Seedance Harry Potter Wizard Duel Glitches

[Priority Reference Image & Name Fixing]
@ image1 = Description Name: Protagonist
The protagonist's identity, face, hairstyle, body type, costume, accessories, equipment, and shoe appearance standards.
Use only the names fixed above in the subsequent text.
15 seconds, 3:4 aspect ratio, photorealistic live-action, set over a bright blue sea during the day, continuous audio video. No scene cuts throughout the entire duration. Use character reference only for the protagonist's appearance; do not incorporate three-view diagrams, parallel displays, or text/sample layouts into the video. Maintain character identity, costumes, accessories, and physique throughout. No BGM, subtitles, captions, or logos.
Characters: Protagonist, Crew A, Crew B, Crew C (4 total). A medium-sized civilian filming helicopter with a white fuselage and blue lines. Black skid landing gear, open wide side sliding door, external steps for boarding, dark gray interior. The helicopter maintains a constant altitude above the sea surface from start to finish. A coastline is visible in the distance, and a circular trampoline is placed on the sea surface far below. The protagonist stands on the external step outside the open door, looking at the distant trampoline below. Crew A stands near the door wearing a blue windbreaker, black life vest, and aviation communication headset. Crew B stands inside the aircraft near the door wearing an orange windbreaker, black life vest, and aviation communication headset. Crew C is deep inside the aircraft wearing a green windbreaker, black life vest, and aviation communication headset. All three crew members' faces are visible. The camera starts from the same filming position near the helicopter door, capturing the protagonist, three crew members, and the sea beyond the door with a slightly wide-angle lens. Do not change the camera's installation position; adjust its vertical orientation according to the fall and ascent. Wind noise and helicopter rotor sounds continue naturally throughout.
0.0–3.0s: Crew A looks at the protagonist and smiles, asking "Ready?" The protagonist turns their face to Crew A, nods, then looks directly into the camera lens, showing tension and excitement mixed with a smile, saying energetically in natural Japanese, "Okay, I'm going!" The visible mouth movements of both parties match their respective full dialogue. Crew B raises a fist lightly while smiling, and Crew C smiles happily, leaning out slightly and nodding. After speaking, the protagonist takes a deep breath, looks down at the circular trampoline, kicks off the external step, and jumps out.
3.0–6.2s: The moment the protagonist jumps out of the helicopter, Crew B shouts towards them, "Go!" The camera quickly turns downward while maintaining the filming position near the door, tracking the falling protagonist in the center of the frame. The protagonist extends their body as they fall, becoming smaller in the frame as the distance increases. The circular trampoline below becomes visible, and the protagonist approaches it aiming for the center. While the camera is pointed down, the three crew members are off-screen, but cheerful cheers can be heard from inside the aircraft. Rotor sounds and wind noises continue.
6.2–7.7s: The protagonist lands near the center of the circular trampoline on the sea surface. The stretched jumping surface sinks significantly under the protagonist's weight, then strongly pushes back immediately after the descent stops. The camera remains pointing down, showing the landing, the sinking of the jumping surface, and the reversal to upward momentum due to rebound in one continuous shot. Impact sounds of landing and rebound are audible.
7.7–11.6s: The protagonist bounces high towards the helicopter with the momentum of the rebound, pulling knees to chest to fold body small, spinning vigorously in mid-air. The camera adjusts upwards to match the rising protagonist from the same filming position. As the protagonist gets closer, they become larger in the frame, and the open door and external step become visible again. The protagonist rises rapidly all the way to just before the helicopter's external step, quickly unwinding the spin and extending legs at the moment of reaching the step, planting both feet firmly on the same external step they jumped from without hesitation. Upon landing, absorb shock with knees and immediately straighten upper body, returning to the same position, body orientation, and standing posture as at the beginning. Film the approach to the helicopter, unwinding of rotation, planting of both feet, and return to posture as a sharp, quick series of movements continuing seamlessly at normal speed. The helicopter's altitude above the sea surface does not change.
11.6–15.0s: The camera returns to the initial orientation around the door. Crew A claps smilingly towards the protagonist. Crew B joyfully thrusts a fist up and shouts briefly, "Yay--!" Crew C looks at the protagonist, smiles, and claps hands. The protagonist, breathing heavily, turns face to camera lens, eyes shining, speaking brightly and naturally with excitement and joy of safe return: "Oh wow! Oh wow, that was awesome!" Match mouth movements of Crew B and protagonist with their respective full dialogue during speech. Final frame: Protagonist standing on the same initial external step, finishing talking to camera with excited expression, behind them Crew A and Crew C are clapping, and Crew B is rejoicing. End at 15 seconds with crew clapping and rotor sounds continuing.

