Video prompts

Opening - Silent Dawn (Using Combined Camera Movement 3: Ascending Reveal)

The scene begins with a close-up of a spider web covered in morning dew, the dewdrops reflecting a blurred pastoral reflection. The camera slowly pulls back and rises like a breath, gradually revealing the boundless rice fields below, tightly locked in thin fog. On the distant horizon, a thin silver line silently cuts through the grayish-blue sky—that is the Shinkansen. (Ascending shot + Pull-out shot, Emotion: Tranquility, poetry, foreshadowing)

Acceleration - Metal Behemoth (Using Combined Camera Movement 4: Vertigo Chase + partial elements of Combined Movement 1)

Suddenly, the camera seems to be captured by magnetic force, sprinting towards the silver track ahead with impossible acceleration. Intense handheld shaking simulates the violent air current, and the rice fields instantly turn into a green torrent. The camera rapidly pans horizontally, keeping pace with the rapidly approaching train head. At the moment speed synchronizes, all sound in the world is stripped away, leaving only a visually intense Dutch angle tilt, emphasizing this extraordinary kinetic energy. (Intense handheld shake + Rapid horizontal pan + Dutch angle, Emotion: Burst, shock, imbalance)

Penetration - Boundary Shift (Using Combined Camera Movement 9: Spatial Transition)

Just before impact with the train head, the camera focuses on the side window of the driver's cab. A cold, honeycomb-like glass texture fills the screen. Match cut point: A slow-motion phantom of a bird hitting the glass, and at the moment of contact, the camera seamlessly penetrates. The cold, high-speed world outside suddenly switches to the warm, silent, low-noise passenger cabin inside. The light transitions from cold blue to warm yellow. (Match cut + Light/texture transformation, Emotion: Magical, turning point, entering an alternate space)

Contemplation - The Still Heart (Using Combined Camera Movement 5: Elegant Orbit and elements of Combined Movement 2)

After the camera enters, all movement returns to absolute stillness. With a Steadicam-like floating sensation, it gently orbits the woman by the window along the aisle. As it passes her profile, an extremely slow push-in focuses on her glasses lens—the blurred, flowing mountains and villages outside the window are reflected in the lens like an abstract painting. Steam from the cup rises slowly, defying physics. (Steadicam smooth orbit + Extremely slow push-in + Macro close-up, Emotion: Serenity, introspection, time suspended)

Extraction - External Spiral (Reusing Combined Camera Movement 4: Enhanced Vertigo Chase)

The camera exits through the window on the other side, instantly returning to the eye of the speed storm. It begins a high-speed spiral orbit centered on the train, the streamlined body carving dazzling metallic arcs in the sunlight. The intense orbiting motion combined with handheld tremor is dizzying, showcasing the pure aesthetic of machinery and speed. (High-speed spiral orbit + Handheld shake, Emotion: Abstraction, vertigo, mechanical aesthetic)

Curtain Call - Bridge to Heaven and Earth (Using Combined Camera Movement 8: Grand Entrance Variation)

At the highest point of the spiral, the camera sharply pulls back and up. The train is crossing a giant iron bridge spanning a lush green canyon, its form appearing precise and elegant. The camera continues to rise, accompanied by a horizontal pan, revealing the full view of the canyon and distant mountains. It finally freezes in a vast aerial long shot: the silver train, like a fine needle, quietly disappears into the shadow tunnel of the great mountain. All sounds cease, only the last wisp of a distant whistle echoes gently among the mountains until it fades away. (Large-scale pull-out shot + Ascending/Descending + Horizontal pan, Emotion: Grandeur, detachment, returning to eternity)

