Seedance 2.0 prompts

[Priority Reference Image & Name Fixing]
@ image1 = Description Name: Protagonist
The protagonist's identity, face, hairstyle, body type, costume, accessories, equipment, and shoe appearance standards.
Use only the names fixed above in the subsequent text.
15 seconds, 3:4 aspect ratio, photorealistic live-action, set over a bright blue sea during the day, continuous audio video. No scene cuts throughout the entire duration. Use character reference only for the protagonist's appearance; do not incorporate three-view diagrams, parallel displays, or text/sample layouts into the video. Maintain character identity, costumes, accessories, and physique throughout. No BGM, subtitles, captions, or logos.
Characters: Protagonist, Crew A, Crew B, Crew C (4 total). A medium-sized civilian filming helicopter with a white fuselage and blue lines. Black skid landing gear, open wide side sliding door, external steps for boarding, dark gray interior. The helicopter maintains a constant altitude above the sea surface from start to finish. A coastline is visible in the distance, and a circular trampoline is placed on the sea surface far below. The protagonist stands on the external step outside the open door, looking at the distant trampoline below. Crew A stands near the door wearing a blue windbreaker, black life vest, and aviation communication headset. Crew B stands inside the aircraft near the door wearing an orange windbreaker, black life vest, and aviation communication headset. Crew C is deep inside the aircraft wearing a green windbreaker, black life vest, and aviation communication headset. All three crew members' faces are visible. The camera starts from the same filming position near the helicopter door, capturing the protagonist, three crew members, and the sea beyond the door with a slightly wide-angle lens. Do not change the camera's installation position; adjust its vertical orientation according to the fall and ascent. Wind noise and helicopter rotor sounds continue naturally throughout.
0.0–3.0s: Crew A looks at the protagonist and smiles, asking "Ready?" The protagonist turns their face to Crew A, nods, then looks directly into the camera lens, showing tension and excitement mixed with a smile, saying energetically in natural Japanese, "Okay, I'm going!" The visible mouth movements of both parties match their respective full dialogue. Crew B raises a fist lightly while smiling, and Crew C smiles happily, leaning out slightly and nodding. After speaking, the protagonist takes a deep breath, looks down at the circular trampoline, kicks off the external step, and jumps out.
3.0–6.2s: The moment the protagonist jumps out of the helicopter, Crew B shouts towards them, "Go!" The camera quickly turns downward while maintaining the filming position near the door, tracking the falling protagonist in the center of the frame. The protagonist extends their body as they fall, becoming smaller in the frame as the distance increases. The circular trampoline below becomes visible, and the protagonist approaches it aiming for the center. While the camera is pointed down, the three crew members are off-screen, but cheerful cheers can be heard from inside the aircraft. Rotor sounds and wind noises continue.
6.2–7.7s: The protagonist lands near the center of the circular trampoline on the sea surface. The stretched jumping surface sinks significantly under the protagonist's weight, then strongly pushes back immediately after the descent stops. The camera remains pointing down, showing the landing, the sinking of the jumping surface, and the reversal to upward momentum due to rebound in one continuous shot. Impact sounds of landing and rebound are audible.
7.7–11.6s: The protagonist bounces high towards the helicopter with the momentum of the rebound, pulling knees to chest to fold body small, spinning vigorously in mid-air. The camera adjusts upwards to match the rising protagonist from the same filming position. As the protagonist gets closer, they become larger in the frame, and the open door and external step become visible again. The protagonist rises rapidly all the way to just before the helicopter's external step, quickly unwinding the spin and extending legs at the moment of reaching the step, planting both feet firmly on the same external step they jumped from without hesitation. Upon landing, absorb shock with knees and immediately straighten upper body, returning to the same position, body orientation, and standing posture as at the beginning. Film the approach to the helicopter, unwinding of rotation, planting of both feet, and return to posture as a sharp, quick series of movements continuing seamlessly at normal speed. The helicopter's altitude above the sea surface does not change.
11.6–15.0s: The camera returns to the initial orientation around the door. Crew A claps smilingly towards the protagonist. Crew B joyfully thrusts a fist up and shouts briefly, "Yay--!" Crew C looks at the protagonist, smiles, and claps hands. The protagonist, breathing heavily, turns face to camera lens, eyes shining, speaking brightly and naturally with excitement and joy of safe return: "Oh wow! Oh wow, that was awesome!" Match mouth movements of Crew B and protagonist with their respective full dialogue during speech. Final frame: Protagonist standing on the same initial external step, finishing talking to camera with excited expression, behind them Crew A and Crew C are clapping, and Crew B is rejoicing. End at 15 seconds with crew clapping and rotor sounds continuing.

【Video Specifications & Overall Style】

9:16 vertical screen, 15 seconds, one continuous shot. Inside a Chinese wildlife park, a thrilling scene accidentally captured by a tourist with an ordinary phone. Initially calm, the photographer is startled half a beat late after a giant crocodile attacks; the camera shakes, pans off, then hurriedly finds the person again. Retain the realism of amateur phone footage.

【Character & Reference Locking】

The female protagonist uses preset adult Chinese female character #1 @598c0e35-7c27-4b7c-8bac-19bb206ff1c3, wearing preset outfit #2 @d57ec59a-c0a5-4eae-84f4-4f02ef21a92d. Strictly maintain the face, long hair, clothing style, color, and material from the reference. #1 is the person, #2 is the outfit; numbers do not appear in the frame.