【Video Specifications & Overall Style】

9:16 vertical screen, 15 seconds, one continuous shot. Inside a Chinese wildlife park, a thrilling scene accidentally captured by a tourist with an ordinary phone. Initially calm, the photographer is startled half a beat late after a giant crocodile attacks; the camera shakes, pans off, then hurriedly finds the person again. Retain the realism of amateur phone footage.

【Character & Reference Locking】

The female protagonist uses preset adult Chinese female character #1 @598c0e35-7c27-4b7c-8bac-19bb206ff1c3, wearing preset outfit #2 @d57ec59a-c0a5-4eae-84f4-4f02ef21a92d. Strictly maintain the face, long hair, clothing style, color, and material from the reference. #1 is the person, #2 is the outfit; numbers do not appear in the frame.

The administrator is a Chinese male around forty years old, with short black hair, wearing a khaki short-sleeved work uniform and dark trousers, with a work badge on his chest, standing behind and to the side of the female protagonist.

There are a few adult Chinese tourists in the background, wearing summer casual clothes, standing naturally staggered on the boardwalk.

【Scene & Camera Position】

Tropical crocodile viewing area, an old wooden boardwalk extending along a deep green pool, with bamboo, palms, and shrubs on the opposite bank. Thick wooden railings extend diagonally from the bottom right of the frame to the background.

The external photographer stands about one meter behind and to the side of the female protagonist, slightly higher than the position of her phone, shooting vertically downwards. The right side of the frame shows the female protagonist, the administrator, and the boardwalk; the left and bottom show the pool.

Humid daytime, natural sunlight filtering through vegetation, slight green reflection on the water surface. Ordinary phone 1x main camera, slight hand shake, tilt, compression artifacts, noise in shadows, brief blur during rapid turns. No cinematic color grading, drone shots, or portrait bokeh.

【Female Protagonist's Phone Orientation — Must Be Accurate】

The female protagonist is using the rear-facing camera of her phone to film the crocodile in the water, not taking a selfie, nor showing the phone to the external photographer.

She holds both ends of the phone horizontally with both hands, fingers avoiding the rear camera. The phone is located below her chest, near the outer edge of the railing, with the body clearly tilted downward. The direction of the rear lens accurately falls on the huge shadow underwater in the lower left.

The phone screen faces up and slightly towards her face; the back of the phone and the rear lens face down, towards the water surface. She looks down at the screen, observing the target in the water through it.

From the slightly elevated side-rear angle of the external photographer, mainly the phone screen and the side of the body should be seen, not the entire back of the phone and the camera module facing the external photographer.

The content framed on the screen matches the real water surface: the same water surface and the same blurry shadow can be seen, without the female protagonist's selfie face, irrelevant scenery, or wrong direction.

When the female protagonist slightly adjusts her wrist, the rear lens always follows the underwater shadow. Until the giant crocodile attacks, she retracts the phone due to shock, disrupting its orientation.

【Giant Crocodile & First Frame State】

Only one abnormally large dark gray-black crocodile. When leaping, its head approaches the size of an adult's upper body, and its open mouth occupies nearly half of the left side of the frame. Size refers to the original video; do not generate an ordinary small crocodile.

In the first frame, the giant crocodile is completely submerged, presenting only a huge, blurry elongated shadow, like sunken wood. Water reflections and turbidity obscure details; the head, eyes, nostrils, scales, or teeth cannot be clearly identified, and no part breaks the surface.

The giant crocodile maintains the same volume throughout, not suddenly expanding at the moment of leaping.

【0–2 Seconds: Filming Underwater Shadow】

The female protagonist stands inside the railing, leaning forward slightly, holding the phone horizontally with both hands, pointing the rear lens downwards at the huge shadow in the water in the lower left.

She looks down at the screen facing herself; the shadow in the screen corresponds to the shadow in the pool. The external photographer captures the phone screen, the female protagonist's side profile, and the water surface below from her side-rear.

The administrator seriously reminds:

"Ma'am, step back a little, don't lean on the railing!"

There are only slight ripples on the water surface; the crocodile has not yet emerged.

【2–4 Seconds: Target Approaching, Phone Following】

The huge underwater outline slowly approaches the female protagonist's position. She slightly rotates her wrists, keeping the rear lens aimed at the moving shadow, screen facing herself, not turning the back of the phone towards the external photographer.