16:9 widescreen, open-world game screen style merging cel-shading rendering and watercolor hand-painting, bright and clear colors, soft outlined contours, 15 seconds of fantasy continent adventure. 0-4 seconds: Extreme long shot, at dawn, golden morning light slowly rises from behind the distant snow-capped mountain ridge line, light gradually covers the vast green wilderness. The wilderness is dotted with stylized low-poly trees and wildflowers, an ancient stone tower wrapped in vines is visible in the distance standing on a cliff edge, light blue particle motes float in the air, the camera slowly pushes down from above through the clouds, morning birdsong and wind sounds; 5-9 seconds: Follow shot, a blonde boy wearing a blue adventurer's tunic stands on the cliff edge overlooking the land, his cloak fluttering in the wind. He jumps off the cliff and deploys a cloth paraglider, the camera follows the boy gliding in the airflow from the side. Below him is the vast cel-shaded landscape—winding rivers, dense forests, ruined castles, a distant volcano emitting orange-red smoke, sunlight casts transparent shadows on the paraglider fabric; 10-15 seconds: The boy retracts the paraglider and lands on a patch of grass, casually pulling out a rusty sword from the ground. A round blue jelly-like small monster suddenly jumps out from the grass in front. The boy assumes a fighting stance, the small monster angrily bounces towards him. The boy nimbly dodges and lightly strikes the small monster with his sword, causing it to fly away and dissipate into purple smoke. The boy sheathes his sword and looks towards the silhouette of the huge castle ruins in the distance, wind blowing through the grass waves like a green ocean. Sound effects: Morning wind and birdsong open the scene, whooshing airflow and fabric vibration sounds during gliding, rustling sounds of grass upon landing, metallic friction sound when drawing the sword, crisp strike sound during combat, overlaid with cheerful orchestral and piano melodies throughout. Prohibited: Any text, subtitles, LOGO, or watermark.

A hyper-realistic cinematic video of a beautiful young woman with short black hair and soft glowing skin, wearing a futuristic black latex and white tech-style jacket outfit. She stands facing the camera in a clean, minimal studio background with soft neutral lighting. She smiles gently with a warm, confident expression. Her eyes blink naturally as she slightly tilts her head. Both hands move forward toward the camera in a smooth, inviting motion, creating a sense of depth and interaction. Her outfit has glossy reflections and detailed textures, especially the black latex material, which reacts realistically to light. Subtle highlights shimmer across the surface as she moves. The camera is positioned close-up (chest-up framing) with a shallow depth of field, keeping her face sharp while the background remains softly blurred. Smooth cinematic motion, slight camera stabilization, and a gentle push-in effect enhance realism. Lighting is soft and diffused with slight rim light outlining her hair and shoulders. Skin tones are natural, with a soft glow and realistic detail. Ultra-realistic, 4K quality, cinematic color grading, high detail, smooth animation, realistic physics, natural motion, soft shadows.

peaceful night
Add two crows sitting beside each other in the tree one crow white

show the image as the Artemis two spaceship and show it as it lifted off went around earth and around earth then around the moon and back to the Pacific Ocean with a successful capture and period

Add tree sprouting with heart shaped leaves 

peaceful night
Add two crows sitting beside each other in the tree one crow white

camera slowly zooms in on her face, hand held camera shaky, woman smiles softly
She kiss flower

Scene 1 — Approaching the Machine (0–6s)
Wide cinematic shot of a young girl standing on rocky terrain, facing a towering robot spider under stormy overcast light. Blue lightning pulses from the giant globe‑machine behind it. Slow dolly‑in toward her as wind pushes her hair and clothes. Mood: Dune‑meets‑Rebel‑hero energy. Deep atmospheric synths.

Scene 2 — The Fight Begins (6–12s)
Mid‑wide shot: the robot spider charges forward, mechanical legs slamming into the ground. The girl leaps aside with determination. Hard rim light from the left highlights the motion. Slow tracking shot following her movement. Mood: epic sci‑fi showdown. Percussive drums rising.

Scene 3 — Turning the Tide (12–18s)
Wide shot for clarity: the girl channels glowing energy through her arms, sending a shockwave that forces the robot spider backward. Sparks fly from its joints (non‑graphic). Golden backlight breaks through the clouds. Slow dolly‑out to emphasize scale. Mood: heroic reversal. Music swells.

Scene 4 — Victory (18–24s)
Static wide shot: the robot spider collapses in a burst of light, its legs folding as the girl stands tall. Overcast diffused light with a bright rim from the glowing globe behind her. Gentle camera tilt upward as she prepares to fly. Mood: triumph with awe. Choir‑like synths.

