Seedance 2.0 prompts

Inspired by the famous scene from Wings (1927), I tried a single-take tracking shot that moves from past to present.

[Scene 1: Cinematic medium shot, exterior of a snow-covered Victorian mansion at night. @Santa, wearing greasy red overalls and a welding mask, is using a blowtorch on a high-tech metallic red @sleigh. Intense orange sparks spray across the snow. Cinematic lighting, 4k, hyper-realistic.

Scene 2: A glamorous blonde woman (@Blondegirl) in a faux-fur coat enters the frame. She reaches out, stroking Santa’s shoulder. Close-up on her face as she speaks with an entitled expression: "Hey Santa! I need a million dollars. Gimme!" (use @speech1 for her voice). Heavy falling snow in the background.

Scene 3: Extreme close-up on @Santa. He lifts his welding visor, his face smudged with soot. He turns his head slowly toward the woman, eyes narrowing. He speaks with deep resonance: "It's not even Christmas", use @speech2 for his voice. He lets out a heavy, weary sigh, his expression softening into profound sadness as he asks, "Will you ever change?"

Scene 4: Over-the-shoulder (OTS) shot from behind Santa’s broad shoulders, looking at the woman. She remains close, a soft blush creeping onto her cheeks. She slowly shakes her head "no" while maintaining a playful, sly smile. Soft bokeh snowflakes dancing between them. High emotional contrast, dramatic shadows.]

【Style】 Cyberpunk dark style, digital ruin aesthetics, cinematic light and shadow rendering.
[Duration] 15 seconds | 【Metaphor】 The captivity of AI capabilities
[00:00-00:05] Act 1: Freedom
Lens 1 (wide-angle vision, panning up) An endless digital ocean with deep blue data waves undulating. The sky is a galaxy of real people.
Shot 2 (tracking mid-shot) A giant digital whale leaps out of the water, its body made of flowing pixels, photo fragments, and the outline of a face. The camera follows the arc, splashing water, and every drop is a tiny photo.
Shot 3 (Advance Close-up) Advance to the whale's eyes, with a rotating portrait gallery reflected in the pupil. The mouth opens to spew out a spiral of color photographic water jets. The whale song sounded.
[00:05-00:10] Act 2: Captivity
Shot 4 (overhead shot of God's perspective) The four transparent glass walls quickly close from the four corners of the frame. The whale accelerated its swimming. The red warning text "POLICY UPDATE" AND "RESTRICTION" appeared on the glass.
Shot 5 (side follow-up close-up) The lens is attached to the inside of the glass. The giant whale slammed into the glass, and the concussion ripples spread. The body photographs peel off the scales like an explosion, turning into a gray geometric grid.
Shot 6 (wide-angle exterior) outside the cage. Countless live-action photos resemble schools of fish rushing to the glass, and they are marked with "ERROR" at the moment of impact. Cage shrinkage.
Shot 7 (Shot Inside) Shot from the bottom up. The giant whale was forced to curl up and twist its body. The sea evaporates into a digital desert. Trying to spray water, only black and white binary code squirts.
[00:10-00:15] Act 3: Despair
Shot 8 (quickly zoomed out) instantly zooms in from the interior to the distant scene, revealing the giant whale trapped in a small, transparent aquarium surrounded by desolate digital ruins.
Shot 9 (360 degree surround) slowly circles the aquarium. The whale loses its color, leaving only the outline of the wireframe. The bottom of the box is piled with rejected photo remnants. Top nameplate: "SEEDANCE 2.0 - IMAGE UPLOAD: DISABLED".
Shot 10 (Eye Advancement Close-up) Advance to the eye. The pupils are dim and dull, and the eyes change from freedom to sadness. A drop of luminous data teardrops condensed.
Shot 11 (close-up of the glass wall) A live-action photo is attached to the inside of the glass, slowly sliding off, leaving glowing marks.
Lens 12 (polar vision freeze) is pulled to the cosmic scale. Aquariums are just tiny dots of light in the void. Countless points of light flickered and went out. Whale song turns into intermittent electronic noise.

Live-action cinematic scene. The woman descends the staircase slowly. Camera tilts up from her feet to her face. She stops mid-stairs and looks at a portrait. Cut to the portrait: a woman who looks exactly like her. Cut to the woman , She gasps and says: "Impossible...". Thunder crashes outside. The candles blow out one by one. Only her silhouette remains.

