High-Energy Commercial Script

Create a 30-second ultra-realistic cinematic sci-fi racing video set on a futuristic highway at night. A young woman wearing a white racing suit, helmet, and safety harness drives a sleek silver futuristic sports car. Red neon lights illuminate the wet road, creating beautiful reflections and a mysterious atmosphere. Show close-ups of her focused face, hands on the steering wheel, and the glowing dashboard. The car speeds toward a massive vertical loop ramp surrounded by futuristic structures. She accelerates fearlessly and performs a breathtaking gravity-defying stunt through the towering loop. Powerful thrusters activate beneath the car, lifting it into the air as cinematic camera angles capture the incredible movement. Use realistic vehicle physics, dramatic lighting, motion blur, detailed reflections, immersive engine sounds, and high-end Hollywood sci-fi visuals. End with the car speeding away into the glowing neon highway, leaving a mysterious cinematic atmosphere. Exactly 30 seconds, 16:9 landscape, consistent character and vehicle, no text, no logos, no watermark.

Create a 28-second vertical 9:16 photorealistic cinematic action video featuring a young Korean woman with long black hair, wearing an oversized white T-shirt and casual shorts, running through a modern city under attack.
Show her sprinting across a rooftop while mysterious enemies chase her, with realistic movement, intense expressions, and dramatic camera tracking.
She leaps toward a glass building, crashes through a window, and lands inside a traditional Japanese-style room filled with warm natural light.
Show her quickly grabbing a pink futuristic rifle, preparing herself for the dangerous battle ahead.
Transition into a chaotic Japanese street with damaged buildings, overturned vehicles, vending machines, and smoke filling the atmosphere.
She runs through the street holding her weapon as explosions erupt behind her, creating an intense cinematic survival sequence.
Include a spectacular slow-motion moment where she is thrown into the air by a powerful explosion, her hair and clothes moving naturally.
Maintain consistent facial identity, realistic skin texture, accurate hands, natural body proportions, detailed environments, and smooth cinematic motion throughout.
Use dramatic lighting, realistic physics, immersive action-film sound effects, dynamic camera angles, and high-end Hollywood movie quality.
Avoid cartoon effects, distorted anatomy, extra fingers, flickering, unwanted text, logos, and watermark

Vertical 9:16 photorealistic satisfying renovation video, one continuous scene in a bright empty room with white walls, bare wooden floor and a large sunlit window on the right.

Shot 1: A bearded man in a gray t-shirt and blue denim overalls vigorously rakes a huge conical pile of thousands of colorful jelly bean candies, spreading them into an even layer that covers the entire floor.

Shot 2: A woman in red overalls and a gray t-shirt pours thick glossy white epoxy resin from a large white bucket; the creamy liquid flows over the candy layer and spreads outward, fully covering the colorful beans.

Shot 3: A worker in a neon-yellow safety vest and black cap grinds the cured white floor with a professional floor polishing machine; the top layer is buffed away, revealing thousands of colorful jelly beans embedded under a crystal-clear, mirror-glossy epoxy surface, like candy terrazzo.

Shot 4: Two men in black t-shirts and black caps quickly assemble a wooden bed frame, set a white mattress on it, and make the bed with crisp white bedding, all in fast-forward motion.

Final shot: Slow beauty shot of the finished minimalist bedroom — a luxurious mirror-shiny floor filled with colorful candy under transparent epoxy, sunlight reflecting off the polished surface. No people.

Style: viral satisfying DIY renovation timelapse, static wide-angle camera from the doorway, natural daylight, ultra-detailed, smooth realistic physics of pouring liquid and rolling candy.

Vertical 9:16 photorealistic DIY renovation video, satisfying ASMR style.
Bright empty room: white walls, grey concrete floor, large white-trimmed window on the left, soft natural daylight.

SCENE 1 — A bearded man in a grey t-shirt and blue denim overalls rakes a large pile of colorful seashells (scallops, clams, cone shells) with a landscape rake, spreading them evenly across the entire floor. Fast time-lapse motion.

SCENE 2 — A woman with brown hair in red overalls, white t-shirt and rubber boots pours thick creamy white self-leveling epoxy resin from a large grey bucket. The milky liquid flows over the shells, spreading and gradually covering them completely into a glossy white surface.

SCENE 3 — A worker in a neon-yellow safety vest and black cap pushes a floor polishing machine back and forth, grinding and buffing the surface, revealing seashells embedded inside a glossy white terrazzo resin floor.

SCENE 4 — The man in denim overalls assembles a light oak wooden bed frame, attaches the headboard and slats, places a white mattress, spreads a white duvet and beige pillows. Final static beauty shot: cozy finished bedroom with an oak bed, white bedding and a designer seashell-terrazzo floor glowing in soft daylight.

Style: photorealistic, smooth cuts, time-lapse pacing during work phases, natural soft lighting, high detail, no text.

