment. Simultaneously, conduits, water pipes, air ducts quickly thread through inside and outside walls, like blood vessels extending through the building interior. Electrical equipment, plumbing fixtures progressively arrive and install, interior space rapidly transforming from empty shell to functional body. Phase 6: Interior Finishing and Exterior Completion - Interior floor铺设, wall coatings, ceilings progressively completed, each space transitioning from rough to finished state. Exterior simultaneously advances: facade finishing, exterior wall paint rolling or cladding attachment, window sill coping, building surface texture gradually becoming refined. Phase 7: Landscape and Site Completion - Safety fences removed, construction equipment departs in sequence. Landscaping construction vehicles arrive: topsoil spreading, trees lifted by crane into planting holes, shrubs quickly covering ground, turf laid in sections. Hard paving (stone/wood/concrete) completed piece by piece. Lights, signs, facilities installed in sequence. Phase 8: Completed State - Last construction vehicle departs, site restored to cleanliness. Building stands complete: facade pristine, landscape lush with greenery, lights illuminated. Static frame lasts 5 seconds. Background environment (mountain/sea/skyline) remains that same initial area, never changed. Frame frozen—from empty land to building, witnessing the birth of a house. Technical Parameters: Camera: Fixed wide-angle, composition covering building main body + surrounding material staging area + vehicle access channels Style: Construction documentary, 4K ultra-clear, industrial texture tones → completion warm tones Time compression: 10-30x, maintaining mechanical action readability Audio: Construction sounds (mechanical rumbling, steel collision) fast-forward processed → transitioning to ethereal music at completion No watermark, no subtitles, no text overlay

Precision Dismantling: [Reference Image Building Name] Organized Deconstruction Time-lapse, Type: Building Precision Dismantling Time-lapse / Fixed-position Reverse Record, Duration: High-speed Reverse Evolution Sequence (Complete Ordered Dismantling Cycle), Core Principle: Prohibit magical transitions; use fast-forward to display real processes of mechanical and人工 ordered dismantling, material stacking, transfer and cleanup. Absolutely prohibit uncontrollable shots like collapse, explosion, sudden disappearance. All dismantling must be controlled, step-by-step, ordered engineering operations. Demolition Methodology: Industrial-grade precision dismantling: human + mechanical cooperation → piece-by-piece disassembly → classified stacking → systematic transfer → site clearing. Reference Image Analysis: Instruction: Deeply analyze user-provided [reference image], silently record all building key details as 100% precise starting point for dismantling origin. Analysis Checklist: [Building style type (modern/traditional/mixed/tropical/industrial etc.), Building floors and overall scale (single-story/multi-story/villa/mansion), Main structural form (wood/concrete/steel/masonry), Exterior facade materials (wood/stone/glass/concrete/metal/coating), Dismantlable component checklist (roof/doors-windows/exterior wall panels/floors/columns-beams etc.), Material estimation (how many cubic meters of wood/steel/concrete blocks need stacking), Dismantling difficulty assessment (which parts need cranes vs manual dismantling)]. Initial State Lock: Phase 0 must 100% restore reference image completed state as starting point for ordered dismantling. Narrative Timeline: [Phase 0: Completed State (Pre-dismantling Preparation), Phase 1: Dismantling Preparation and Landscape Removal, Phase 2: Interior Items Dismantling and Transfer, Phase 3: First Batch Material Transfer (Partially Clearing Staging Area), Phase 4: Doors, Windows and Special Component Removal, Phase 5: Exterior Wall Material Removal, Phase 6: Second Batch Material Large-scale Transfer, Phase 7: Main Structure Dismantling (Ordered Disassembly Top-to-Bottom), Phase 8: Foundation Removal and Material Clearance] - Each phase contains detailed visual descriptions, motion style, key action, material flow, and importance/emphasis notes. The prompt details the entire process from initial complete building state through systematic deconstruction, material sorting, removal, and final site clearance, with emphasis on controlled demolition methods avoiding magical transitions or collapse scenarios. Note: This prompt appears truncated in the original source.