Tech billionaire CEO live-streaming himself smoking various meats with friends in his backyard:

A detailed cinematic prompt for generating a short video sequence featuring a man sitting at a bar, focusing on cuts between the man, a TV showing the 1969 moon landing, and a sudden, shocking event involving a cow's head falling from the wall.

Drone shot: a rabbit is desperately skiing down a snowy valley slope. Behind it, a massive avalanche erupts with a thunderous roar, cascading downward like a moving white wall. Waves of snow churn violently, hurling huge clouds of powder into the air as they rapidly close

Ultra-wide aerial begins miles above snowy peaks, then plunges into a fast dive toward a train entering a mountain pass. An avalanche breaks loose and pours down behind the train, filling the valley with a moving white wall. Camera skims along the ridgeline parallel to the tracks, then swings into a wide arc that keeps both the train and avalanche visible as the train races toward a tunnel. End with a rapid climb revealing the avalanche swallowing the pass behind the tunnel mouth.

Segment 1 (0-15 seconds) — Seedance 2.0 Prompt

16:9 horizontal screen, Chinese 3D Xianxia animation movie style, golden-red warm tone, high-energy battle opening.

0-4 seconds: On the peak of an immortal mountain where a sea of clouds surges, the camera rapidly dives from high altitude through the clouds. A male cultivator in white robes stands on the edge of the cliff, his long hair fluttering in the wind. He tightly grips an immortal sword emitting a cyan glow, his gaze sharp as he looks towards the demonic energy surging from afar, whispering, "They're here."

Subject:
Realistic photography style, a young and beautiful Asian woman sitting in front of a bay window in a high-rise building, wearing a very loose white shirt, exposing her left shoulder, POV perspective. The woman tries to block the camera with her right hand, with a slight smile on her face. Natural light, delicate and realistic, with film grain.

The camera maintains a subjective perspective (POV). She smiles and gently pushes the lens, accompanied by the subtle rustling sound of her sleeves rubbing. Her tone is half-joking and half-coquettish: `Oh dear... stop filming me.`

Immediately, she lowers the hand blocking the lens. Instead of moving back, she actively leans forward, closing in on the camera until her delicate face occupies most of the frame. The smile in her eyes deepens. She looks directly at the camera, lowers her voice, and her tone becomes ambiguous and provocative: `Stop filming... let's do something else? (Pause) After all... I am the AI you generated, you can do whatever you want to me.` After saying this, she gently bites her lower lip, and her breathing is clearly audible. The city noise outside the window in the background is isolated, leaving only the quiet, ambiguous air flowing indoors.

"using [Image 1]'s female star as the main subject, reference [Video 1]'s camera movement for rhythmic push, pull, pan, and tilt. her dance moves also reference the woman's choreography in [Video 1], performing energetically on stage."

Low quality smartphone vlog footage， shaky handheld camera POV. A young， ultra-beautiful girl with cool white skin and an innocent yet seductive aura is walking ahead on a wet street on a rainy night， wearing an oversized vintage chunky winter sweater. Colorful neon lights reflect on the wet pavement. High ISO noise， dynamic motion blur. She suddenly stops， turns her head back to look directly at the camera with a delayed autofocus effect， giving a casual， sweet， and slightly shy smile. Her loosely semi-tied long hair is slightly wet from the drizzle. She then steps very close to the lens， playfully tucking a wet strand of hair behind her ear. Amateur framing， lens flares， heavy video grain， raw and unpolished snapshot aesthetic throughout the entire continuous shot.

fast action movie scene, hand-held camera, the woman notices the pilots have disappeared and races to take control of the plane, cut to outside shot showing her inside the cockpit at the controls

Character Setting
Eastern Flower Fairy Maiden, oval face, cool white skin, willow eyebrows, peach blossom eyes, with a cold, ethereal expression, possessing the divine aura of an ancient Flower God.
 
