Seedance 2.0 prompts

32k ultimate detail quality, full coherence and realism; 
Image 1
, walking a fierce albino Siberian tiger in the neighborhood, saying to the albino Siberian tiger "Be good, don't scare the neighbors"; 
Image 2
 walks towards them, walking a mini white teacup poodle, the poodle barks wildly at the leopard; the albino Siberian tiger is scared by the poodle and jumps onto 
Image 1
's body, 
Image 1
 flees in a hurry holding the albino Siberian tiger.

0-2 seconds: Front medium shot, dog, parrot, and cat three pets lined up looking at the camera, the person appearing in 
Image 1
 raises a hand like a gun and says "Come, let's rehearse"; 2-5 seconds: Cut to dog close-up, the person shouts "Biu!", the dog dramatically falls down and sticks out its tongue, the person in 
Image 1
 nods and says "Very good, Wangcai is very dedicated"; 5-8 seconds: Cut to parrot close-up, the person shouts "Biu!", the parrot tilts its head, freezes and falls down, the person says with satisfaction "The extras are also very cooperative"; 8-12 seconds: Cut to cat close-up, the person in 
Image 1
 says "Biu.", the cat sits still and looks coldly at the camera, the person frowns and says "Why aren't you following the script?"; 12-15 seconds: The person and the cat look at each other, points at the cat and says seriously "If you don't fall down now —" pauses and then continues "All the cat food today will be rewarded to Wangcai!", the cat instantly lies down, screen adds subtitle "The Actor's Self-Cultivation".

Close-up, dark alien skin, wet leathery texture, misty background, white glowing lines carving the logo slowly, sparks of energy, cinematic lighting.

Medium Shot, spindly alien creature silhouette in thick fog, the complete white logo pulses on its chest, glowing bright, smoke rising, eerie atmosphere.

Wide Shot, the alien entity towers in the blizzard, the white logo on its body becomes the primary light source, fading into deep fog, epic scale.

[These two images are the two female leads of a bamboo forest martial arts scene. Please generate a fluid duel scene around the two female leads, in the style of classic Wuxia Xianxia movies, dense emerald green bamboo forest, falling leaves flying. Ultra-high-speed photography, completely real-person shooting, requiring the use of storyboards and different perspective switching to make the whole picture more rhythmic and cinematic, with strong visual impact. Only generate fighting sound effects and environmental sound effects, do not add background music. Shot 1: Medium shot, the woman in white attacks with her sword first, the woman in cyan quickly spins to dodge, and counters with a sword strike. Shot 2: Close-up shot, the woman in white swings her sword to parry. Then, the shot cuts to a medium-long shot, the woman in white slides backward, the woman in cyan follows closely with her sword, dust flies on the ground, the camera follows the movement. Shot 3: Medium-long shot, orbiting follow, the two exchange sword blows in the bamboo forest, strong visual impact. Shot 4: Close-up shot, the woman in white's sword suddenly breaks. Then cuts to a medium shot, the woman in cyan points her sword at the woman in white's throat, and then withdraws the sword. Note that the woman in white holds a white sword throughout, and the woman in cyan holds a sword with a black blade (must be a black blade), completely consistent with the reference images. Both hold the sword with one hand, the other hand holds nothing.]

15 seconds, 9:16 vertical screen, deliberately imitating low-quality mobile phone recording, handheld POV, high noise + motion blur + digital compression distortion + timestamp watermark (top left corner, 2007 style), 
0-5 seconds: Handheld, following the girl in the rainy night from behind [Image 1], the overall picture quality is deliberately aged—like it was shot with a 2007 Nokia, but the protagonist herself is stunning, oversized thick sweater, neon wet ground reflection, details are all in the contrast difference; 
5-9 seconds: She stops and turns back, delayed focus from blurry to sharp, looks directly at the camera, expression changes from confused to slight smile, casual and sweet; walks closer to the camera, tucks wet hair behind her ear; 
9-13 seconds: She leans close to the camera, pokes the camera with her finger—the screen instantly shows blur and vibration caused by the touch—then steps back two steps, hands in pockets, looking at you slightly proudly against the neon backlight; 
13-15 seconds: She turns around and walks into the rainy night, stops after two steps, doesn't look back, just raises one hand and waves, then disappears into the neon rain mist, the camera stops on the empty street for 2 seconds, digital noise slowly consumes the screen. Sound effects: City rain noise floor throughout + slight current noise floor from mobile phone internal recording, ambient sound fades out at the end. 
Forbidden: Subtitles, external watermarks (except timestamp), any modern UI elements