The administrator is a Chinese male around forty years old, with short black hair, wearing a khaki short-sleeved work uniform and dark trousers, with a work badge on his chest, standing behind and to the side of the female protagonist.

There are a few adult Chinese tourists in the background, wearing summer casual clothes, standing naturally staggered on the boardwalk.

【Scene & Camera Position】

Tropical crocodile viewing area, an old wooden boardwalk extending along a deep green pool, with bamboo, palms, and shrubs on the opposite bank. Thick wooden railings extend diagonally from the bottom right of the frame to the background.

The external photographer stands about one meter behind and to the side of the female protagonist, slightly higher than the position of her phone, shooting vertically downwards. The right side of the frame shows the female protagonist, the administrator, and the boardwalk; the left and bottom show the pool.

Humid daytime, natural sunlight filtering through vegetation, slight green reflection on the water surface. Ordinary phone 1x main camera, slight hand shake, tilt, compression artifacts, noise in shadows, brief blur during rapid turns. No cinematic color grading, drone shots, or portrait bokeh.

【Female Protagonist's Phone Orientation — Must Be Accurate】

The female protagonist is using the rear-facing camera of her phone to film the crocodile in the water, not taking a selfie, nor showing the phone to the external photographer.

She holds both ends of the phone horizontally with both hands, fingers avoiding the rear camera. The phone is located below her chest, near the outer edge of the railing, with the body clearly tilted downward. The direction of the rear lens accurately falls on the huge shadow underwater in the lower left.

The phone screen faces up and slightly towards her face; the back of the phone and the rear lens face down, towards the water surface. She looks down at the screen, observing the target in the water through it.

From the slightly elevated side-rear angle of the external photographer, mainly the phone screen and the side of the body should be seen, not the entire back of the phone and the camera module facing the external photographer.

The content framed on the screen matches the real water surface: the same water surface and the same blurry shadow can be seen, without the female protagonist's selfie face, irrelevant scenery, or wrong direction.

When the female protagonist slightly adjusts her wrist, the rear lens always follows the underwater shadow. Until the giant crocodile attacks, she retracts the phone due to shock, disrupting its orientation.

【Giant Crocodile & First Frame State】

Only one abnormally large dark gray-black crocodile. When leaping, its head approaches the size of an adult's upper body, and its open mouth occupies nearly half of the left side of the frame. Size refers to the original video; do not generate an ordinary small crocodile.

In the first frame, the giant crocodile is completely submerged, presenting only a huge, blurry elongated shadow, like sunken wood. Water reflections and turbidity obscure details; the head, eyes, nostrils, scales, or teeth cannot be clearly identified, and no part breaks the surface.

The giant crocodile maintains the same volume throughout, not suddenly expanding at the moment of leaping.

【0–2 Seconds: Filming Underwater Shadow】

The female protagonist stands inside the railing, leaning forward slightly, holding the phone horizontally with both hands, pointing the rear lens downwards at the huge shadow in the water in the lower left.

She looks down at the screen facing herself; the shadow in the screen corresponds to the shadow in the pool. The external photographer captures the phone screen, the female protagonist's side profile, and the water surface below from her side-rear.

The administrator seriously reminds:

"Ma'am, step back a little, don't lean on the railing!"

There are only slight ripples on the water surface; the crocodile has not yet emerged.

【2–4 Seconds: Target Approaching, Phone Following】

The huge underwater outline slowly approaches the female protagonist's position. She slightly rotates her wrists, keeping the rear lens aimed at the moving shadow, screen facing herself, not turning the back of the phone towards the external photographer.

The administrator steps closer, reaching out to support her, tone becoming urgent:

"That's not wood, it's alive! Don't lean out!"

The female protagonist begins to retract her body, but the phone is still filming the water surface. At the end of this segment, the crocodile's nose tip and eyes just break the water.

【4–6 Seconds: Giant Crocodile Attack】

The giant crocodile suddenly bursts through the water surface, its huge head rising along the outside of the railing, its open mouth instantly occupying nearly half of the left side of the frame, bringing up large splashes.

The female protagonist screams, hastily retracting her phone and arms. The phone orientation loses stability due to shock; it must have been correctly aimed at the crocodile before this.

The giant crocodile briefly bites her forearm extended outside the railing and nearby fabric. The administrator immediately supports her upper arm and shoulder/back, stabilizing her center of gravity inside the railing.

The external photographer retreats half a step in shock, the camera briefly jerks upwards, no cut or close-up of wounds.

【6–9 Seconds: Escape & Falling into Water】

The giant crocodile briefly releases its bite, head drops back, the female protagonist takes advantage to retract her injured forearm, the administrator pulls her to the inside of the boardwalk. The action must have a clear release, cannot let the arm pass through closed teeth.

The phone slips from the female protagonist's hand, flips, and falls into the pool, falling only once.

The giant crocodile slams back into the water, kicking up white splashes. The female protagonist covers her forearm, a small amount of red liquid seeps from the wound, forming short and thin streaks, staining the fabric at the contact point, with one or two drops falling onto the wooden boardwalk.

Do not display deep wounds, no spraying, no heavy bleeding.

The administrator shouts:

"Step back! Don't reach out! Don't pick up the phone!"

【9–11 Seconds: Tourists Panicking】

The female protagonist retreats to the middle of the boardwalk, protecting her injured forearm, shoulders tense, breathing rapid.

Nearby tourists first shrink their shoulders and retreat, pulling companions; tourists in the back turn around only after hearing the scream, some put away phones, some move aside, exclaiming in succession:

"Retreat quickly!"

"Don't lean on the railing!"