9:16 vertical screen, realistic style, dreamy and beautiful, 4K high definition. 0-4 seconds: Extreme low-angle upward shot, mirror-like salt lake extends to the top of the frame, the sky and the lake merge into one. White clouds float in the azure sky, with clear reflections. The bride and groom stand side-by-side slightly below the center of the frame. The groom's black suit is sharp, and the bride's white wedding dress is flowing. They face the distant horizon, holding hands. Their reflections are perfectly symmetrical with the real scene, as if standing at the intersection of two worlds. 5-9 seconds: The camera slowly pushes forward and slightly tilts upward. The bride has a gentle round face, straight eyebrows, smiling phoenix eyes, a perky nose, full red lips, and a dimple on her right cheek; the groom has a square, masculine face, straight eyebrows, bright almond eyes, a high nose bridge, and firm thin lips. The groom embraces the bride, and the bride rests her head on his shoulder, her white veil gently fluttering in the wind. The embrace in the reflection is synchronized with the real scene; only the two of them exist between heaven and earth. 10-15 seconds: The camera continues to push into a close-up. The bride looks up at the groom, and the groom lowers his head to kiss the bride's forehead. Sunlight spills from the side and back, casting a golden rim light on the two. Their reflections also "kiss" in the same position, with the frame perfectly symmetrical top and bottom. The white clouds in the sky, the figures of the couple, the skirt of the wedding dress, the real scene and the reflection are like a world in a mirror, with a pure and dreamy blue and white color palette. Finally, the frame freezes, with the bride and groom embracing in the mirror of the sky, the reflection like a painting. Sound effects: Dreamy synthesizer sounds, minimalist piano, gentle wind sounds, soft female humming. Prohibited: Any text, subtitles, LOGO, or watermark.

"A nature documentary about an otter flying an airplane"

The numbers in【@Image 1】represents row numbers. The numbers are for references only and should be removed in the video. All references must maintain 100% of its art style and character traits. 

Characters of differing art styles walk takes their seats in their respective seats in the cabin. 
【@Image 2】sits on the left seat in row 1 as she says happily, "My seat is 1A." 
【@Image 3】sits on the right seat in row 2 as she says sadly in Japanese, "My seat is 2C." 【
@Image 4】sits on the right seat in row 3 as she says fearfully in mandarin, "My seat is 3B." 
【@Image 5】sits on the left seat in row 4 as she says angerly in Spanish, "My seat is 4D." 
【@Image 6】sits on the left seat in row 5 as she says digusted in cantonese, "My seat is 5A." 
【@Image 7】sits on the right seat in row 6 as she franticly yells in korean, "My seat is 6D." 

Stationary camera. One continuous shot as characters walk in and takes their seats one after another.

Ultra-realistic wildlife documentary footage. A red fox moves cautiously along the edge of a snowy forest at dawn. Its breath forms small clouds in the freezing air. Beneath the snow, faint movements reveal a hidden vole tunneling just below the surface. The fox tilts its head, listening carefully. Suddenly it leaps high into the air and dives headfirst into the snow, emerging seconds later with the vole in its jaws. Natural handheld documentary camera, shallow depth of field, cinematic slow motion, snow particles scattering through the air, dramatic golden sunrise lighting, authentic winter forest sounds.

Narration (calm BBC-style voice):
"Beneath the silent blanket of snow, life continues unseen. But the fox has mastered the art of listening… and with perfect timing, the hunter strikes."

High-End Commercial Ad — AURORA FIZZ
00: 00 – 00 :02 | The Flash Arrival
Action:
The AURORA FIZZ can blasts into frame from above, spinning rapidly on its vertical axis.
Visuals:
Sharp motion blur. Golden citrus patterns streak into radiant lines of light.
The can halts with surgical precision at center frame — label perfectly facing camera.
00: 02 – 00: 04 | The Burst Reveal
Action:
The can separates into three horizontal segments (Top Ring, Core Body, Bottom Ring).
Visuals:
A crisp hiss escapes. Chilled vapor spills outward.
Between the floating sections, vibrant lemon and lime slices appear mid-air — accompanied by sparkling carbonation bubbles forming from nothing.
00: 04 – 00: 07 | The Effervescence Moment
Action:
Time freezes — suspended elegance.
Visuals:
Citrus slices slowly rotate in zero gravity while streams of bubbles rise upward through invisible liquid space.
The camera glides in a smooth cinematic orbit.
Highlights shimmer across condensation droplets — every bubble catching light like diamonds.
00: 07 – 00: 08 | The Energy Seal
Action:
The can snaps back together magnetically.
Visuals:
A crisp pshhht impact.
The citrus and carbonation are instantly sealed inside.
A refreshing mist pulse radiates outward.
00: 08 – 00: 10 | The Refresh Exit
Action:
The can spins to maximum velocity and launches upward out of frame.
Visuals:
The background clears into a bright refreshing gradient — 
ready to seamlessly loop again.