16:9 horizontal screen, Chinese animation style, silver-white cold tone. 0 - 3 seconds: On the rooftop of a late-night tavern, a black-clad assassin carries a cross-shaped dart bag, with a long face and deep-set eyes, thin lips tightly pressed, his silhouette like a ghost under the moonlight, holding three shuriken in each hand, the camera moves from a close-up of the shuriken to a full-body shot. 4 - 8 seconds: The grey-clad swordsman opposite holds throwing knives, with an oval face and star-like eyes, a faint scar between his eyebrows, long hair tied into a low ponytail with a grey cloth band, holding a paper-thin throwing knife between his ten fingers, the camera circles around the two confronting each other. 9 - 12 seconds: Both strike simultaneously, six shuriken and ten throwing knives intertwine and collide in the air, emitting continuous metallic clangs, sparks bloom like silver fireworks, some hidden weapons leave marks on the roof tiles, slow motion tracks the trajectory of one throwing knife shattering a shuriken and continuing its flight. 13 - 15 seconds: After exhausting their hidden weapons, the two engage in close combat, daggers and short swords quickly clash on the rooftop, finally the grey-clad swordsman kicks the dagger out of the assassin's hand, while simultaneously placing his throwing knife against the opponent's throat, moonlight shines on both faces, and the assassin slowly raises his hands in surrender. Sound effects: Hidden weapons breaking the air, metal collision, tile shattering, clothes fluttering. Prohibited: Any text, subtitles, LOGO, or watermark.

[Video Composition] A 15-second continuous action video (4 shots) with a narrative arc (Kishōtenketsu), recreating the climax of a fantasy movie. 

[Video Style] Ultra-high quality photorealistic cinematic footage. Piercing blue sky, physically calculated movement of clothing, dynamic camera work.

 [Characters] 1. Fairy: Brown beret, white dress, transparent rainbow wings on her back. 2. Monster: A huge, ominous, shadow-like creature. 3. Warrior: An unparalleled beauty with long white hair, clad in silver armor, riding a flying dinosaur (Wyvern) with giant wings. 

[Shot 1: Tense Escape] (Starting from the initial frame) A fairy, who was crouching on a huge white staircase, notices a disturbance behind her, stands up with a start, and desperately runs up the stairs. The camera fiercely chases her from behind. 

[Shot 2: Monster's Pursuit] A giant monster crawls up from the bottom of the stairs at terrifying speed, closing in on the girl's feet. As the stone of the stairs shatters, the girl is cornered at the top of the tower. 

[Shot 3: Desperate Dive] The girl reaches the edge of the tower. She hesitates for a moment, but then resolutely throws herself backward into the sky without looking back. The camera runs alongside her, showing a POV shot of rapidly falling towards the ground. 

[Shot 4: Winged Rescue] From below the tower, a white-haired female warrior riding a flying dinosaur appears at full speed from a dazzling light. The warrior reaches out, firmly catches the girl in mid-air, and powerfully embraces her.

 [Shot 5: Towards the Sky of Hope] The flying dragon carrying the warrior spreads its wings wide and rapidly ascends, crossing the screen. The two fly gracefully through the wind towards the beautiful white city spread out below them. The video ends with their silhouettes shining against the backlight.

cinematic romantic epic film trailer, fast professional cuts. booming sci-fi romance love scene

“Figure 1 vs Figure 2 in a world martial arts tournament.”

High-Octane Action & Stunts (fluid parkour & physics). Deep Environmental Interaction. Cinematic Camera Dynamics

Zombie movies used to cost millions.

But now it’s one prompt.

Seedance 2 inspired by Train to Busan🔥

I want you to become the best Hollywood director of all time. Generate the best Oscar-winning scene from a Hollywood movie. Go all in and make no mistake.