Crowd reactions have time delays, not synchronized, no clipping, no falling into the pool. The giant crocodile stays underwater, no second attack.

【11–13 Seconds: Administrator Evacuating】

The administrator stands between the female protagonist and the railing, protecting her as she continues to retreat, gesturing for tourists to make way:

"Move back! Everyone don't crowd!"

A nearby tourist offers tissues, the female protagonist accepts and presses them against the same wound, the tissue gradually stains with a small amount of red.

The photographer retreats slightly and corrects composition, capturing the female protagonist, administrator, and panicking retreating tourists simultaneously.

【13–15 Seconds: Aftermath of Fear】

The female protagonist covers her forearm, panting, voice trembling saying:

"Scared me to death... It really bit!"

The administrator still protects her, warily looking at the pool. Background tourists whisper warnings:

"Stay far away, don't film!"

Ends with the female protagonist still shaken, crowd retreating, water surface aftermath not yet settled.

【On-site Audio】

All audio is recorded live on the phone, Chinese dialogue, no music, narration, or subtitles.

Start with low tourist chatter, bamboo leaf friction, and slight water sounds. The administrator's voice is near and clear, changing from serious reminder to urgent stop as danger occurs.

Heavy water sound when crocodile emerges, female protagonist's scream, nearby gasps; followed by phone falling into water, splash landing, rapid panting, and messy footsteps. Largest splash and scream cause microphone clipping briefly, then automatic gain recovers.

Distant tourist voices are more scattered and lighter, no monster roars added.

【Continuity & Key Constraints】

At the start, the female protagonist's phone must correctly film the underwater target: screen up and facing her, rear lens down aimed at the crocodile's location; external photographer mainly sees screen and sides. Prohibit rear lens facing external photographer while appearing to film underwater target.

First frame only has blurry giant underwater shadow, no clear crocodile head, eyes, scales, or teeth. Red liquid appears only after biting.

Maintain continuity of character #1, outfit #2, administrator, giant crocodile, and boardwalk. Injury is always on the same forearm, red streaks, fabric damage correspond to tissue press location.

Only one phone, does not return to hand after falling. Female protagonist and administrator always inside railing, crocodile @d57ec59a-c0a5-4eae-84f4-4f02ef21a92d always in pool. Maintain causal relationships of contact, weight, bite, release, and retreat actions throughout.

No wound close-ups, no amputations, no deep tissue display. Entire piece is one continuous shot, no slow motion, replays, studio reveals, UI overlays, or watermarks.

Ultra-realistic cinematic action sequence featuring a young woman with long black hair wearing a black oversized graphic T-shirt and black boots, sitting outside a suburban house holding a miniature pink supercar. Suddenly, the toy car magically transforms into a full-size, ultra-realistic pink supercar and launches into the air, flying through a quiet residential street before transitioning into a dramatic Tokyo-style urban intersection. The woman appears inside the driver's seat as the pink supercar drifts aggressively through the city, spinning across the crosswalk with realistic tire smoke, spinning wheels, cinematic motion blur, and reflections on the asphalt. The car accelerates through the intersection, leaving thick white smoke trails, then slides dramatically toward a brightly illuminated Japanese convenience store. Cut to a wide cinematic shot of the car drifting outside the store as pedestrians react in surprise. Final scene: the woman walks confidently out of the convenience store entrance, surrounded by scattered groceries and glass reflections, while the pink supercar remains visible in the background.

Ultra-realistic cinematic extreme close-up portrait of a beautiful young woman with delicate facial features, captivating dark brown eyes, long curled eyelashes, subtle smoky eye makeup, and naturally glowing porcelain skin. The video begins with an extreme macro shot of her closed eyes, with loose strands of dark, slightly wet hair falling naturally across her face. Slowly, she opens her eyes, revealing deep, expressive brown irises, as the camera smoothly pulls back to reveal her full face. She wears elegant dangling silver earrings, with a few delicate strands of hair framing her cheeks. Her lips are slightly parted, creating a mysterious, emotional expression. Dark moody blue-black background, dramatic soft side lighting, subtle highlights reflecting in her eyes, realistic skin pores, delicate shadows, shallow depth of field, cinematic atmosphere, premium beauty campaign aesthetic, photorealistic details, smooth natural eye movement, slow camera movement, 85mm portrait lens, f/1.8, HDR, 8K quality, highly detailed eyelashes and irises, professional color grading, vertical composition, 9:16 aspect ratio.

Animated layered papercraft diorama, visible paper fibers and folds, deckled edges, parallax between paper layers, soft shadows, warm backlight glowing through thin paper, gentle handmade motion. Color grade: cream, dusty blue, terracotta, sage green, warm golden backlight.
A colossal whale made of folded origami paper with crisp creases. A paper cut village of rooftops and windmills with tiny paper villagers flying kites.
SHOT 1 (0 to 3s): Wide shot matching the reference image, the whale glides forward and its folded fins unfold and refold with crisp creasing motions, paper clouds sliding past in parallax layers.
SHOT 2 (3 to 6s): Medium shot, 50mm lens, villagers on a hill tug their kite strings as the whale's shadow passes over them, windmill blades spinning faster in its wake.
SHOT 3 (6 to 9s): Close-up, 85mm lens, the whale's eye, a small cut circle, blinks as backlight glows through the thin paper of its head, revealing faint printed text inside the folds.
SHOT 4 (9 to 12s): Low angle tracking shot, 24mm lens, the whale dives toward the village and its tail sweeps a wave of paper confetti and paper birds out across the rooftops.
SHOT 5 (12 to 15s): Extreme wide shot, 16mm lens, the whale rises into the sky and unfolds completely into a flat sheet that becomes a giant paper sun, lighting the whole village warmly.
Rustling paper, soft crinkling folds, windmill creaks, a gentle whale call that sounds like a breath through paper, children laughing, music box and soft piano.