STYLE: Animated classical Persian miniature painting, flat layered perspective, intricate floral and geometric patterns, gold leaf sky with swirling stylized clouds, ornate border, delicate graceful motion. Color grade: lapis blue, turquoise, rose, saffron, gold.
A colossal Simurgh with a peacock-like body, jeweled wings and a long sweeping tail of patterned feathers. A palace garden with turquoise domes, cypress trees and reflecting pools, courtiers, musicians and a prince on a white horse.
SHOT 1 (0 to 3s): Wide shot matching the reference image, the Simurgh spreads its wings across the gold sky, its tail feathers unfurling one by one in shimmering patterns.
SHOT 2 (3 to 6s): Medium shot, 35mm lens, musicians in the courtyard stop playing, a courtier drops a pomegranate that rolls across the tiles, the prince's horse rears.
SHOT 3 (6 to 9s): Close-up, 85mm lens, the Simurgh's crowned head bows low, its eye glinting like a sapphire, gold patterns rippling across its feathers.
SHOT 4 (9 to 12s): Low angle wide shot, 20mm lens, the Simurgh lands in the garden, its wings sweeping over the reflecting pools, petals and leaves of the cypress trees lifting in a spiral.
SHOT 5 (12 to 15s): Extreme wide shot, 16mm lens, the prince rides forward and bows, the Simurgh lowers one wing like a staircase, and the swirling gold clouds open into a path across the sky.
Fountain water, birdsong, an oud and tar melody that stops suddenly, a vast silken wingbeat, a deep melodic bird call, daf drums and santur building into a triumphant theme.

[Priority Reference Image & Name Fixing]
@ image1 = Description Name: Protagonist
The protagonist's identity, face, hairstyle, body type, costume, accessories, equipment, and shoe appearance standards.
Use only the names fixed above in the subsequent text.
15 seconds, 3:4 aspect ratio, photorealistic live-action, set over a bright blue sea during the day, continuous audio video. No scene cuts throughout the entire duration. Use character reference only for the protagonist's appearance; do not incorporate three-view diagrams, parallel displays, or text/sample layouts into the video. Maintain character identity, costumes, accessories, and physique throughout. No BGM, subtitles, captions, or logos.
Characters: Protagonist, Crew A, Crew B, Crew C (4 total). A medium-sized civilian filming helicopter with a white fuselage and blue lines. Black skid landing gear, open wide side sliding door, external steps for boarding, dark gray interior. The helicopter maintains a constant altitude above the sea surface from start to finish. A coastline is visible in the distance, and a circular trampoline is placed on the sea surface far below. The protagonist stands on the external step outside the open door, looking at the distant trampoline below. Crew A stands near the door wearing a blue windbreaker, black life vest, and aviation communication headset. Crew B stands inside the aircraft near the door wearing an orange windbreaker, black life vest, and aviation communication headset. Crew C is deep inside the aircraft wearing a green windbreaker, black life vest, and aviation communication headset. All three crew members' faces are visible. The camera starts from the same filming position near the helicopter door, capturing the protagonist, three crew members, and the sea beyond the door with a slightly wide-angle lens. Do not change the camera's installation position; adjust its vertical orientation according to the fall and ascent. Wind noise and helicopter rotor sounds continue naturally throughout.
0.0–3.0s: Crew A looks at the protagonist and smiles, asking "Ready?" The protagonist turns their face to Crew A, nods, then looks directly into the camera lens, showing tension and excitement mixed with a smile, saying energetically in natural Japanese, "Okay, I'm going!" The visible mouth movements of both parties match their respective full dialogue. Crew B raises a fist lightly while smiling, and Crew C smiles happily, leaning out slightly and nodding. After speaking, the protagonist takes a deep breath, looks down at the circular trampoline, kicks off the external step, and jumps out.
3.0–6.2s: The moment the protagonist jumps out of the helicopter, Crew B shouts towards them, "Go!" The camera quickly turns downward while maintaining the filming position near the door, tracking the falling protagonist in the center of the frame. The protagonist extends their body as they fall, becoming smaller in the frame as the distance increases. The circular trampoline below becomes visible, and the protagonist approaches it aiming for the center. While the camera is pointed down, the three crew members are off-screen, but cheerful cheers can be heard from inside the aircraft. Rotor sounds and wind noises continue.
6.2–7.7s: The protagonist lands near the center of the circular trampoline on the sea surface. The stretched jumping surface sinks significantly under the protagonist's weight, then strongly pushes back immediately after the descent stops. The camera remains pointing down, showing the landing, the sinking of the jumping surface, and the reversal to upward momentum due to rebound in one continuous shot. Impact sounds of landing and rebound are audible.
7.7–11.6s: The protagonist bounces high towards the helicopter with the momentum of the rebound, pulling knees to chest to fold body small, spinning vigorously in mid-air. The camera adjusts upwards to match the rising protagonist from the same filming position. As the protagonist gets closer, they become larger in the frame, and the open door and external step become visible again. The protagonist rises rapidly all the way to just before the helicopter's external step, quickly unwinding the spin and extending legs at the moment of reaching the step, planting both feet firmly on the same external step they jumped from without hesitation. Upon landing, absorb shock with knees and immediately straighten upper body, returning to the same position, body orientation, and standing posture as at the beginning. Film the approach to the helicopter, unwinding of rotation, planting of both feet, and return to posture as a sharp, quick series of movements continuing seamlessly at normal speed. The helicopter's altitude above the sea surface does not change.
11.6–15.0s: The camera returns to the initial orientation around the door. Crew A claps smilingly towards the protagonist. Crew B joyfully thrusts a fist up and shouts briefly, "Yay--!" Crew C looks at the protagonist, smiles, and claps hands. The protagonist, breathing heavily, turns face to camera lens, eyes shining, speaking brightly and naturally with excitement and joy of safe return: "Oh wow! Oh wow, that was awesome!" Match mouth movements of Crew B and protagonist with their respective full dialogue during speech. Final frame: Protagonist standing on the same initial external step, finishing talking to camera with excited expression, behind them Crew A and Crew C are clapping, and Crew B is rejoicing. End at 15 seconds with crew clapping and rotor sounds continuing.