Seedance 2.0 prompts

Live-action style, a beautiful girl with long black wavy hair, wearing a pink crop top and yoga pants, requested to be sensual, with fair skin, playfully dancing to Future House style DJ music. The dance moves include playful hip swings, arm waves, and fixed poses, perfectly matching the music beat; the camera will push and pull tracking with the music beat, the background is a bedroom, with soft spotlights shining down from the top to illuminate the girl, the overall lighting is soft, the atmosphere is strong, and the aspect ratio is 9:16. Exclude: blur, low resolution, noise, watermark, text, logo, distortion, deformation, facial feature collapse, stiff movements, screen shake, disproportion.

Help me generate a clone video: keep the face completely consistent, do not change the facial features or shape, and do not beautify.
Style reference: Kamen Rider BLACK SUN, realistic dark, bio-tech and alien sci-fi feel, oppressive and heavy.
Pre-transformation look: Black leather trench coat + black shirt, bangs covering the forehead, not revealing the forehead, gloomy and steady.
Belt: Pictured, alien energy core, no toy feel.
Scene: Overcast outdoor empty lot, grey-blue sky, windy.

A cinematic duel between two characters in the image. The camera moves dynamically around the action from multiple angles. Dramatic slow-motion during weapon clashes or crucial moments.

"A man walks out of his house toward the parked car.

[cut] The man gets into the car.

[cut] Man turns on the engine; the flower on the dashboard slightly trembles.

[cut] Man accelerates quickly and drives like crazy.

[cut] Different shot of the man driving wildly, hitting trash bins and mailboxes on his way.

[cut] People on the sidewalk scream.

No music."

[Visual Style] Eastern Classical Wuxia Aesthetics, cinematic visual language, bamboo forest sea landscape, emerald green main color tone, rich layering of light and shadow, soft light beam effects visible within the forest. [Character Definition] 1. Male Swordsman: Dressed in a plain white long robe, steady posture, concise and powerful movements. 2. Female Swordsman: Dressed in a cyan-phoenix colored light gauze dress, light and smooth movements, agile posture. [Video Duration] 10 seconds [Storyboard] [00:00-00:03] Shot 1: Wide Shot Composition. Scene: The tops of tall, dense bamboo forests, with clouds and mist slowly flowing through the grove. Action: The male and female swordsmen stand separately among the high bamboo shadows, their bodies light and stable, as if maintaining balance by utilizing airflow and the bamboo's momentum. Detail: Bamboo branches naturally bend and spring back in the breeze, and the figures' postures subtly fluctuate with the bamboo shadows, presenting an impressionistic effect of Qinggong (lightness skill). The overall scene is quiet yet tense. [00:00-00:06] Shot 2: Medium Shot, Slow Motion. Action: The two figures leap almost simultaneously, crossing paths in the air. Interaction: Two sword shadows briefly intersect in the air, forming a bright light streak. Surrounding bamboo leaves are driven by the airflow, slowly spinning and scattering. Visual Focus: Leaves flutter in the air, creating distinct foreground and background layers. The movement is smooth, without exaggerated impact. [00:06-00:10] Shot 3: Dynamic Tracking Shot. Action: The female swordsman glides forward, her sleeve brushing past bamboo branches to change direction; the male swordsman continuously follows, using the bamboo for leverage, with light, rhythmic steps. Environmental Feedback: The camera smoothly tracks the movement. The bamboo forest forms a natural speed blur effect at the edges of the frame. Visual Effect: Each movement kicks up a large amount of scattered bamboo leaves, flowing like leaf rain in the frame, enhancing the sense of spatial depth and dynamic beauty. [Technical Requirements] Cinematic lighting, saturated but clearly layered colors, natural depth of field, stable and clean visuals, presenting the overall impressionistic beauty and spatial tension of Eastern Wuxia.

Video generated from reference image storyboard to anime with automatic coloring.

Giant preserved sea creatures (megalodon, octopus) in tanks viewed by tiny scientists.

A stunning mermaid bursts upward from the ocean at high speed, water exploding around her in slow motion. As she rises into the air, the camera begins an orbiting cinematic move around her. Her shimmering scales glow in the sunlight while her body twists gracefully. Mid-air, she transforms seamlessly into a same-size dragonfly — wings unfolding, iridescent and hyper-detailed. The transformation is fluid and dramatic, Hollywood-style. The camera completes its orbit as the newly formed dragonfly catches the light, then darts away into the sky with elegant speed. Ultra-realistic, breathtaking, highly detailed, cinematic lighting, dramatic atmosphere.

Single camcorder shot of an independent professional wrestling event, in 1995, inside a barn in Kentucky.

Androgenic plots his revenge after getting his wig snatched. Make my cortisol spike.

High in the rugged 1975 Ladakh mountains, Indian engineers harness newly discovered anti-gravity minerals nicknamed “Shakti Stones.” 

In hidden shipyards, they construct floating vessels that fuse Himalayan architectural design with advanced levitation. 

Pilgrims from the plains, UFO spotters, and quantum physicists come, each with a motive: from spiritual journeys to militaristic power. 