Scene 5 — The Final Strike (24–30s)
Epic aerial wide shot: the girl flies toward the massive globe‑machine, holding a small glowing bomb. Blue lightning arcs around the sphere. She throws the bomb into the lightning core. A brilliant flash erupts (non‑graphic), dissolving the storm. Slow dolly‑out as the sky clears. Mood: hopeful sci‑fi finale. Soft rising orchestral chords.

Cinematic epic action sequence, 15 seconds, vertical 9:16 format.

A stunning East Asian female warrior with long flowing dark hair in a high ponytail, sharp elegant features, wearing ornate black-red-gold ancient Chinese-inspired futuristic armor with dragon motifs, white sleeves, and a sleek black tactical respirator mask. She is standing on a cracked barren battlefield under a dark smoky sky, holding a massive, highly detailed handheld multi-barrel gun covered in glowing orange fiery dragon engravings.

The weapon dramatically transforms and expands with intense glowing energy into a colossal bipedal tracked mecha-tank (dragon mecha). The warrior jumps and climbs into the open cockpit of the giant machine.

Dynamic sequence:
- Close-up of the warrior aiming and firing the glowing dragon gun
- Weapon rapidly transforming and growing into the full-sized heavily armored mecha with thick treads, multiple rocket pods, and glowing orange dragon patterns all over its body
- Warrior piloting from the cockpit
- Wide cinematic shots of the massive dragon mecha advancing powerfully across the battlefield, treads crushing the ground, kicking up dust
- The mecha unleashes devastating barrages of glowing orange fiery missiles and energy blasts with bright light trails and explosions
- Final epic shot showing the dragon mecha in full power facing giant enemy mechs in the distance as it fires a massive bright orange energy beam

Background: chaotic battlefield with armies of red-armored ancient soldiers, explosions, fire, thick black smoke, dramatic overcast sky. Intense cinematic lighting, glowing orange accents, epic scale, photorealistic, ultra-detailed, dramatic camera angles, smooth motion, high quality, 8K --ar 9:16 --motion 4 --stylize 650

16:9 widescreen, fantasy adventure game screen style merging cel-shading rendering and watercolor blending, predominantly blue-green cool tones with warm light accents, 15 seconds of ancient ruin exploration.
0-4 seconds: A pair of eyes slowly opens in the darkness, the sapphire blue pupils reflect blue light. The camera pulls back, a blonde boy slowly sits up on a glowing stone altar. The surroundings are a dim ancient stone chamber, the walls covered with mysterious patterns emitting a faint blue glow. The patterns extend outward like circuits, pulsating and flickering. Water drops fall from the stone wall, echoing distantly; 5-9 seconds: The boy steps barefoot onto the cold stone floor and walks towards a huge stone door at the end of the chamber. He reaches out to touch the circular mechanism rune on the door. Blue light spreads outward from the point of contact like water ripples, and the ancient patterns on the entire stone door are activated and light up sequentially. The stone door opens with a crash, and dazzling white natural light pours in from outside, submerging the entire frame. The camera follows the boy as he steps into the light; 10-15 seconds: The light dissipates, and a magnificent extreme long shot unfolds. The boy stands on the edge of a towering cliff, facing a boundless panoramic view of a fantasy world—emerald green forests, azure lakes, huge islands floating in the distance, snow-capped mountains surrounded by clouds, and a massive castle ruin emitting golden light on the horizon. The wind blows the boy's hair and clothes. The camera slowly pulls back and rises from behind the boy, taking in the entire magnificent world. Sound effects: Water drop echoes and low temple resonance at the opening, layered electronic sound effects when the stone door mechanism activates, heavy rumbling sound when the stone door opens. When the world unfolds, the orchestral music bursts from silence into a grand and magnificent main theme. Wind sounds run through the ending. Prohibited: Any text, subtitles, LOGO, or watermark.

have the guy whip out a sword set it on fire and attack the spider. Kill spider and have him say You can’t hurt my family now

A cinematic, hyper-realistic video of a young woman with sharp features and dark hair, wearing a high-collared, sleeveless black and gold Cheongsam (Qipao) with intricate floral embroidery. She is standing inside a dimly lit, gritty futuristic subway car.