The administrator steps closer, reaching out to support her, tone becoming urgent:

"That's not wood, it's alive! Don't lean out!"

The female protagonist begins to retract her body, but the phone is still filming the water surface. At the end of this segment, the crocodile's nose tip and eyes just break the water.

【4–6 Seconds: Giant Crocodile Attack】

The giant crocodile suddenly bursts through the water surface, its huge head rising along the outside of the railing, its open mouth instantly occupying nearly half of the left side of the frame, bringing up large splashes.

The female protagonist screams, hastily retracting her phone and arms. The phone orientation loses stability due to shock; it must have been correctly aimed at the crocodile before this.

The giant crocodile briefly bites her forearm extended outside the railing and nearby fabric. The administrator immediately supports her upper arm and shoulder/back, stabilizing her center of gravity inside the railing.

The external photographer retreats half a step in shock, the camera briefly jerks upwards, no cut or close-up of wounds.

【6–9 Seconds: Escape & Falling into Water】

The giant crocodile briefly releases its bite, head drops back, the female protagonist takes advantage to retract her injured forearm, the administrator pulls her to the inside of the boardwalk. The action must have a clear release, cannot let the arm pass through closed teeth.

The phone slips from the female protagonist's hand, flips, and falls into the pool, falling only once.

The giant crocodile slams back into the water, kicking up white splashes. The female protagonist covers her forearm, a small amount of red liquid seeps from the wound, forming short and thin streaks, staining the fabric at the contact point, with one or two drops falling onto the wooden boardwalk.

Do not display deep wounds, no spraying, no heavy bleeding.

The administrator shouts:

"Step back! Don't reach out! Don't pick up the phone!"

【9–11 Seconds: Tourists Panicking】

The female protagonist retreats to the middle of the boardwalk, protecting her injured forearm, shoulders tense, breathing rapid.

Nearby tourists first shrink their shoulders and retreat, pulling companions; tourists in the back turn around only after hearing the scream, some put away phones, some move aside, exclaiming in succession:

"Retreat quickly!"

"Don't lean on the railing!"

Crowd reactions have time delays, not synchronized, no clipping, no falling into the pool. The giant crocodile stays underwater, no second attack.

【11–13 Seconds: Administrator Evacuating】

The administrator stands between the female protagonist and the railing, protecting her as she continues to retreat, gesturing for tourists to make way:

"Move back! Everyone don't crowd!"

A nearby tourist offers tissues, the female protagonist accepts and presses them against the same wound, the tissue gradually stains with a small amount of red.

The photographer retreats slightly and corrects composition, capturing the female protagonist, administrator, and panicking retreating tourists simultaneously.

【13–15 Seconds: Aftermath of Fear】

The female protagonist covers her forearm, panting, voice trembling saying:

"Scared me to death... It really bit!"

The administrator still protects her, warily looking at the pool. Background tourists whisper warnings:

"Stay far away, don't film!"

Ends with the female protagonist still shaken, crowd retreating, water surface aftermath not yet settled.

【On-site Audio】

All audio is recorded live on the phone, Chinese dialogue, no music, narration, or subtitles.

Start with low tourist chatter, bamboo leaf friction, and slight water sounds. The administrator's voice is near and clear, changing from serious reminder to urgent stop as danger occurs.

Heavy water sound when crocodile emerges, female protagonist's scream, nearby gasps; followed by phone falling into water, splash landing, rapid panting, and messy footsteps. Largest splash and scream cause microphone clipping briefly, then automatic gain recovers.

Distant tourist voices are more scattered and lighter, no monster roars added.

【Continuity & Key Constraints】

At the start, the female protagonist's phone must correctly film the underwater target: screen up and facing her, rear lens down aimed at the crocodile's location; external photographer mainly sees screen and sides. Prohibit rear lens facing external photographer while appearing to film underwater target.

First frame only has blurry giant underwater shadow, no clear crocodile head, eyes, scales, or teeth. Red liquid appears only after biting.

Maintain continuity of character #1, outfit #2, administrator, giant crocodile, and boardwalk. Injury is always on the same forearm, red streaks, fabric damage correspond to tissue press location.

Only one phone, does not return to hand after falling. Female protagonist and administrator always inside railing, crocodile @d57ec59a-c0a5-4eae-84f4-4f02ef21a92d always in pool. Maintain causal relationships of contact, weight, bite, release, and retreat actions throughout.

No wound close-ups, no amputations, no deep tissue display. Entire piece is one continuous shot, no slow motion, replays, studio reveals, UI overlays, or watermarks.