{"shot": { "composition": "close-ups, wide reveals, ending with full 360° orbit", "lens": "50mm", "frame_rate": "24fps", "camera_movement": "rotating reveal around the vehicle" }, "subject": { "description": "White high performance Lamborghini assembling from holographic internals to a sleek final form", "props": "engine, transmission, electronics, body panels, wheels, dashboard"}, "scene": { "location": "glossy, minimal stage", "time_of-day": "digital space", "environment": "high-gloss, clean product showcase with controlled lighting"}, "visual_details": { "action": "components snap together with light bursts; wheels align, dashboard lights up", "special_effects": "holograms, flares, digital UI, electrical effects"}, "cinematography": { "lighting": "high-contrast spotlights for texture and reflections", "color_palette": "cool tones, black & metallic with bright highlights", "tone": "futuristic, sleek, intense" }, "audio": { "music": "cinematic electronic with deep bass and synths", "ambient": "rich pads", "sound_effects": "clicks, whirs, growls, whooshes, UI beeps", "mix_level": "high clarity and punch"}, "dialogue": { "subtitles": false }}

{
  "title": "The God of Small Things - Cinematic Video",
  "scenes": [
    {
      "scene_number": 1,
      "title": "Opening / Childhood Memory",
      "visuals": "Two twins, Estha and Rahel, running barefoot through the lush monsoon-soaked courtyard of their ancestral house.",
      "cut_scenes": [
        "Close-up of their small hands holding a broken toy",
        "Water dripping from leaves above"
      ],
      "mood": "Innocent, nostalgic, soft natural light"
    },
    {
      "scene_number": 2,
      "title": "Forbidden Secret",
      "visuals": "Ammu glances nervously out of a window, watching her lover arrive by boat.",
      "cut_scenes": [
        "Fingers trembling as she writes a hidden letter",
        "Sound of a distant train"
      ],
      "mood": "Tense, secretive, warm golden sunset tones"
    },
    {
      "scene_number": 3,
      "title": "Family Conflict",
      "visuals": "Chacko arguing with elders inside the dim living room; heavy shadows across faces.",
      "cut_scenes": [
        "Brief flash of a newspaper headline",
        "Close-up of a teacup trembling in fear"
      ],
      "mood": "Anxiety, looming consequences"
    },
    {
      "scene_number": 4,
      "title": "Tragedy Strikes",
      "visuals": "Rain pours over the river; twins run toward the water, alone and afraid.",
      "cut_scenes": [
        "Umbrella flipping in wind",
        "Broken toy floating downstream",
        "A frightened child’s eyes"
      ],
      "mood": "Melancholic, heartbreaking, slow motion for emphasis"
    },
    {
      "scene_number": 5,
      "title": "Aftermath / Reflection",
      "visuals": "Rahel as an adult, walking along the now-empty riverbank, looking at the drifting boat.",
      "cut_scenes": [
        "Childhood photographs fading in and out",
        "The house in ruins"
      ],
      "mood": "Nostalgic, bittersweet, reflective"
    }
  ],
  "style_notes": {
    "camera": "Slow tracking shots, close-ups for emotion, soft focus on memories",
    "color_palette": "Muted greens, warm browns, wet blues",
    "transitions": "Flash cuts for memory, slow fades for reflection",
    "music_sfx": "Distant train, soft rain, river sounds, subtle melancholic strings"
  }
}

Seedance 2.0 Video Generation Prompt

This video is a smooth, high-fidelity, Toku-style (special effects style) sci-fi action scene, centered on seamlessly transforming the subject in the @image into full-body power armor, accompanied by smooth energy effects and scene interaction.

[Scene Description - Gritty Urban Battlefield]

Environment: An abandoned concrete outdoor stadium under gloomy, cloudy weather. The ground is full of cracks, gravel, and old white markings. The background features dilapidated, rusty goal frames and high wire fences. There are a few sparse trees and utility towers in the distance.