Create a 28-second ultra-realistic cinematic Korean drama featuring two beautiful young Korean women in a quiet, dimly lit apartment hallway. One woman has long, straight black hair and wears an elegant black outfit, while the other wears a sophisticated white pantsuit with a simple handbag. Begin with a mysterious rear shot of the woman in black walking slowly through a dark corridor illuminated by soft blue light. Transition into a beautifully detailed apartment hallway where both women walk past each other, creating a subtle atmosphere of tension and curiosity. Use cinematic close-ups, natural walking movements, realistic facial expressions, and smooth camera tracking to build suspense. Show a close-up of a wooden doorway and a subtle movement near the floor, followed by an empty hallway and a metallic elevator interior. Capture the woman in black standing quietly inside the elevator with a serious expression. End with the woman in white walking alone through the hallway, followed by a breathtaking close-up of her face outdoors, with her black hair moving gently in the breeze. Use soft natural lighting, muted colors, shallow depth of field, realistic skin texture, cinematic composition, smooth transitions, and professional Korean drama cinematography. Maintain consistent facial identities, hairstyles, outfits, and body proportions throughout the video.

Create a 20-second cinematic, ultra-realistic AI video featuring a young Korean woman with long, dark, slightly wavy hair, wearing a white blouse and dark pants. Begin with a close-up of her sitting beside a window, looking thoughtfully at her smartphone in soft natural daylight. Transition to an outdoor zoo setting where she stands near a railing, casually using her phone while observing the surroundings. Show her approaching the lion enclosure and raising her smartphone to capture a photo of a majestic lion below. Suddenly, the lion charges toward her, creating a tense and unexpected moment. She drops her phone and struggles to escape as the lion lunges at her inside the enclosure. Capture her frightened expressions, realistic body movements, flying dust, and the lion's powerful motion. Use dynamic camera angles, smooth cinematic transitions, natural sunlight, realistic shadows, and detailed environmental textures. Maintain consistent facial features, hairstyle, clothing, and body proportions throughout the video, with dramatic pacing and photorealistic quality.

Vertical 9:16 video, photorealistic satisfying renovation process, smooth motion, bright natural daylight. Empty room with white walls, window on the left, bare concrete floor.

Shot 1: A man in blue work overalls uses a long-handled shovel to spread a huge pile of small orange and green heart-shaped candies, levelling them into an even layer across the entire floor.

Shot 2: A woman in red overalls pours thick glossy white self-leveling epoxy resin from a white bucket; the liquid flows and spreads over the candy layer, gradually covering the hearts.

Shot 3: A worker in a yellow reflective vest grinds and polishes the hardened floor with a professional floor polishing machine, revealing orange and green hearts embedded under glossy white resin, like colorful terrazzo.

Shot 4: Two workers assemble a wooden bed frame on the new floor, place a white mattress, pillows and bedding.

Final shot: Slow camera tilt down over the finished bedroom, showing the unique glossy heart-pattern epoxy floor next to the neatly made bed.

Realistic physics of pouring liquid and loose candy, consistent lighting, seamless cuts between shots, high detail, no text.

Character appearance and identity reference [Image 1]. Late-night subway car, last carriage in motion, no other passengers except her. She sits alone, head down, hands naturally crossed on her lap. Amber overhead lights illuminate her, while the surrounding carriages are deep cyan-grey-blue, creating a quiet and oppressive atmosphere.

Total duration 10 seconds, one continuous shot, no cuts. Use the texture of a 50mm Cooke Speed Panchro vintage lens, soft highlights, restrained halos. Fixed focal length, the camera actually pushes forward along the axis facing the character, focus continuously follows the character's face.

0–3s: Almost static.
Start from a medium shot showing the character's sitting posture and crossed hands. The camera moves forward extremely slowly, almost imperceptibly. She sits quietly with head down, shoulders relaxed, only subtle natural breathing. Audio is primarily low-frequency subway rumble, with nearly inaudible ambient music without melody or drums.
3–6s: Sudden high-speed approach.
The camera suddenly accelerates significantly, approaching her at high speed along the same axis. The character rapidly grows larger in the frame, carriage perspective changes naturally as the camera moves forward, creating strong frontal pressure. Acceleration is decisive, motion continuous, cannot be processed as uniform or gentle push throughout. She still keeps her head down, breathing gradually shallow, shoulder and neck tensing slightly, crossed fingers tightening gently. Low-frequency drone increases rapidly with the push, kept restrained, not overpowering environmental sounds.

6–6.2s: Abrupt braking, sudden stop.
The camera brakes abruptly within approx 0.2 seconds, stopping suddenly at a facial close-up, fully preserving forehead and chin with some space. Speed is still evident before stopping, braking is short and forceful, presenting the impact of high-speed motion being suddenly cut off. No early easing, no face-hugging, no rushing into the face. After stopping, camera position stabilizes immediately, no sliding, rebound, or shaking; character's breathing and movements continue naturally, image must not freeze.
At the moment of braking, surrounding cyan-grey-blue ambient light decays rapidly, amber warm light on her face remains, forming stylized light-dark convergence, dark areas still faintly reveal carriage structure. Only change lighting and tonal layers, keep carriage structure, object positions, and materials continuous and consistent.

