Video prompts

Electric banjos enter, Robot hand touches golden DH deck, scene speeds up and a sudden flash of light....

Ultra-realistic cinematic live-action video of a beautiful adult woman in her mid-20s walking gracefully through an elegant luxury hotel ballroom. She wears a stunning champagne-beige, floor-length evening gown with delicate lace embroidery, intricate floral patterns, and a fitted silhouette. Her long, dark brown hair flows naturally as she smiles confidently and looks toward the camera. She walks slowly and elegantly past luxurious floral arrangements, white flower displays, polished marble flooring, and beautifully decorated tables. The background features warm golden chandeliers, rich wooden interiors, soft amber lighting, and elegantly dressed guests moving naturally in the distance. The camera smoothly tracks her movement from a three-quarter angle, capturing the flowing fabric of her gown, realistic walking motion, natural facial expressions, and subtle hair movement. Professional fashion photography aesthetic, warm cinematic color grading, realistic skin texture, detailed fabric, shallow depth of field, natural shadows, smooth camera movement, 4K visual quality, photorealistic details, sophisticated luxury atmosphere. Vertical 9:16 composition, 6–10 seconds, 24 FPS. Maintain consistent facial features, body proportions, dress design, and lighting throughout the entire clip. No sudden cuts, no distorted hands, no extra limbs, no flickering, no artificial movements, no text, no logos, no watermark.

Add a fall background with pumpkins and cider. A brown long leaf shirt. Add hat....

Elon Musk as a swashbuckling pirate holding a Sabre with his teeth and a parrot that looks like Jeff Bezos standing on a map labeled X marks the spot

Video of this having fun riding a jet ski in the ocean while doing a big wave jump backflip

“Artistic rendering based on family photographs 1908 and present day artistic rendering

Imagine the adult offspring of a velociraptor and a koala as captured by a National Geographic wildlife photographer

Strictly reference the uploaded character three-view drawing of the kitten [Kitten Character Image]. Throughout the video, it must always be the same Abyssinian kitten about 2 months old. Maintain complete consistency with the head-to-body ratio, kitten physique, face shape, large upright ears, gray-green almond eyes, dark eyeliner, brick-pink-brown nose tip, warm brown fine ticked fur, darker top of head and back, light warm apricot chin and chest, small limbs, tiny kitten paws, and dark tail tip as shown in the three-view. Do not change age, do not grow up, do not change fur color or facial features.

Real home bedroom, early morning, natural soft window light, bed with slightly messy off-white pure cotton quilt. The scene is a real-life record casually filmed by the owner with a phone after just waking up.

0-2 seconds: The kitten has just woken up, lying on the soft quilt, slowly raising its head to look at the camera, eyes still a bit sleepy, ears turning gently. It first stretches out its two front paws, lifts its bottom slightly, making a very natural cat stretching motion.

2-4 seconds: After stretching, the kitten walks closer to the camera, looking up at the owner, mouth opening slightly to make a short, milky kitten meow. Expression is curious and a bit affectionate, cannot speak like a human.

4-7 seconds: The owner's hand naturally enters the frame. The kitten actively walks over, rubbing its forehead and cheeks against the owner's fingers and palm, eyes comfortably squinting slightly, ears relaxed. The owner gently scratches its chin and cheeks, and the kitten clearly enjoys it.

7-10 seconds: The kitten suddenly becomes a bit playful, using its two small front paws to gently hug one of the owner's fingers, rolling sideways onto the quilt, lightly kicking with hind legs, but not attacking or biting. Finally, it releases the finger, lies on the quilt looking up at the camera, ears perked up, forming a very natural and cute ending scene.

Overall, it must be "a real kitten doing these actions," not human actions imposed on a cat. Mild anthropomorphism is reflected only in emotions and interaction; all body movements must follow the skeletal structure, joint range of motion, center of gravity, and balance of a real 2-month-old kitten.

Realistic photography, real fur details, real kitten movement inertia, slight handheld camera feel, camera position close to bed height, close-range tracking shot, occasional very slight natural focus changes. No commercial ad feel, no studio shoot feel, no excessive cinematic quality. Warm but not overly orange-yellow early morning indoor lighting, shallow depth of field, real-life candid capture texture.

No adult cats, do not elongate body, no long legs, no obesity, no round-faced British Shorthair body type, do not change head-to-body ratio, do not shrink ears, do not turn eyes into pure round cartoon eyes, no white chest fur, no obvious tabby stripes, no fluffy long hair, do not change fur color, no extra patterns, do not change eye color, no thick tail.