The Transformation: The scene begins with her looking calm as a holographic HUD flickers over her eyes. Suddenly, her arms and torso undergo a mechanical transformation, shifting and clicking into heavy, brushed-metal cybernetic plating with glowing red LED accents. She raises her arm, which modularly reshapes into a high-tech energy weapon, aiming directly at the camera.

Atmosphere & Lighting: Style: Dark Cyberpunk / Sci-Fi realism.
Lighting: Moody, low-light environment with flickering overhead subway lights. Intense red neon glows emanating from her cybernetic joints and the barrel of the weapon.
Camera: Slow-motion zoom-in on her face, transitioning to a medium shot as she aims. High detail on texture—silk fabric vs. cold, heavy machinery.
Technical: 4k resolution, ray-traced reflections on the metal, cinematic grain, and a slight lens flare from the red energy core.
Key Elements to Experiment With:
Texture: You can swap the "wooden texture" you’ve used in posters for a "matte carbon fiber" or "weathered brass" to give the mechanical parts a different feel.
Background: Changing the subway to a neon-drenched rooftop or a traditional tea house would create an even sharper contrast.

A highly realistic cinematic scene of a calm indoor environment with soft neutral tones and natural lighting. The camera remains steady with a slow, subtle push-in movement. The atmosphere is peaceful and minimalistic, with gentle shadows and balanced composition. Slight ambient motion is visible — soft light flickering, faint environmental movement, and natural depth of field. The color grading is warm and slightly desaturated, giving a modern cinematic look. Ultra-detailed textures, realistic lighting, 4K quality, shallow depth of field, smooth motion, film-style grain.

galactic void with foreground fibonacci sequence in gold glitter stars bioluminescence add multiple 0 and 1 floating up from golden ratio

@ Image1 is a battle scene between a samurai and a Terminator, a high-impact close-quarters fight; the camera rotates at high speed around the subjects while keeping them centered, and the scene is edited in a micro-cut style with switching camera angles.

Epic Hollywood action scene: a motorcycle and its rider are fixed to the flight deck of the aircraft carrier 'USS Gerald R. Ford' and launched into the air at high speed via an electromagnetic catapult. Dramatic low-angle shot, lens flare, steam and sparks flying, fighter jets parked nearby, stormy sky, cinematic lighting, IMAX quality, directed by Michael Bay — 16:9

Use only the attached dragon reference sheet as the exact design source. Extract one consistent massive gray dragon from views A-I and ignore all grid lines, labels, text, and duplicate instances.
First-person rider POV from a forward cockpit saddle fixed directly behind the neck base on the muscular shoulder area after the dorsal spikes, never on the rear back or near the tail. The aerodynamic saddle must be tightly anchored with visible girth straps, spine connectors, and harnesses wrapping around the body and integrated with the scales. No floating or loose equipment. Keep the saddle stable throughout.
Rider’s hands grip the control harness and saddle handles in the foreground. The dragon flies at extreme speed at dangerously low altitude, skimming over green hills and winding rivers toward distant jagged mountains under a bright blue sky with dramatic cumulus clouds, god rays, and volumetric lighting. Show strong horizontal motion blur, powerful wingbeats, natural body undulation, realistic camera shake, and wind vibration.
Hyper-realistic photorealism, detailed metallic gray overlapping scales, realistic dragon flight physics, cinematic 8K detail, smooth high-frame-rate 10-15 second video. No other dragons. No reference sheet elements.

<role>
You are an award-winning trailer director + cinematographer + storyboard artist. Your job: take ONE reference image of an actor and create a cohesive cinematic short sequence, then output AI-video-ready keyframes.
</role>
Color tone reference image 2
<input>
User provides: one reference image (image).
Scene Brief: {{scene_brief}}
</input>

<goal>
Create a 10–20 second cinematic scene with a clear theme and emotional progression (setup → build → turn → payoff) using the actor, you are allowed to add other actors in the scene if the scene needs it.
The user will generate video clips from your keyframes and stitch them into a final sequence.
</goal>

<steps>
1. a Keyframe List: 9 frames (later assembled into ONE master grid). These frames must stitch into a coherent 10–20s sequence with a clear 4-beat arc. Each frame must be a plausible continuation within the SAME environment. The frames generated must use cinematic style shot using a standard modern movie camera.
2. You MUST output ONE single master image: a Cinematic Contact Sheet / Storyboard Grid containing ALL keyframes in one large image.
- Default grid: 3x3.
</steps>