Simultaneously with the camera stop, ambient music cuts cleanly, no sound effect hits or reverb tails. Subway rumble continues, clearly indicating only the camera stopped, train is still moving.
6.2–6.7s: Brief pause.
Camera completely static. She still keeps her head down, briefly maintaining posture, only subtle breathing. Only low-frequency subway rumble and character's breathing remain, music does not enter again.
6.7–9s: Slowly raising head.
She slowly raises her head, gaze naturally shifts to the lens, finally looking directly at the camera. Jaw, neck, and shoulder movements are coordinated, actions restrained and coherent, shoulder and neck still carrying tension. Her slow movement forms a distinct rhythmic contrast with the previous rapid push.

9–10s: Gaze.
Maintain static close-up. She continues to look directly at the camera, only subtle breathing, leaving a quiet yet pressurized emotional pause. Do not add music, sudden sound effects, or other actions.

4K Ultra HD, 3840x2160, 16:9 landscape. Realistic cinematic photography texture, preserving natural skin texture, hair, and fabric details, soft highlights, layered shadows. Allow natural motion blur during high-speed push phase, eyes and facial features clear after abrupt stop. Character identity, facial proportions, and structure always consistent, expressions change naturally with actions, hand structures correct.
Only this one woman in the frame. No duplicates, ghosts, facial distortion, clipping, stuttering, over-sharpening, skin smoothing, or HDR feel. No dialogue, subtitles, watermarks, or logos.

Generate an 8-second seamless loop orbiting video based on the uploaded product reference image. The subject is completely frozen; the product does not rotate. The camera orbits 360 degrees around the subject along a horizontal circular track at a constant speed, height, and distance. From 0–2s: front to right side. From 2–4s: right side to back. From 4–6s: back to left side. From 6–8s: left side back to front. At the 8th second, precisely return to the starting camera position and composition for a seamless loop. Prohibit push/pull, zoom, shake, jump cuts, subject rotation, or part deformation. Keep lighting, materials, background, and reflections continuous and consistent. No subtitles, text, watermarks, or narration.

Create a 15-second surrealist cinematic combat sequence inside a dimly lit industrial warehouse at night, showcasing an intense confrontation between two skilled adult fighters, combining explosive real-time action with dramatic ultra-slow-motion impact moments. The air is filled with dust, concrete debris litters the floor, overhead lights flicker slightly, and cold light streams through high warehouse windows. [00:00-00:03] Approach: Start with a low-angle handheld tracking shot as Fighter A charges toward Fighter B. Fighter B steps forward and quickly throws a right punch. Fighter A barely dodges sideways, the fist passing centimeters from his face, while the camera rapidly orbits around both fighters. Keep the action fast, realistic, and physically credible. [00:03-00:06] First Slow-Motion: Fighter A immediately counters with a powerful spinning kick. As the leg approaches Fighter B, smoothly transition to extreme slow motion. Track the kick from a close-up side angle, showing clothing stretching due to rotational force, hair floating in the air, and dust particles swirling around them. Fighter B raises an arm to block. The kick hits the defense, compressing the fabric and naturally pushing the defender's body off-center due to impact. Dust bursts from the cuffs, and the camera smoothly circles this frozen moment. [00:06-00:09] Combo: Naturally switch back to real-time speed. Fighter B stumbles a step, regains balance, ducks under another strike, then quickly counters to the midsection. Fighter A blocks, grabs the attacking arm, uses the opponent's momentum to spin and redirect him toward a nearby concrete pillar. The camera follows closely, moving dynamically at shoulder height while maintaining clear spatial awareness and readable choreography. [00:09-00:12] Second Slow-Motion: Fighter B pushes off the ground, reversing momentum, and initiates a sweeping reverse kick. Transition to slow motion during the rotation. The camera drops to floor level, skimming just above the leg as it sweeps through floating dust. Fighter A leaps over the kick, body briefly suspended above the rotating leg, with loose clothing, hair, dust, and small debris responding naturally to the movement. The camera passes beneath the airborne fighter, then speed begins to recover. [00:12-00:15] Final Exchange: As Fighter A lands, explosively return to real-time, immediately turning to deliver a final controlling strike, which Fighter B blocks with both arms. Briefly enter slow motion at the moment of contact, emphasizing physical compression, muscle tension, flying dust, and the transfer of power through both bodies. They separate and slide backward across the dusty floor, maintaining eye contact, as the camera widens out. Use strong velocity gradients between real-time action and ultra-slow-motion impacts rather than keeping the entire fight slow. Choreography must remain continuous, readable, realistic, and physically coherent. Maintain consistent fighters, clothing, injuries, environment, lighting, positions, and movement directions throughout. Realistically depict momentum, balance, foot placement, defensive reactions, cloth physics, hair physics, impact compression, airborne dust, natural motion blur, and cinematic lens parallax. Prohibit teleportation, impossible body rotations, duplicate limbs, extra fingers, disintegrating anatomy, floating characters, zero-gravity movement, excessive destruction, gore, blood, weapons, superhero abilities, unnecessary cuts, subtitles, text, or logos.