Atmosphere: Tense, desolate, collision of sci-fi and reality.
Initial Character: Young Asian female (based on input image), long hair, wearing a beige hoodie and white short skirt. Several young males are playing basketball or loitering in the background.
[Action Choreography - Transformation Sequence]

Conflict Escalation:
In the distance, a massive, black metal and rock-textured monster (similar to Kaiju, with spikes, purple glowing eyes) suddenly rises from cracks in the ground, kicking up huge amounts of dust.
The crowd panics and scatters.

Core Transformation Process (Fluid Transformation - Key Smoothness Description):
The woman notices the monster, looks at it, raises her right hand, revealing a miniature purple glowing device on her wrist.
(Fluid transformation begins): Purple and pink energy ripples start from the device, growing and flowing over her body like liquid metal and energy streams.
The beige hoodie and short skirt are smoothly and organically covered and absorbed by a complex, black and dark gold full-body power armor. Armor blocks grow and lock onto her limbs, torso, and legs.
A complex belt with a purple core locks around her waist. The armor surface has fine textures and glowing purple/pink energy conduits.
VFX: Flying blades (crystal-like, purple glowing) levitate and smoothly orbit around her as the transformation completes.
[Battle and Decisive Battle - Action & Decisive Battle]
Combat Action:
The monster roars and charges at her.
The armored woman raises her arm, and the purple energy blades launch from around her, forming a smooth flying formation to attack the monster.
She simultaneously releases a powerful, pulsed violet energy wave.

Impact Effect:
The flying blades and energy wave smoothly hit the monster, creating a large-scale, dazzling purple explosion effect and a lot of dust.
The monster recoils from the impact, and ground cracks deepen.
[Resolution and Aftermath - Resolution & Aftermath]
Ending: The monster is defeated, disappears, or explodes (creating final dust).
Final Shot: The armored woman stands in the center of the stadium, dust slowly settling. The flying blades return to their orbit. She smoothly glances back (similar to the input image), then turns and walks towards the abandoned goal frame, her armor shimmering in the gloomy light, leaving deep footprints.
[Director Summary - Technical Details]
Camera: Dynamic close-ups and medium shots. Use smooth tracking shots during transformation to capture fluidity, and dynamic, fast shots during combat (Shaky cam/snap zoom).

Color: Gloomy gray scene, contrasting with bright, pulsed purple and pink energy colors.

Texture: High-fidelity armor texture, rock-textured monster, gritty concrete ground.
Key Smoothness Instruction: The transformation must be a single, uninterrupted flow, not spliced fragments. Energy effects (transformation, flying blades, attack) must flow and change color smoothly and logically.

create a quick fashion montage and focus on the glasses

First-person perspective: The ship rocks as it navigates the turbulent sea; Cut to: Close-up of the captain's tense face at the helm; Cut to: Close-up of the captain's hands steering the wheel; Cut to: Distant aerial view of the ship sailing alone across the turbulent sea, its course slowly shifting. Cut to: Medium shot of terrified figures on deck clutching the railings, screaming in fear. Cut to: The mast creaks, then suddenly cracks with a sharp snap; Cut to: Side view of the hull fracturing catastrophically upon striking a reef. As the ship breaks apart, the crew is flung into the air by inertia, plunging into the sea.

A woman in her late 20s of Brazilian heritage, her dark curly hair contained under a structured white bucket hat, wearing a matching oversized black utility jacket, wide black trousers, and chunky white boots, rides a bright chrome BMX through a dense favela-style hillside neighborhood of narrow stone alleys and painted walls. At the 2-second mark, she rides up a staircase, taking sixty stone steps in ten continuous tire contacts, the rhythm of it visible in the camera shake as her body absorbs the impacts with practiced ease. Arriving at the top, she immediately transitions into a wall-ride along a painted facade, her wheels running vertically on the mural with the staircase visible below in a wide shot. The camera chases from below during the climb, then cuts to a mounted side angle for the wall-ride, blurring the mural colors at speed. She transitions from the wall-ride into a gap between two rooftops, clears it at speed, and continues her descent as the camera captures the chrome bike threading the alley geometry from above. Dark burgundy, chrome BMX, painted favela wall, staircase vertical climb, stair-climb rhythm, mural wall-ride, rooftop gap transition, hillside descent aerial, cinematic grain, 4K.

lego explorer minifigure driving a mini snowmobile across icy terrain chased by a massive roaring polar bear, snow spraying dramatically behind, frozen mist in the air, intense cinematic backlight, dynamic tilted camera shot, blockbuster action style, exaggerated comic motion, crisp lego plastic texture, dramatic cold color grading

Traditional modern 3D animation style: 

0.0s-4s: 
Mighty Anubis sits in his throne and a group of villains stand in front of him with a mecha robot. The mecha robot is currently holding Anubis arms above his head. The group of villains demand Anubis to reveal the secrets of his powers and Anubis nonchalantly and bored says that he won’t tell these mortals anything. 