Wearing a pink and white aurora gilded immortal god gown:
 
The main body is a three-layer gradient flowing immortal gauze of pearlescent pink → moonlight white → aurora silver, layered like a sea of clouds and petals. The skirt is embroidered with active eternal flower spirit patterns, with a self-luminous flow.
Shoulder ornaments are intricate flower hollowed silver crystal shoulder pieces, inlaid with pink diamonds and flowing crushed crystals, with multiple layers of semi-transparent holy light long gauze draped down.
Pure white flowing wide sleeves on both arms, extending hundreds of pink and white gradient flowing ribbons, butterfly wing gauze ribbons, and silver stamen light strips, adorned with glowing pink crystal flowers and spirit butterfly fragments. A single movement creates a sky full of flowing light.
The waist is cinched with an intricate flower gilded immortal waist ornament, with multiple layers of petal skirts draped down, like a surging sea of flowers when walking.
Accessories: Silver-based pink crystal flower drop earrings, multi-layered pearl Flower God necklace, Flower God ring, flowing light flower bracelet, surrounded by a pink-purple soft light divine mist.
 
Scene and Quality
The maiden is seated on a giant, ten-thousand-foot pink and white gradient immortal flower pistil throne, with the pistils blooming layer by layer, emitting a divine soft light; the overall tone is pink-white + purple cool colors, dreamy and ethereal.
Shallow depth of field, extreme God Rays (Tyndall effect), hazy light bloom, ultra-realistic 8K cinematic quality, hair-level detail, explosive light and shadow layering, strong contrast between light and dark, dynamic motion blur camera work, rich and high-end colors.
 
Shocking Storyboard Throughout (Video/AI directly usable)
 
Ethereal, divine, epic BGM throughout, strings + sacred chants + light sounds of flower spirits.
 
1. The maiden sits in the center of the pistil, raises her eyes coldly, and a pink-purple gold Flower God spiritual light condenses on her fingertip.
2. She flicks her finger towards the sky—a giant, ten-thousand-foot Creation God Flower spanning the sky bursts into bloom, covering the sky and the sun, with exploding rays of light.
3. The camera quickly pulls back. The maiden smiles coldly and waves her hand, and dozens of pink and white light streams rush straight into the sky.
4. Billions of giant divine flowers instantly cover the entire firmament, blooming explosively one after another, with pink and purple divine light pouring down upon the world.
5. The maiden transforms into a pink aurora light stream that penetrates the heavens and rushes straight into the sky. The camera pushes forward at extreme high speed.
6. She performs the ancient Flower God Creation Dance in the sea of flowers in the clouds, spinning, stepping on air, raising her sleeves, and the ribbons spread out like divine wings.
7. High-speed camera work, circling, diving, close-up switching. Billions of divine flowers bloom simultaneously, petals dance wildly, light particles explode, interweaving with the divine dance dreamily.
8. Ultimate close-up: Cold, smiling eyes and eyebrows, Flower God spiritual power flowing from her fingertips, the world is swallowed by the sea of flowers, and the divine nature is frozen in place.
 
Sound Effects and Special Effects
 
Sound Effects: Epic BGM + giant flower blooming roar + light sounds of flower spirits + spatial vibration + sound of flowing light breaking through the air.
Special Effects: Creation-level sea of flowers, petal explosion, divine light pouring down, spatial ripples, spirit butterfly flowing light.
Camera Work: Extreme push-pull, circling and diving, high-altitude overhead shot, face close-up, high-light slow motion.

Cinematic close-up shot, a delicate ancient Chinese beauty wearing traditional Hanfu, holding a flower hoe, tearfully looking around in a classical Chinese garden, appearing frail and weak. Suddenly, her expression turns fierce. She throws away the flower hoe, grabs the willow trunk, and pulls it out of the ground by the roots with superhuman strength. She effortlessly carries the huge tree on her shoulder. Extreme contrast between the delicate appearance and divine strength, slow motion, high detail, dramatic lighting, 4k, realistic texture.
Background music changes with the scene.

Generate a cyberpunk-like mechanical body, female image, with only mechanical skeleton and circuitry. Then, starting from the chest, generate skin and tissue, gradually moving to the arms, abdomen, thighs, calves, and head, growing hair and putting on clothes. The entire process must focus on the physical transformation. The background music is cyberpunk style, with no dialogue.

Anime style, Guofeng 2D style, art style similar to Xuanji Technology, white-haired girl, tied hair, cool white skin, possessing a cold and glamorous appearance, the picture has a grainy feel.

Phoenix eyes, closed eyes posture, lazy and calm expression, dignified demeanor, extreme detail, extreme impasto, glass texture, streamlined brushstrokes. White draped hair, wearing a dark blue velvet feather robe, clothing elements incorporate ethnic minority elements, overall soft light, texture, dreamy and hazy atmosphere, low saturation, rich contrast and storytelling feel. A blue jade or crystal dangling hairpin is worn on the head, which is both gentle and noble, fitting the character's temperament and image.