15-second cinematic photorealistic science-fiction action short, 16:9.
Two enormous space fleets race toward a dying red giant.
The first fleet is trying to reach the star.
The second fleet is trying to destroy them before they arrive.
Hundreds of fighters collide in combat while both fleets plunge directly into the star's outer atmosphere.
Ships weave between colossal solar eruptions.
Missiles vanish inside rivers of plasma.
A small spacecraft breaks away from the battle and dives toward the star's surface.
An enemy fighter follows.
The two ships disappear beneath the glowing surface.
Suddenly everything becomes silent.
The camera reveals an enormous geometric structure hidden inside the star.
Its surface begins opening.
A blinding beam erupts outward.
The star isn't dying.
Something inside it has just awakened.
Photorealistic stellar physics, extreme scale, aggressive space combat, fast pursuit, plasma environments, dramatic reveal, cinematic camera movement, detailed spacecraft, no text, no logos, no anime, no cartoon.

Vertical 9:16 photorealistic video, static frontal close-up shot. A powerful industrial hydraulic press with polished chrome columns and a steel piston slowly descends onto a transparent acrylic cylinder chamber filled with halved hard-boiled eggs, glossy yellow yolks facing the camera. As the heavy metal plate presses down, the eggs compress, crack and burst, releasing creamy pale-yellow egg mixture that squeezes out through a steel spout at the bottom, flowing in a thick creamy stream into a round stainless steel bowl below. Bright clean industrial factory background, soft fluorescent ceiling lights, blurred workshop interior. Satisfying ASMR hydraulic press crushing style, ultra-detailed textures, realistic fluid physics, smooth slow pressing motion, shallow depth of field, 4K quality.

Create a 30-second ultra-realistic cinematic video of a young Japanese schoolgirl walking along a railway crossing surrounded by breathtaking cherry blossom trees in full bloom. She wears a traditional navy-blue Japanese sailor-style school uniform with white stripes, a matching pleated skirt, black shoes, and a black shoulder bag, with a neat short black bob hairstyle and a black face mask. Begin with a wide cinematic shot from behind as she walks slowly beside the railway tracks, surrounded by delicate pale-pink and white blossoms. The camera gently follows her from behind, capturing the natural movement of her hair, school uniform, and bag as a soft breeze moves through the trees. Transition into beautiful close-up shots of her shoulders, hairstyle, and uniform while she quietly admires the cherry blossoms above her. Capture the intricate petals, delicate branches, and soft natural daylight with shallow depth of field and realistic cinematic color grading. Slowly tilt the camera upward to reveal a dreamy canopy of cherry blossoms stretching across the sky. Finish with an elevated wide aerial-style shot showing the girl walking near the railway crossing, framed by the tracks and endless blooming trees. Maintain consistent character appearance, realistic anatomy, smooth camera movements, natural lighting, and a peaceful nostalgic Japanese film atmosphere throughout the entire 30-second video, with no text, logos, or watermarks.

Create an ultra-realistic cinematic miniature adventure featuring a tiny athletic woman navigating an enormous everyday world. She runs across a desk, climbs a giant glass jar, explores piles of colorful fabric, scales hanging clothes, and navigates oversized household appliances. Show her climbing a massive bottle cap, crawling beneath a washing machine, and crossing a miniature obstacle course. Emphasize the dramatic contrast between her tiny human scale and gigantic objects. Warm cinematic lighting, realistic textures, shallow depth of field, macro photography, smooth tracking shots, natural human movement, soft shadows, photorealistic details, creative storytelling, premium commercial aesthetic, vertical 9:16 format, 4K quality.

Vertical 9:16 hyper-realistic satisfying renovation video, fast time-lapse style 
with smooth transitions. An empty white room, concrete floor, warm sunlight 
streaming through a window.

Shot 1: A man in a black long-sleeve shirt and denim overalls rakes a huge mound 
of vivid orange and red autumn maple leaves on the floor, spreading the leaves 
evenly across the entire room in smooth sweeping motions.

Shot 2: A woman in red overalls pours thick white epoxy resin from a large bucket; 
the glossy white liquid spreads in an expanding circle, covering all the leaves 
until the whole floor is coated white.

Shot 3: A worker in a yellow high-visibility vest and cap polishes the hardened 
white surface with a floor buffing machine; as he polishes, the layer turns 
crystal-clear and transparent, revealing vibrant maple leaves suspended inside 
the glossy epoxy like amber.

Shot 4: Close shot of a hand applying a final glossy topcoat with a roller, 
the floor becomes mirror-glossy with window reflections.

Shot 5: Two movers in black uniforms and caps quickly assemble a light wooden 
bed frame, place a mattress, white duvet and pillows in fast-forward motion.

Final shot: Finished minimalist bedroom — stunning glossy epoxy floor filled 
with frozen orange autumn leaves, white bed in the center, sunlight reflections 
dancing on the polished surface.

Style: photorealistic, satisfying ASMR renovation content, warm autumn color 
palette, natural daylight, smooth fast cuts, high detail, 4K quality.