4.1s-6s: 
1 of the villains pushes a button on a remote control with a grin and 2 additional mechanical arms emerge from the mecha robot with white gloved hands towards Anubis’s armpits. Anubis watches as they approach his armpits with confusion. 

6.1s-7.5s: 
Closeup view of one glove tickling Anubis’s exposed armpit with gentle finger wriggling going „Kocho Kocho“. 

7.6s-10s: 
Anubis’s expression immediately changes into a wide grin in goofy fashion and letting out muffles giggles in his deep voice because he is very ticklish. The gloves continue tickling Anubis’s armpits and Anubis continues his muffled giggling while trying to move his upperbody but his arms remain secured above his head and the gloves keep tickling his armpits. The villains demand again that Anubis reveals his secrets. 

10.1s-13s: 
Anubis now laughs loudly in his deep voice while the gloves continue tickling his armpits but Anubis through his laughter says that he wont tell them anything.

Japanese cinematic realism, poetic spring atmosphere.
A beautiful 20-year-old Japanese female university student walking slowly through a quiet path lined with cherry blossom trees.
Cherry blossom petals fall gently like pink snow in the soft spring breeze.
She wears a soft pastel blouse and long skirt, natural Japanese college student style.
Warm early morning sunlight filters through the blossoms, creating soft backlight and subtle lens flare.
The camera slowly follows beside her in a smooth cinematic tracking shot.
Her hair and clothes move slightly in the wind while petals float around her.
Shallow depth of field, soft colors, nostalgic emotional mood, live-action film style.
ultra realistic, cinematic lighting, 4K, film look

A battle between Goku and Naruto in a 2D animation style. Goku attacks with immense power, delivering a flurry of punches and kicks. The ground cracks and dust flies everywhere. Naruto dodges the strikes with quick turns and blocks, moving with great agility. Each impact creates shockwaves and loud sounds. The movement and body dynamics are clearly depicted, with fluid animation lines emphasizing the power and weight of the battle.

Make an anime scene where A strongly muscled dragon stands towering in front of a human knight, looking at him threatingly. The knight pulls out a feather duster and tickles the dragon's belly. The dragon is ticklish and immediately starts giggling loudly in his deep voice. The scene ends with the knight tickling the dragon's belly with the feather duster and the dragon giggling with a wide goofy grin.

A horizontal cross-section display shot of a high-rise residential building in Beijing's Taiyang Palace, with cinematic realism. The camera is locked, performing an absolutely steady horizontal side shift, always gliding to the right at a constant speed, as if the entire exterior wall of the residential building has been completely removed, presenting a clear cross-section of the apartments. The frame sequentially reveals the living room spaces of five different families, each living room exhibiting distinct Beijing urban life characteristics, located in the Taiyang Palace community in Beijing, high-rise residential perspective.

[Scene 1 | Opening Tone Setting · 3 seconds]

Cinematic wedding photography, backlit grassland during golden hour. @Female Lead wears a trailing white wedding dress, the veil gently fluttering in the wind, standing with her back to the camera gazing into the distance. @Male Lead slowly walks in from the right side of the frame and gently embraces her waist.

Camera: Low-angle upward shot, wildflowers in the foreground are blurred and gently trembling, shallow depth of field, warm golden halo surrounds the figures' outlines, backlight highlights the flowing details of the veil.

Movement: The camera slowly pushes forward, creating a sense of breathing in the frame.

Style: Top Italian luxury wedding editorial, Vogue wedding editorial, film grain texture, warm white and gold color palette.

[Scene 2 | Intimate Close-up · 3 seconds]

High-end wedding photography close-up shot. @Male Lead gently cups @Female Lead's face with both hands, their foreheads touching, eyes slightly closed, a restrained smile on their lips, eyelashes trembling, a delicate emotional close-up.

Camera: Frontal eye-level shot, extremely shallow depth of field, background softened into creamy white and champagne bokeh, skin texture is delicate and translucent, natural diffused light.