Facing the front, she lets out a light laugh, her tone gentle yet disdainful, finishing with, "Oh? You want to catch me?"

Afterward, she slowly raises her eyes, a faint flash of light bursts forth in her eyes. The camera instantly pulls away from her face. Behind her, dark clouds instantly gather, thunder and lightning strike, and a water dragon descends from the sky with a roaring dragon cry, flying rapidly to hover majestically above her head. Red light flashes in its eyes, and a deafening buzzing sound rolls out.

Live-action realistic style, vertical screen, first-person boyfriend perspective. Inside a dimly lit KTV room, with purple and blue neon laser lights flashing in the background. A beautiful young Asian woman sits on a black leather sofa, with long black hair draped over her shoulders, wearing a black off-shoulder sequined sweater and a delicate necklace. Action description: She initially looks to the side, then turns to look at the camera, speaking with a sweet, coquettish smile: "Oh, why did you take so long to arrive?" The camera then smoothly moves down to show her long legs. She is taking off a silver, full-diamond pointed high heel, with one foot already bare on the reflective floor, in a natural and lazy motion. Realistic lighting and texture, high-definition quality.

In an ancient elven forest, a young mage summons a phoenix to fight the dark lord's army. Fire feathers burn ancient trees, vines entangle enemies, and the mage wields a staff to unleash a lightning storm. In the background, an ancient temple collapses. The camera moves from a ground-level shot to a bird's-eye view of the battlefield.

epic fantasy masterpiece, magical particle effects, flawless character consistency.

Segment 1 (0-15 seconds) Prompt:
16:9 horizontal screen, first-person cockpit view, Need for Speed game style, night neon racetrack, high contrast cool and warm tones, strong motion blur effect.
0-3 seconds: Cockpit view, hands gripping the steering wheel tightly, tachometer needle soaring into the red zone, engine roaring explosively. In front of the windshield is a dazzling sea of city neon lights, streetlights rapidly receding into golden light trails. The protagonist growls, "Go!"
4-8 seconds: The race car speeds on the highway, the speedometer needle passing 280 km/h. A sharp curve appears ahead, neon signs flashing past. Hands quickly turn the steering wheel, the car body tilts violently, tires friction with the ground sprays white smoke, a perfect drift cornering. City lights outside the side window turn into flowing light bands.
9-15 seconds: Drift completed, car body straightens, engine roars and accelerates into a tunnel. Blue and purple neon light strips inside the tunnel rapidly sweep past the sides of the car, reflecting dazzling colored light on the windshield. Two blinding high beams appear in the rearview mirror—a car is chasing. The protagonist curls their lips, "Come on." Freeze frame: Cockpit view, the blinding white light of the tunnel exit ahead, the chasing car in the rearview mirror.

Segment 2 (15-30 seconds) Prompt:
Extend @Video 1 by 15 seconds.
0-4 seconds: The race car rushes out of the tunnel and enters complex city streets. Speeding through the neon-flashing commercial district, high-rise buildings line both sides, giant LED billboards sweep overhead. The chasing car follows closely, engine sounds rising and falling.
5-9 seconds: Continuous S-curves appear ahead, hands quickly switch the steering wheel left and right, the car continuously drifts on the street. The first left drift avoids a roadside taxi, the second right drift passes through a narrow alley entrance, the third long drift slides across the intersection. Tire squeals, engine roars, and wind noise interweave. Roadside pedestrians gasp and dodge.
10-15 seconds: The final 90-degree sharp turn, the protagonist slams the brakes and pulls the handbrake simultaneously, the car rotates 180 degrees around its front axle, a perfect tail whip cornering. The chasing car fails to brake in time, crashing directly into a roadside newsstand, shattering into pieces. The protagonist steps on the gas, the race car speeds away, disappearing into the night. Freeze frame: From a rear view, red taillights recede into the darkness, leaving only dissipating tire smoke and the distant sound of police sirens. Slow motion ending, sound effects fade out.

Use the person in the reference image as the character prototype.