[Priority Reference Image & Name Fixation]
@image1 = Description Name: Protagonist
The protagonist's identity, face, hairstyle, body type, clothing, accessories, equipment, and shoe appearance standards.
Use only the names fixed above in the subsequent text.
15 seconds, 3:4 aspect ratio, photorealistic live-action, set over a bright blue sea during the day, continuous video with audio. No screen cuts throughout. Use the person reference only for the protagonist's appearance; do not incorporate three-view table expressions or text/sample layouts into the video. Maintain the person's identity, clothing, accessories, and physique throughout. No BGM, subtitles, captions, or logos.
Characters include the Protagonist, Crew A, Crew B, and Crew C (total 4). A civilian medium-sized filming helicopter with a white body and blue lines. Black skid landing gear, wide open side sliding door, external step for boarding/alighting, dark gray interior. The helicopter maintains a constant altitude above the sea surface from start to finish. A coastline is visible in the distance, and a circular trampoline is placed far below on the sea surface. The protagonist stands on the external step outside the open door, looking at the distant trampoline. Crew A stands near the door wearing a blue windbreaker, black life vest, and aviation communication headset. Crew B stands near the door inside the cabin wearing an orange windbreaker, black life vest, and aviation communication headset. Crew C is deep inside the cabin wearing a green windbreaker, black life vest, and aviation communication headset. All three crew members' faces are visible. The camera starts from the same shooting position near the helicopter door, capturing the protagonist, the three crew members, and the sea beyond the door with a slightly wide angle. Do not change the camera's installed position; adjust its orientation up and down according to falling and rising. Wind sounds and helicopter rotor sounds continue naturally throughout.
0.0–3.0s: Crew A looks at the protagonist and asks with a smile, "Are you ready?" The protagonist turns their face to Crew A and nods, then looks directly into the camera lens, showing tension and excitement in their smile, and says vigorously in natural Japanese, "Okay, I'm going!" The visible mouths of both match their respective full dialogue lines. Crew B smiles and lightly raises a fist; Crew C laughs happily and leans out slightly, nodding. After speaking, the protagonist takes a deep breath, looks down at the circular trampoline, kicks off the external step, and jumps out.
3.0–6.2s: At the moment the protagonist jumps out of the helicopter, Crew B shouts towards the protagonist, "Go!" The camera quickly turns downward while maintaining the shooting position near the door, tracking the protagonist falling into the sea near the center of the frame. The protagonist stretches their body and falls, becoming smaller in the frame as the distance increases. The circular trampoline below becomes visible, and the protagonist approaches aiming for its center. While the camera is pointed down, the three crew members are off-screen, but cheerful cheers can be heard from inside the aircraft. Rotor sound and wind sound continue.
6.2–7.7s: The protagonist lands near the center of the circular trampoline on the sea surface. The stretched jump surface sinks significantly under the protagonist's weight, pushing back strongly immediately after the descent stops. The camera remains pointing down, showing the protagonist's landing, the sinking of the jump surface, and the reversal to ascent due to rebound in one continuous shot. Impact and rebound sounds are heard upon landing.
7.7–11.6s: The protagonist bounces high towards the helicopter using the rebound force, pulling knees to chest, folding body small, and spinning vigorously in mid-air. The camera turns upward at the same shooting position to match the rising protagonist. As the protagonist gets closer, they become larger in the frame, and the open door and external step become visible again. The protagonist unwinds the spin, extends legs, returns both feet to the same external step they jumped from, and stands stably in the same position, body orientation, and posture as at the beginning. The helicopter's altitude above the sea does not change.
11.6–15.0s: The camera returns to the same orientation around the door as at the beginning. Crew A claps smilingly towards the protagonist. Crew B joyfully thrusts a fist up and shouts briefly, "Yay--!" Crew C looks at the protagonist, smiles, and claps hands. The protagonist, breathing heavily, turns their face to the camera lens, eyes shining, and speaks in a bright, natural voice filled with excitement and joy about returning safely: "Oh my god! Oh my god, that was amazing!" During Crew B and the protagonist's speech, mouth movements must match their respective full dialogue lines. The final frame shows the protagonist standing on the initial external step, having finished speaking to the camera with an excited expression, while Crew A and Crew C clap in the background and Crew B rejoices. End at 15 seconds with crew applause and rotor sounds continuing.

Ultra-realistic cinematic sci-fi horror scene inside a futuristic high-security research laboratory. A young female scientist wearing a white lab coat carefully conducts a mysterious experiment in a sterile laboratory filled with glass chambers, advanced scientific equipment, glowing blue monitors, and reflective metallic surfaces. She examines a strange biological specimen, then suddenly notices something terrifying. A pale, mysterious humanoid entity with sunken dark eyes and an unsettling expression appears inside the laboratory. Its appearance is disturbing yet realistic, with subtle facial movements and lifelike skin texture.

The laboratory lights begin flickering as a red emergency alarm activates. Scientists rush through a glass corridor while white vapor bursts from a containment chamber. The female scientist turns in shock as the facility enters lockdown. Red warning lights illuminate the dark hallway, creating dramatic reflections on the glass walls. The mysterious entity remains visible behind reinforced glass at the end of the corridor.

Visual style: Photorealistic science-fiction thriller, cinematic horror atmosphere, futuristic biotechnology laboratory, volumetric lighting, realistic facial expressions, atmospheric fog, dramatic red and cyan lighting, detailed textures, shallow depth of field, slow cinematic camera movements, suspenseful pacing, professional Hollywood film quality, 4K detail, vertical 9:16 composition.

Negative prompt: Cartoon, anime, low resolution, blurry faces, distorted anatomy, extra limbs, unrealistic movement, oversaturated colors, text overlays, watermarks, inconsistent characters, flickering visual artifacts.