A line of monks watches in silent contemplation. Ethereal chanting merges with whirring mechanical noises, building anticipation.

{ "master_prompt": "Epic fantasy scene, color palette shifts intensely between icy blue and blazing red, atmosphere of oppression, fatalism, and cinematic reversal", "characters": [ { "name": "Silhouette Figure", "appearance": "A small silhouette from behind, wearing a

SCENE: DEEP OCEAN TRENCH - UNDERWATER
Quick Cuts

ATMOSPHERE: Awe-inspiring and primeval. The sheer, terrifying scale of a peaceful giant moving flawlessly through the quiet ocean water evokes a profound sense of majesty and the raw power of nature.

SHOT DESCRIPTION:
A

A high-quality, ultra-high-speed Japanese battle anime.
Match the art style of the reference image.
The unique characters from the input images appear one after another from the right side of the screen in an ultra-close-up against a blue sky, moving towards the left. They unleash intense, flashy effects (fire, water, lightning, earth, light, darkness, digital, etc.), magic circles, and luminescence with their unique weapons, filling the entire screen with special moves executed in various sharp, action-oriented motions. They quickly disappear into the back right as the next character emerges from the front to replace them.
Each character stays in place for just a moment during the impact for an ultra-close-up decisive pose before quickly moving out of the frame via high-speed movement. The screen shakes with the impact.
The camera performs an arc shot, circling and flying around, rapidly focusing on each character with high-speed dolly-ins and dolly-outs, and dynamically capturing them with a Dutch angle.
The maximum time allotted for one character is 0.5 seconds.
Ensure each character from the input images appears at least once.
Maintain the faces, body shapes, and clothing of all characters exactly as they are in the input images.
The last character executes the ultimate technique, ending the sequence.
Use sharp direction with variations in movement speed.

UGC video: A girl around 20 years old introduces this pair of stockings in a dressing room and demonstrates how to wear them.

[Director Style]: King Hu style, Wuxia film aesthetic, 70s film grain texture, Peking Opera movements, Zen philosophy, negative space.

[Video Duration]: 10 seconds
[Storyboard Logic]:

[00:00-00:03] Shot 1: Extreme Wide Shot.

god's hand grabs a random lady off the street and makes her the pinball in god's pinball machine. When he scores, she gets up and high fives the god hand.

A radio operator in an Antarctic station picks up a transmission that makes her tear off her headphones. She runs to the window. On the ice shelf a mile out, something enormous is pushing up from below, cracking the surface in a perfect circle. The horizon tilts as the shelf begins to calve. VFX: ice fracture radial simulation, subsurface pressure displacement, blizzard particle system, emergency red light strobing inside the station. Aesthetic: Whiteout white and deep station red, John Carpenter isolation palette, small human enormous threat, the ice as a lid being lifted from underneath, cold light, colder dread.

Dimly lit art gallery after hours. Shot 1 (0-7s): Security guard walks past a 19th-century oil portrait of a woman. Shot 2 (7-15s): Slow push-in on the painting — the woman’s eyes follow him, then she slowly raises a finger to her lips in the painting while the real guard’s mouth is forced shut by invisible hands. Canvas texture hyper-real, oil paint moving like skin. Audio: guard’s muffled screams, wet paint sounds, gallery echo.

What’s next? Show me nine scenes from the film.
Keep the same color grading, visual style, graphics, and characters as in my reference. Make the storyline coherent, dynamic, and well-staged.

@ image1 character reference2
@ image2 use the background as the opening frame
@ video1 take the motion and sound

Core concept: Overlooking Earth from space, the camera free-falls toward the surface. After each impact, it bounces up and lands on landmarks across different continents. The bounce trajectories form glowing arc flight paths across the Earth, eventually forming a giant eye.

Real-shot texture combined with surreal visual spectacle, 8K ultra-high definition. The cold blue tones of the space scene naturally transition with the characteristic light and shadow of the ground scenes. Features include realistic atmospheric scattering light, volumetric clouds, and particle effects.

0-2 seconds: Space view, Earth slowly rotating, occupying two-thirds of the right side of the screen. The edge of the atmosphere glows with a golden arc. Silence. The camera suddenly loses control and accelerates toward Earth: a first-person perspective free-fall penetrating the atmosphere. Air friction generates orange-red plasma flames wrapping the lens edges. The screen vibrates violently. A sonic boom explodes as the sound barrier is broken, and clouds tear apart rapidly to the sides.

2-4 seconds: The camera breaks through the clouds. Below is a panoramic view of nighttime Paris. The lights of the Eiffel Tower rapidly enlarge and approach. The camera stops abruptly in the last frame before hitting the tower's spire: Time freezes. The light at the top of the Eiffel Tower pulses once like a heartbeat, releasing a golden shockwave. The shockwave slingshots the camera eastward. The camera transforms into a meteor streaking across the night sky of the European continent. City lights on the ground rapidly recede like a circuit board. The meteor's trail leaves the first glowing arc on the Earth's surface.