No standing walking, no upright bipedal stance, no waving hands like humans, no human expressions, no speaking human language, no clothes, no cartoon style, no anime style, no 3D toy feel, no exaggerated performance.

No extra cats, no body duplication, no extra limbs, no multi-claws, multi-tails, deformed paws, no human hand deformation, no fusion of cat paws and human hands.

No frequent cuts, no sudden focal length changes, no teleportation, no frame skipping in actions, no changes in the cat's body size between shots.

She performs an energetic K-pop girl-group choreography, perfectly on beat. Sharp, precise moves: crisp arm isolations, quick head flicks, confident hair whip, a hip sway into a step-and-turn, then a powerful point choreography with both arms. Smooth...

Have the minister walk up to the podium. Show skeletons sitting on the weathered pews. Have one of the skeletons sit up straight when the minister walks in. Make spooky sounds and have the minister say let us pray.

Make this Christmas tree, beautiful with a traditional conservative setting. Color of the tree like it should be colored.

Baroque In space accompanied by musicGrandeur, deep religious or civic drama, complex layers.

Create a video with ultra futuristic roadster with aerodynamic design and multi terrain elements!

Meanwhile in year 2100 , 200 years after she was born Lilac Nebula plays any tune you want it to play

Add in the words Question Everything above his head make his voice Shakespearan British and he says at the end YOU ARE the UNIVERSE

Two horses running joyfully side by on beach beside ocean add yellow tug boat in background

Play Jesus get off of the donkey and turn towards me and turn into a real Jesus and give a slight smile directly at the camera

Beautifully landscaped flowers, herbs, and Az native plants of luxury looksbackground with desert scrub and a metal building beyond. Bright midday sun, hard shadows, realistic style, cinematic lighting....

Add in the words Question Everything above her head make her voice Shakespearan British and she says We are One

I walk around the parking lot outside the Tesla showroom. I look at the Tesla cars that have been parked from the new transport.

Add in the words Question Everything above his head make his voice Shakespearan British and his says at the end be kind, virtuous, fair —

[Priority Reference Image & Name Fixation]
@image1 = Description Name: Protagonist
The protagonist's identity, face, hairstyle, body type, clothing, accessories, equipment, and shoe appearance standards.
Use only the names fixed above in the subsequent text.
15 seconds, 3:4 aspect ratio, photorealistic live-action, set over a bright blue sea during the day, continuous video with audio. No screen cuts throughout. Use the person reference only for the protagonist's appearance; do not incorporate three-view table expressions or text/sample layouts into the video. Maintain the person's identity, clothing, accessories, and physique throughout. No BGM, subtitles, captions, or logos.
Characters include the Protagonist, Crew A, Crew B, and Crew C (total 4). A civilian medium-sized filming helicopter with a white body and blue lines. Black skid landing gear, wide open side sliding door, external step for boarding/alighting, dark gray interior. The helicopter maintains a constant altitude above the sea surface from start to finish. A coastline is visible in the distance, and a circular trampoline is placed far below on the sea surface. The protagonist stands on the external step outside the open door, looking at the distant trampoline. Crew A stands near the door wearing a blue windbreaker, black life vest, and aviation communication headset. Crew B stands near the door inside the cabin wearing an orange windbreaker, black life vest, and aviation communication headset. Crew C is deep inside the cabin wearing a green windbreaker, black life vest, and aviation communication headset. All three crew members' faces are visible. The camera starts from the same shooting position near the helicopter door, capturing the protagonist, the three crew members, and the sea beyond the door with a slightly wide angle. Do not change the camera's installed position; adjust its orientation up and down according to falling and rising. Wind sounds and helicopter rotor sounds continue naturally throughout.
0.0–3.0s: Crew A looks at the protagonist and asks with a smile, "Are you ready?" The protagonist turns their face to Crew A and nods, then looks directly into the camera lens, showing tension and excitement in their smile, and says vigorously in natural Japanese, "Okay, I'm going!" The visible mouths of both match their respective full dialogue lines. Crew B smiles and lightly raises a fist; Crew C laughs happily and leans out slightly, nodding. After speaking, the protagonist takes a deep breath, looks down at the circular trampoline, kicks off the external step, and jumps out.
3.0–6.2s: At the moment the protagonist jumps out of the helicopter, Crew B shouts towards the protagonist, "Go!" The camera quickly turns downward while maintaining the shooting position near the door, tracking the protagonist falling into the sea near the center of the frame. The protagonist stretches their body and falls, becoming smaller in the frame as the distance increases. The circular trampoline below becomes visible, and the protagonist approaches aiming for its center. While the camera is pointed down, the three crew members are off-screen, but cheerful cheers can be heard from inside the aircraft. Rotor sound and wind sound continue.
6.2–7.7s: The protagonist lands near the center of the circular trampoline on the sea surface. The stretched jump surface sinks significantly under the protagonist's weight, pushing back strongly immediately after the descent stops. The camera remains pointing down, showing the protagonist's landing, the sinking of the jump surface, and the reversal to ascent due to rebound in one continuous shot. Impact and rebound sounds are heard upon landing.
7.7–11.6s: The protagonist bounces high towards the helicopter using the rebound force, pulling knees to chest, folding body small, and spinning vigorously in mid-air. The camera turns upward at the same shooting position to match the rising protagonist. As the protagonist gets closer, they become larger in the frame, and the open door and external step become visible again. The protagonist unwinds the spin, extends legs, returns both feet to the same external step they jumped from, and stands stably in the same position, body orientation, and posture as at the beginning. The helicopter's altitude above the sea does not change.
11.6–15.0s: The camera returns to the same orientation around the door as at the beginning. Crew A claps smilingly towards the protagonist. Crew B joyfully thrusts a fist up and shouts briefly, "Yay--!" Crew C looks at the protagonist, smiles, and claps hands. The protagonist, breathing heavily, turns their face to the camera lens, eyes shining, and speaks in a bright, natural voice filled with excitement and joy about returning safely: "Oh my god! Oh my god, that was amazing!" During Crew B and the protagonist's speech, mouth movements must match their respective full dialogue lines. The final frame shows the protagonist standing on the initial external step, having finished speaking to the camera with an excited expression, while Crew A and Crew C clap in the background and Crew B rejoices. End at 15 seconds with crew applause and rotor sounds continuing.