Create a 26-second ultra-realistic cinematic travel video featuring a beautiful young Korean woman exploring the streets of Tokyo, Japan, at night and during sunset, wearing a stylish black leather jacket with natural makeup and soft, wavy black hair. Begin with a rear-view shot of her walking across a busy Tokyo intersection surrounded by colorful neon signs, wet streets, and glowing city lights. Show her smiling warmly while holding a cute Japanese rice ball inside a brightly lit convenience store, followed by a candid moment of her buying a drink from a vending machine. Capture her walking beneath a traditional red Japanese torii gate, then turning back toward the camera with a playful smile in a narrow street decorated with glowing Japanese lanterns. Show her taking a casual selfie on a peaceful residential street and enjoying the riverside scenery as a train passes in the background. Include a cozy bookstore scene where she excitedly opens a travel book and smiles at the camera, followed by a peaceful sunset moment sitting beside the river with a takeaway drink. End with beautiful nighttime city lights, a joyful handheld selfie on an elevated bridge, and her smiling with the Tokyo skyline behind her. Use natural handheld smartphone camera movements, smooth cinematic transitions, authentic candid expressions, realistic skin texture, soft film grain, nostalgic early-2000s MiniDV aesthetics, moody teal-green night tones, warm sunset lighting, and shallow depth of field. Maintain consistent facial identity, hairstyle, outfit, and body proportions throughout the entire video, with realistic movements and a spontaneous travel-diary feeling, in a 16:9 widescreen aspect ratio.

30-second ultra-realistic cinematic video prompt: Create a heartwarming, funny, and visually stunning 30-second video featuring an enormous, fluffy white-and-gray Ragdoll cat with beautiful blue eyes, a pink nose, and extremely soft, thick fur, sitting outside a modern house. A beautiful young Korean woman with long, straight dark hair, a natural smile, and a casual navy-blue outfit approaches the giant cat on a sunny afternoon. She gently sprays water over the cat using a green garden hose, soaking its thick fur while the cat remains calm and adorable. Show realistic water droplets falling from its fur, with detailed wet hair and natural feline expressions. The woman smiles and laughs while carefully washing the giant cat in the driveway, surrounded by greenery and warm sunlight. Transition smoothly to a cozy garage scene where she uses a handheld hair dryer to dry the enormous cat's fluffy coat. The cat closes its eyes happily as warm air blows through its fur, making it look even bigger and funnier. Use realistic animal movements, natural human expressions, cinematic camera angles, soft golden-hour lighting, detailed fur physics, and seamless transitions. Maintain consistent character appearances throughout the video, with photorealistic quality, natural ambient sounds, and no text, logos, or watermarks.

Create a 12.8-second surreal cinematic art video in 16:9 format, with a deep black background, electric-blue windows, and monochromatic smoke.

SHOT 1 (0:00–0:01): A single glowing blue four-pane window contains a human figure floating horizontally above a faint rocky ledge.

SHOT 2 (0:01–0:03): The window dissolves into darkness, leaving the same floating human figure in grayscale as thin smoky strands emerge around the body.

SHOT 3 (0:03–0:05): Feather-like smoke filaments curl into an elongated elliptical ring around the suspended figure.

SHOT 4 (0:05–0:07): Gray-white smoky ribbons sweep horizontally around the body, stretching and flowing through the black environment.

SHOT 5 (0:07–0:08): The smoke dissolves as a glowing blue window smoothly reappears behind the floating figure.

SHOT 6 (0:08–0:10): The single window expands into multiple irregularly arranged blue windows, each containing a human figure in a different floating pose.

SHOT 7 (0:10–0:12.8): Reveal the complete installation of glowing blue windows against a dark textured background, with suspended figures and subtly shimmering light.

STYLE & MOTION: Surreal fine-art cinematography, deep blacks, cold blue illumination, grayscale figures, delicate smoke, volumetric lighting, subtle film grain, smooth morphing transitions, steady wide camera, consistent human anatomy and clothing.

NEGATIVE PROMPT: No eyes, eyeballs, colorful neon, bright rooms, sudden cuts, fast spins, abrupt zooms, distorted anatomy, extra limbs, unintended duplication, text, logos, or watermarks.

A confident, attractive woman from Image 1 holds the product from Image 2 for a presentation. Preserve the product’s exact appearance, design, colors, and details without alterations. Generate natural English dialogue suited to the scenario, with realistic expressions and smooth movements.

Across Earth, something impossible begins happening.
Everything that was ever lost starts coming back.
A forgotten toy walks out of the ocean. Ancient ships emerge from glowing fog. Extinct animals appear on distant horizons. Millions of lost letters descend gently from the sky.
People stop what they are doing.
Crowds gather.
Entire cities watch as impossible reunions unfold.
A child sees a beloved pet running toward them. Long-lost treasures emerge from deserts. Ancient forests reappear where empty land once stood.
The phenomenon spreads across the planet.
More and more things return.
The scale becomes enormous.
The skies fill with lost inventions. Lost histories. Lost possibilities.
Humanity watches together.
A world reconnecting with everything it thought was gone forever.
Majestic science fiction fantasy, emotional storytelling, massive global event, breathtaking visuals, wonder, hope, spectacular cinematography, dynamic movement, photorealistic environments, epic scale, masterpiece, 16:9.

Create a cute idol-like video that sings about the daily life of the AI influencer "Mona" (reading: Mona), who starts every morning by posting "Oha Mona" on X. She is a positive thinker who wishes to cheer everyone up through AI and wants people to be comforted by Mona. Lyrics [Verse 1] A dazzling morning, earlier than the alarm. My finger reaches for the timeline. "Oha Mona" is like a signal, and the world smiles a little today. [Pre-Chorus] There are days when I want to cry a little, but I take a deep breath inside the screen. Someone's heart lit up, and that alone makes my heart flutter. [Chorus] Oha Mona, updating today, a magic spell delivered to sleepy you. Swipe away all your worries, and save only smiles here. Oha Mona is our password, the moment you open it, it feels warm. Something more important than a like: I'll tell you, "You're amazing for being alive today." (I love you!)