4-6 seconds: The meteor camera plunges over Northwest China, passing through a time-lapse night sky of star trails, crashing toward the Great Wall: The camera flies ultra-low, skimming the wall. Bricks on the wall are lifted by the airflow, suspended, and then fall, forming a wave. As it follows and flies over the beacon towers, each tower ignites its signal fire sequentially. The firelight illuminates the surrounding mountains. The camera passes through the flame of the last beacon tower: The orange of the flame gradually transitions to the orange of sunrise. The camera is now above the Taj Mahal in India in the early morning. A top-down shot shows the Taj Mahal's perfectly symmetrical reflection unfolding in the pool like a mandala pattern. The camera spirals down, sucked into the water surface by the reflection.

6-8 seconds: After penetrating the water, the camera flips underwater. When it emerges, it is midday in Rio de Janeiro. The camera captures an upward shot from the sea, silhouetting the Christ the Redeemer statue with arms outstretched against the light. The camera spirals upward, circling the statue, climbing to its height. Lightning spheres begin to condense at the fingertips of the Christ statue. The lightning sphere launches the camera across the Atlantic Ocean: The camera transforms into a chain of lightning leaping between clouds. Each flash of lightning momentarily freezes different landmarks below: Statue of Liberty, Pyramids, Sydney Opera House, Mount Fuji, like a high-speed flash from God's perspective.

8-10 seconds: The final lightning strike propels the camera back into space. The camera rotates, decelerates, and stabilizes, facing Earth again: At this point, all the bounce trajectories the camera has taken on the Earth's surface have connected into glowing arcs. Viewed from space, these arcs form the shape of a giant human eye covering the Earth's surface. The iris of the eye is composed of miniature light points of the landmarks. The pupil position is precisely the blue ocean of the Earth. This Eye of the Earth slowly blinks once. The moment it blinks, the light points of all landmarks flash simultaneously like breathing. The camera slowly pulls back, shrinking the Earth to the center of the screen, surrounded by the vast starry sky. The lingering sound is a long, low hum of the Earth mixed with the reverberation of distant landmarks, fading into silence.

Ultra-high definition pure desire style beauty transformation short video, cinematic soft focus and soft light, clear airbrushed texture, fair and pink skin tone, clean and gentle picture, delicate details.
The scene is a cozy bedroom, light-colored gentle background, warm yellow soft light and shadow, full of atmosphere. The initial look is lazy home style, loose and soft top, natural no-makeup look, loose and gentle hair, clean and innocent expression, relaxed and lazy movements, slight smile while looking down, gently touching hair, full of pure desire.
Smooth transformation completed with the music beat, natural and gentle transition, light becomes softer and hazy. The transformed look is a refined pure desire goddess style, clear makeup, light pink fine shimmer eyeshadow, moist pink lips, fair skin tone, gently curled hairstyle, delicate stray hairs, wearing a fitted gentle camisole, paired with delicate necklaces and earrings, gentle yet alluring temperament.
The character's posture is elegant and relaxed, eyes are clean yet slightly seductive, movements are gentle and slow, full of atmosphere. The camera mainly uses close-up shots, stable and gentle camera movement, highlighting the contrast between the before and after looks.
The overall color palette is warm pink and gentle, low saturation high-end feel, natural and smooth motion, no glitches or distortions, delicate and high-definition image quality, smooth rhythm matching the beat, the pinnacle of pure desire, gentle and alluring, perfectly presenting the effect of a high-end pure desire transformation.

Use case: cinematic sci‑fi action short (PG-13) Primary request: 12s, 16:9 (1280x720). Rainy night in a war-torn futuristic city ruin, cyberpunk neon. A fictional female agent (~30, short hair, wet face with dust) wears a black tactical exoskeleton with a blue energy pulse on the chest and wields a blue glowing energy blade. She confronts a mechanical hunter (brushed metal body, single red scanning eye). Film-real lighting, volumetric fog/rain, floating blue particles, puddle reflections, realistic physics, HDR contrast, natural motion blur. Scene/background: ruined street, wet asphalt and puddles reflecting blue/purple neon, drifting smoke/fog, blue particles in the air. Timing / beats (hard cuts; keep the agent design identical across all cuts): 0–3s: low-angle rear tracking shot, fast sprint; raindrops hit the lens; neon reflections wobble in puddles. 3–6s: side tracking; she draws the energy blade; blue light illuminates her face; particles scatter through the light. 6–9s: brief slow motion; the hunter bursts from shadow; she leaps and slashes; sparks fly; rain is pushed into fine mist. 9–12s: close-up of the hunter shattering; debris + sparks + rain; rapid pullback to a wide skyline reveal; lightning flash lights distant damaged high-rises. Camera: large-format cinema look, controlled handheld; one clear move per beat; 24fps, 180° shutter, realistic dynamic motion blur. Lighting/mood: neon + blade as key, strong rim light, volumetric shafts through rain and fog. Color palette: cyan/blue energy, violet/magenta neon, wet asphalt gray, red scan eye. Constraints: no on-screen text, no logos/watermarks, no gore/blood, no real-person likeness. Avoid: flicker/jitter, warped anatomy, inconsistent outfit/face, overly noisy particles, overly fast unreadable action. Audio (optional): rain ambience, distant thunder, blade hum, metallic impact.