Ultra-realistic cinematic action sequence featuring a young woman with long black hair wearing a black oversized graphic T-shirt and black boots, sitting outside a suburban house holding a miniature pink supercar. Suddenly, the toy car magically transforms into a full-size, ultra-realistic pink supercar and launches into the air, flying through a quiet residential street before transitioning into a dramatic Tokyo-style urban intersection. The woman appears inside the driver's seat as the pink supercar drifts aggressively through the city, spinning across the crosswalk with realistic tire smoke, spinning wheels, cinematic motion blur, and reflections on the asphalt. The car accelerates through the intersection, leaving thick white smoke trails, then slides dramatically toward a brightly illuminated Japanese convenience store. Cut to a wide cinematic shot of the car drifting outside the store as pedestrians react in surprise. Final scene: the woman walks confidently out of the convenience store entrance, surrounded by scattered groceries and glass reflections, while the pink supercar remains visible in the background.

Ultra-realistic cinematic extreme close-up portrait of a beautiful young woman with delicate facial features, captivating dark brown eyes, long curled eyelashes, subtle smoky eye makeup, and naturally glowing porcelain skin. The video begins with an extreme macro shot of her closed eyes, with loose strands of dark, slightly wet hair falling naturally across her face. Slowly, she opens her eyes, revealing deep, expressive brown irises, as the camera smoothly pulls back to reveal her full face. She wears elegant dangling silver earrings, with a few delicate strands of hair framing her cheeks. Her lips are slightly parted, creating a mysterious, emotional expression. Dark moody blue-black background, dramatic soft side lighting, subtle highlights reflecting in her eyes, realistic skin pores, delicate shadows, shallow depth of field, cinematic atmosphere, premium beauty campaign aesthetic, photorealistic details, smooth natural eye movement, slow camera movement, 85mm portrait lens, f/1.8, HDR, 8K quality, highly detailed eyelashes and irises, professional color grading, vertical composition, 9:16 aspect ratio.

Animated layered papercraft diorama, visible paper fibers and folds, deckled edges, parallax between paper layers, soft shadows, warm backlight glowing through thin paper, gentle handmade motion. Color grade: cream, dusty blue, terracotta, sage green, warm golden backlight.
A colossal whale made of folded origami paper with crisp creases. A paper cut village of rooftops and windmills with tiny paper villagers flying kites.
SHOT 1 (0 to 3s): Wide shot matching the reference image, the whale glides forward and its folded fins unfold and refold with crisp creasing motions, paper clouds sliding past in parallax layers.
SHOT 2 (3 to 6s): Medium shot, 50mm lens, villagers on a hill tug their kite strings as the whale's shadow passes over them, windmill blades spinning faster in its wake.
SHOT 3 (6 to 9s): Close-up, 85mm lens, the whale's eye, a small cut circle, blinks as backlight glows through the thin paper of its head, revealing faint printed text inside the folds.
SHOT 4 (9 to 12s): Low angle tracking shot, 24mm lens, the whale dives toward the village and its tail sweeps a wave of paper confetti and paper birds out across the rooftops.
SHOT 5 (12 to 15s): Extreme wide shot, 16mm lens, the whale rises into the sky and unfolds completely into a flat sheet that becomes a giant paper sun, lighting the whole village warmly.
Rustling paper, soft crinkling folds, windmill creaks, a gentle whale call that sounds like a breath through paper, children laughing, music box and soft piano.

Create a 28-second ultra-realistic cinematic Korean drama featuring two beautiful young Korean women in a quiet, dimly lit apartment hallway. One woman has long, straight black hair and wears an elegant black outfit, while the other wears a sophisticated white pantsuit with a simple handbag. Begin with a mysterious rear shot of the woman in black walking slowly through a dark corridor illuminated by soft blue light. Transition into a beautifully detailed apartment hallway where both women walk past each other, creating a subtle atmosphere of tension and curiosity. Use cinematic close-ups, natural walking movements, realistic facial expressions, and smooth camera tracking to build suspense. Show a close-up of a wooden doorway and a subtle movement near the floor, followed by an empty hallway and a metallic elevator interior. Capture the woman in black standing quietly inside the elevator with a serious expression. End with the woman in white walking alone through the hallway, followed by a breathtaking close-up of her face outdoors, with her black hair moving gently in the breeze. Use soft natural lighting, muted colors, shallow depth of field, realistic skin texture, cinematic composition, smooth transitions, and professional Korean drama cinematography. Maintain consistent facial identities, hairstyles, outfits, and body proportions throughout the video.