Movement: The camera is static, with a slight handheld tremor, resembling a private, stolen moment.

Style: High-emotion editorial, TIME Magazine Annual Wedding Photography, creamy white + cool pink color palette.

[Scene 3 | Dynamic Corridor · 4 seconds]

Luxurious hotel white arched corridor, the floor covered with rose petals. @Female Lead and @Male Lead walk side-by-side, @Female Lead leaning slightly on @Male Lead's shoulder, the train of her long dress gliding through the petals, their side profiles elegant.

Camera: Follow shot, maintaining composition from the waist to the top of the head, following from a low 45-degree angle behind. Light pours down from the top of the archway, creating a Tyndall effect.

Movement: The camera moves forward at a constant speed with the figures, slight upward lift.

Style: Valentino/Dior wedding editorial texture, architectural light and shadow aesthetics, high-contrast white tone.

[Scene 4 | Concluding Elevation · 4 seconds]

Coastal cliff at dusk. @Male Lead and @Female Lead stand embracing, facing the sunset. @Male Lead gently kisses @Female Lead's forehead, the sea breeze lifts the veil and shirt hems, the sky full of orange-red glow silhouettes their figures.

Camera: Long shot with an aerial perspective composition, symmetrical around the couple, gradually and slowly zooming out and rising. The figures shrink from occupying 1/3 of the frame to silhouettes, with the vast sky and sea horizon unfolding.

Movement: Slow push followed by slow pull, finally settling on a full view of the two silhouettes.

Style: Oscar de la Renta wedding advertisement, epic romance, orange-gold + deep blue gradient color palette.

15-second short film of pure immersive, high-speed, brutal fight without dialogue. The entire process is an uncontrolled, chaotic, high-tech close-quarters combat, featuring 2 characters @【@Image 1】@【@Image 2】, in a live-action style, close-quarters high-speed killing, no fancy moves, pure hardcore brutal fighting, high-tech fist and foot exchange, blocking, collision, grappling intertwined, top-level realistic action impact; every punch is flesh-to-bone, accurately presenting physical feedback of bone collision, muscle tension details, heavy impact limb tremors, clothing tearing, dust flying, and the realistic texture of tight muscle lines, with micro-particle effects enhancing the sense of impact.
Exaggerated dynamic speed that breaks physical limits, 120fps high frame rate throughout with no slow motion, characters dodging and lunging at warp speed, limbs swinging rapidly, extreme motion blur + speed motion trails, maximizing dynamic tension.
Master-level cinematic flying camera work: Professional cinema camera closely follows the action throughout, simultaneously performing high-speed dives, sudden stops, whip pans, 360° orbiting flight, seamless switching between low-altitude ground-level follow shots and shoulder-mounted close-up perspectives. The camera shakes and shifts synchronously with the swinging of fists and feet and the characters' sudden lunges and dodges, a single continuous shot without cuts, sharp track pushes and pulls, sudden sharp turns and whip pans. The camera is completely integrated into the fight, providing an immersive, face-to-face combat perspective, with smooth, zero-lag camera movement.
Master-level precise editing: 0-3 seconds extremely fast cuts to enter the fight, 3-10 seconds seamless action transitions, zero lag, no discontinuity, 10-15 seconds dense, violent fast cuts to conclude. The editing rhythm accelerates with the intensity of the fight, high-speed cross-cutting enhances the sense of chaos, precise cuts without redundant shots, and a suffocating high-speed rhythm throughout.
8K UHD ultra-high definition quality, Dolby Vision HDR, cinematic wide color gamut, high contrast, maximized shadow details, highlights not overexposed, film texture, clearly presenting skin texture, clothing fibers, dust particles, realistic cold, hard lighting, backlighting outlining contours, airflow debris, and micro-cracks on the ground enhancing the atmosphere of uncontrolled combat, maximizing the immersive oppressive feeling of pure violent aesthetics.

Handheld shot circling two boxers practice sparring in a gritty gym, purposefully missing each other with their swings. Sweat droplets, sharp impacts, breathing intensity. Shallow depth of field, practical lighting, visceral realism, stable identity. Duration: 10s. Aspect ratio: 16:9. Photoreal cinematic. Single shot unless specified. Avoid text, captions, watermarks, logos. Stress camera movement: smooth parallax, consistent objects, stable faces; no text