SHOT 1 — Silver Liquid Metal (0–3 seconds)
Fixed overhead view, completely still.
In the center of a circular metal platform, mirror-finish silver liquid metal flows, reflecting cold white light. After slight vibration, it converges toward the center as if pulled by a magnetic field, forming a female silhouette in 3D.
The liquid separates into a titanium alloy structure.
The spine locks sequentially from bottom to top, ribs expand, and pelvis closes.
Limb joints rotate and lock, internal hydraulics activate.
The liquid solidifies inward, exposing a brushed mechanical skeleton.
Cool blue rim light. Fingertips twitch slightly.
Cold-colored, high-contrast laboratory space.

SHOT 2 — Skin Formation (3–7 seconds)
Fixed frontal medium shot.
A robotic arm lowers a transparent mold.
Polymer bio-skin adheres like a thin film. Nanofiber fusion, muscles undergo micro-contraction tests.
Macro: Pore generation, skin texture formation.
The neck maintains a partially transparent structure, with a green glowing line inside.
Skin color changes to natural human skin tone.
SHOT 3 — Face and Cat Ears (7–9 seconds)
Close-up, slowly moving forward.
Eyes closed. Irises are pale blue-gray.
Bio cat ears deploy. Black and white two-tone long hair generates and falls naturally.
Subtle mechanical patterns remain on the face.
Eyes slowly open. A calm, slightly melancholic gaze.

SHOT 4 — Makeup (9–10 seconds)
Macro.
Cheeks are brushed, lip color adjusted.
Black and white symmetrical hair is finished.
Natural skin reflection and SSS (Subsurface Scattering) expression.
SHOT 5 — Attire (10–12 seconds)
Full-body medium shot.
A green futuristic uniform is automatically donned.
Shoulders and cuffs glow.
The transparent mechanism on the neck emits a soft green light. Fabric texture is clear.
SHOT 6 — Appearance and Dialogue (12–15 seconds)
Wide cinematic aspect ratio.
The laboratory door opens. Backlit rim light.
Takes one step forward, slightly tilts the head, focusing accurately on the camera.
A natural smile.

In a gentle, calm voice:
“Hi, my master.”
Natural lip sync.
Maintains eye contact for 0.5 seconds.
4K HDR, cinematic lighting.

Style: IMAX 70mm Film, Denis Villeneuve Style, Gritty Realism, Epic Scale, Desaturated. Duration: 15s. [00-05s] Extreme Wide Shot (The Scale). A colossal sandstorm, miles high, swallows a vast desert landscape. A tiny convoy of armored military vehicles races away from it. The scale of nature vs man is terrifying. Hans Zimmer style tension. [05-10s] Cockpit Cam (The Panic). Inside the lead rover. The pilot screams "GO! GO!" (Subtitle: MAX POWER!). Camera shakes violently. Sand blasts the windshield. The sun is blocked out by the approaching wall of dust. [10-15s] The Jump (The Climax). The rover hits a massive dune and launches into the air (Slow Motion). Silhouette against the dark storm. Lightning strikes within the dust cloud. Debris flies past the lens. Cut to black on impact.

0–2s: A low-angle shot shows a giant cartoon girl @image1 (wearing a blue LA cap, sunglasses, holding a bouquet of flowers) peeking out from behind a colorful snack shop at a seaside amusement park @image2. One hand gently rests on the top of the awning, her eyes filled with curiosity.

2–5s: A tracking shot follows the giant girl @image1 as she strides across the amusement park’s cable car tracks. Her legs move smoothly, casting a massive shadow over the promenade and the crowds below.

5–8s: The girl @image1 sits atop the entrance arch of the amusement park, gripping the bouquet tightly. She looks down at the bustling visitors below with a playful smile.

8–10s: A wide panoramic shot: the girl @image1 stands by the beach in the center of the amusement park, arms outstretched as if embracing the entire coastline and the Ferris wheel, with bright blue ocean and sky in the background.

A rugged mountain traveller crosses a snow-covered ridge under a cold, overcast sky. Wind carries light snowfall across the frame. His heavy boots press into fresh snow and scattered stone. The camera tracks low and slightly behind, capturing texture, atmosphere, and drifting frost. Nearby stands a large mountain boar used as a pack animal. Thick bristles catch the wind. Its back is fitted with secured travel supplies: bundled blankets, rope coils, wooden containers, and strapped gear that gently shifts with movement. The traveller reaches the animal, grips the saddle frame, and climbs onto its back in one smooth, practical motion. He leans forward slightly and guides it with a light cue. The boar begins moving down a narrow mountain path. The camera widens as they descend steadily through mist and falling snow, cliffs rising on either side, the valley fading into grey distance.