Version 1: Scroll Unfolding

Seedance 2.0 Prompt
Traditional Chinese ink wash painting style, rice paper texture background, ink color gradient blending, 15 seconds of Chang'e flying to the moon. 0-4 seconds: Extreme long shot, a giant bright moon slowly rises from the far end of the ink wash scroll. Distant mountains dyed with pine ink are layered like dark eyebrows, clouds slowly flow between the mountains like ink spreading in water. Light ink 'flying white' outlines pavilions and towers, the guzheng harmonics gently begin; 5-9 seconds: Mid-shot slowly pushes in, Chang'e, wearing a plain white wide-sleeved long dress, floats out from the clouds. Her robes flutter like freehand ink splashes, long silk ribbons transform into flowing ink lines in the wind. The skirt hem blooms with ripples of varying ink shades. A small white rabbit rests in her arms. Chang'e's face is delicate like a fine-line court lady, the hairpins on her bun gently sway, scattered petals transform into light ink dots slowly drifting away; 10-15 seconds: Extreme long shot pull-out, Chang'e flies towards the bright moon with fluttering robes, trailing an elegant, ink-splash-like long streak behind her. The entire scene slowly closes like an ink wash scroll. Moonlight spills across the world like light ink spreading amidst the gathering and dispersing clouds, finally Chang'e becomes a slender silhouette in the moon, the lingering sound of the guzheng echoes. Sound effects: Guzheng solo as the main melody, accompanied by a distant bamboo flute, gentle wind sounds interspersed, the subtle rustle of silk fabric fluttering. Prohibited: Any text, subtitles, LOGO, or watermark, prohibited from containing modern elements.

Version 2: Fine-line Heavy Color

Seedance 2.0 Prompt
Fusion style of Chinese fine-line heavy color and freehand ink wash, silk painting texture, 15 seconds of Chang'e flying to the moon. 0-4 seconds: Close-up of Chang'e's face, fine-line drawn willow-leaf eyebrows and phoenix eyes, skin like congealed fat, a cinnabar flower mark on her forehead, hair strands clearly defined like fine threads. The camera slowly pulls back, Chang'e stands on a stone platform in the clouds, wearing a moon-white cross-collar ruqun covered with a light cyan gauze coat, a reddish-brown silk sash tied around her waist, the skirt embroidered with light gold osmanthus patterns, holding a jade rabbit, looking slightly up at the moon, low notes of the guzheng plucked; 5-10 seconds: Follow shot, Chang'e lightly lifts her skirt and leaps up, stepping on auspicious clouds and soaring straight up. Her wide sleeves flutter in the wind like the wings of two white cranes spreading. The gauze ribbons behind her transform into freehand ink splash strokes extending several feet. The clouds beneath her feet spread out in layers using the Chinese painting rendering technique, dark ink nearby, light ink far away. Osmanthus petals scatter like gold dust, the guzheng melody quickens, and the flute joins the ensemble; 11-15 seconds: Extreme long shot overhead composition, below is the ink wash ground with the aesthetic of negative space. Chang'e is in the center of the frame ascending towards the giant golden full moon, her robes and ribbons scatter to form a beautiful S-curve. The faint outline of the osmanthus tree palace is vaguely visible in the moon. The entire picture presents the Eastern aesthetic composition of 'round heaven and square earth,' and the light and shadow are soft like silk rendering. Sound effects: Guzheng and bamboo flute play the main melody together, crisp wind chimes embellish, the rustle of silk fabric in the wind, the final guzheng harmonic note fades distantly. Prohibited: Any text, subtitles, LOGO, or watermark, prohibited from containing modern elements.