Ultra-realistic cinematic sci-fi horror scene inside a futuristic high-security research laboratory. A young female scientist wearing a white lab coat carefully conducts a mysterious experiment in a sterile laboratory filled with glass chambers, advanced scientific equipment, glowing blue monitors, and reflective metallic surfaces. She examines a strange biological specimen, then suddenly notices something terrifying. A pale, mysterious humanoid entity with sunken dark eyes and an unsettling expression appears inside the laboratory. Its appearance is disturbing yet realistic, with subtle facial movements and lifelike skin texture.

The laboratory lights begin flickering as a red emergency alarm activates. Scientists rush through a glass corridor while white vapor bursts from a containment chamber. The female scientist turns in shock as the facility enters lockdown. Red warning lights illuminate the dark hallway, creating dramatic reflections on the glass walls. The mysterious entity remains visible behind reinforced glass at the end of the corridor.

Visual style: Photorealistic science-fiction thriller, cinematic horror atmosphere, futuristic biotechnology laboratory, volumetric lighting, realistic facial expressions, atmospheric fog, dramatic red and cyan lighting, detailed textures, shallow depth of field, slow cinematic camera movements, suspenseful pacing, professional Hollywood film quality, 4K detail, vertical 9:16 composition.

Negative prompt: Cartoon, anime, low resolution, blurry faces, distorted anatomy, extra limbs, unrealistic movement, oversaturated colors, text overlays, watermarks, inconsistent characters, flickering visual artifacts.

Create a 26-second ultra-realistic cinematic travel video featuring a beautiful young Korean woman exploring the streets of Tokyo, Japan, at night and during sunset, wearing a stylish black leather jacket with natural makeup and soft, wavy black hair. Begin with a rear-view shot of her walking across a busy Tokyo intersection surrounded by colorful neon signs, wet streets, and glowing city lights. Show her smiling warmly while holding a cute Japanese rice ball inside a brightly lit convenience store, followed by a candid moment of her buying a drink from a vending machine. Capture her walking beneath a traditional red Japanese torii gate, then turning back toward the camera with a playful smile in a narrow street decorated with glowing Japanese lanterns. Show her taking a casual selfie on a peaceful residential street and enjoying the riverside scenery as a train passes in the background. Include a cozy bookstore scene where she excitedly opens a travel book and smiles at the camera, followed by a peaceful sunset moment sitting beside the river with a takeaway drink. End with beautiful nighttime city lights, a joyful handheld selfie on an elevated bridge, and her smiling with the Tokyo skyline behind her. Use natural handheld smartphone camera movements, smooth cinematic transitions, authentic candid expressions, realistic skin texture, soft film grain, nostalgic early-2000s MiniDV aesthetics, moody teal-green night tones, warm sunset lighting, and shallow depth of field. Maintain consistent facial identity, hairstyle, outfit, and body proportions throughout the entire video, with realistic movements and a spontaneous travel-diary feeling, in a 16:9 widescreen aspect ratio.