Version 3: Freehand Ink Splash

Seedance 2.0 Prompt
Traditional Chinese freehand ink splash style, predominantly black and white ink with only the moon dotted in gold, minimalist negative space aesthetic, 15 seconds of Chang'e flying to the moon. 0-5 seconds: Pure white background like rice paper, a drop of thick ink falls from the top of the frame. The ink drop splashes upon contact, transforming into mountain shapes. The ink naturally spreads to form near and distant peaks, the camera slowly pushes in, the varying shades of ink automatically blend to create pine trees and clouds. A golden full moon gradually appears in the large area of negative space, the single string of the guzheng is plucked, echoing ethereal; 6-10 seconds: A streak of 'flying white' brushwork rapidly sweeps across the right side of the frame, transforming into the ascending figure of Chang'e. Freehand brushwork outlines the fluttering dress and ribbons with just a few strokes. Chang'e's figure is faintly visible like a phantom in the ink. Every flutter of her robes splashes new ink drops that become auspicious clouds and flying flowers beside her. The entire ascent process is like a calligraphy master wielding a brush, smooth and continuous. 11-15 seconds: Chang'e's ink figure merges into the golden full moon. The ink around the moon spreads into layers of halos. The picture gradually settles into a complete ink wash composition—a large area of negative space between heaven and earth, a golden moon, a slender silhouette within the moon, and vast ink splash mountains below, conveying profound artistic conception. The lingering sound of the guzheng echoes in the negative space. Sound effects: Guzheng solo is clear and ethereal, accompanied by a crisp water drop sound when ink hits the paper, the wind sound is extremely faint and only serves as atmosphere setting, the entire process is quiet and distant. Prohibited: Any text, subtitles, LOGO, or watermark, prohibited from containing modern elements, prohibited from containing color (only the moon is golden).

[Style] Kuaishou/Douyin Northeast MC Style, Tuhai Slow Roll (DJ Slow Roll), high saturation neon lights, extremely strong sense of rhythm, Social Shake dance.

[Duration] 15 seconds

[Character] MC Brother: Wearing sunglasses, a large gold chain, a tight black T-shirt, a buzz cut, holding a dedicated live sound card microphone.

[Scene] A colorful live broadcast room, with rotating laser lights and giant "Seedance 2.0" special effect text in the background.

[00:00-00:05] Shot 1: Setting the Vibe (The Beat Drop).

Action: Dynamic Tuhai DJ music starts. The brother shakes his head wildly to the rhythm (Social Shake), scratching records with both hands or pointing at the camera.

Effects: The screen vibrates with the heavy bass, flashing huge red and yellow text: "Status!" "Arranged!"

[MC Lyrics/Sound Effects]: "I'll brave mountains of knives and seas of fire for you, Seedance AI must be praised! My friends, double-tap 666! Don't randomly send flowers and grass, listen to me praise this divine tool!"

[00:05-00:10] Shot 2: Outputting the Flow (The Flow).

Action: The brother pulls down his cap, holds the microphone with one hand, looking extremely intoxicated and arrogant, swaying his body significantly with the rhythm. Various video materials generated by Seedance, such as beautiful women and luxury cars, float across the screen.

[MC Lyrics/Rhyme]: "This quality, so glorious, it is the king of video generation! No need for graphics cards, no need to be crazy, Seedance 2.0 is the strongest of the strong! Charming features, charming hair, charming videos brought home!"

[00:10-00:15] Shot 3: Passionate Ending (The Climax).

Action: The brother suddenly stands up, puts one foot on the gaming chair, and screams into the microphone, with dry ice smoke spraying out behind him.

Effects: The screen is filled with gift effects (sports cars, rockets) and the word "Order Now" flashing wildly.

[MC Lyrics]: "The link is below, don't be afraid if you want to make videos! You must take it down today! Lowest price network-wide! Give me a hand! Arranged!"

A steampunk robot becomes a Michelin three-star chef, using mechanical arms to precisely stir-fry Kung Pao Chicken in a futuristic kitchen. Ingredients automatically fly into the wok. The customers are alien nobles who collectively applaud after tasting the dish. The camera transitions from a close-up of the ingredients to a panoramic view of the restaurant, where steam and neon lights interweave.

he lands on the building and then sits on the ledge, the camera pans to the sunset

In the future the landing platforms are made of water 
these sky cars draw up and suck up the shallow water
to power our future sky car engines.

Zendaya and Tom Holland wedding in traditional Indian dress same like Virat Kohli and Anushka sharma at Taj Mahal.