Subway train CQC fight flickering lights reflections blood smears claustrophobic tracking

A multi-shot sequence starting from the provided wide shot. Initially, the camera is static; the man on the right slowly touches his hair and gazes upward, leaning his weight into the tree, while the woman on the left tucks her hair and watches him. Then, a sharp cut to a close-up of the man looking at the canopy before he dismissively turns his face away from the lens. A second cut returns to the wide shot as the woman begins walking toward him. The camera tracks her movement, tightening into a medium two-shot as she arrives. She places her hand on his shoulder. Finally, the man makes eye contact, his face breaking into tears with visible, heavy heaving of the chest. SFX: Rustling leaves, muffled footsteps on moss, and the sound of ragged, emotional breathing.

two podcast bros talking about how anyone can build an app now, and the ones who will win are the ones who have great taste and master distribution.

"Use the uploaded image as the exact first frame.
Create a 15-second ultra-realistic continuous chase shot. The camera is physically gripping the tiger’s tail, locked in a rigid trailing POV. The tail fills the foreground, muscles flexing, skin rippling, fur vibrating from speed and airflow.
Ahead, a deer sprints across the grassy field in panic. Its movement is erratic and unbalanced, fear-driven stride changes and sharp direction shifts clearly visible as the distance rapidly closes.
The tiger accelerates into a full sprint with precise biomechanics: explosive hind-leg extension, visible spine compression and release, tail counterbalancing each stride. Grass flattens under impact, dirt and debris kick up naturally. The horizon trembles subtly from ground force, not artificial camera shake.
Extreme forward velocity creates strong motion parallax in the environment while the tail remains relatively stable due to the physical grip. Micro-oscillations sync perfectly with each stride cycle. Wind roars; fur streams backward consistently.
Lighting stays natural and continuous, shadows strobing beneath the body as legs cycle. No slow motion, no cuts, no stylization.
In the final moments, the tiger lunges, collides with the deer, pins it to the ground, and secures a decisive neck hold. The shot ends mid-action with full weight, tension, and momentum still present."

A cinematic and chaotic tracking shot with handheld camera motion and camera shake shows an explorer holding an ancient scarab artifact. They are running away from a giant pursuing mummy. Debris and dust clouds can be seen. The mummy is causing sections of the ancient wall to crumble. The explorer runs away frantically while occasionally looking back, you can hear her heavy breathing. She continues running until she narrowly escapes once the mummy almost grabs her but it hits a pillar causing it to fall on itself, the explorer then continues running into the entrance of a tomb.

A surreal cinematic aerial shot of a futuristic megacity at night, filled with towering skyscrapers and multi-level looping highways twisting in impossible geometry. Streams of car headlights and taillights form glowing ribbons of motion.
A serene anime-style woman wearing flowing white robes (kimono-inspired) floats and falls gracefully through the air between the looping highways. Her sleeves and fabric billow in slow motion, giving an ethereal, weightless feel.
The camera tracks her descent from above, rotating and drifting as she passes through spiraling overpasses and interwoven roads. Traffic moves naturally below, light trails streaking through the dark blue city atmosphere.
The environment feels dreamlike and gravity-defying, with massive curved flyovers forming elegant arcs in space. Subtle fog and atmospheric haze add depth and scale.

''90s anime style, action sequence. A woman with brown wavy hair in a black evening dress sits peacefully in a cafe drinking coffee. Suddenly, masked men with guns kick the door open. The woman flips the table for cover, revealing

A high-quality animated scene of a Pepe the Frog character intensely speedcubing a standard 3x3 Rubik’s cube at a professional cubing desk. Pepe is sitting in front of a speedcubing mat and timer, rapidly solving the cube with realistic finger tricks (F2L, OLL, PLL movements), hands moving extremely fast with motion blur. The cube turns smoothly and accurately with correct color stickers. Pepe looks focused and competitive, slightly sweating, eyes locked onto the cube. Camera angle is dynamic — starting with a close-up on the cube and zooming out to reveal Pepe mid-solve. Soft desk lighting, esports-style setup in the background. The solve finishes in under 6 seconds and Pepe slams the timer dramatically. Smooth animation, cinematic lighting, depth of field, shallow focus, ultra-detailed, 60fps, studio quality.

9:16 vertical screen, 15 seconds, realistic slice-of-life style, warm yellow indoor light, slightly low-angle shot from a phone stand perspective. The scene features a woman in her twenties [Image 1] sitting at a small table in a rented room. She is barefaced except for lipstick, her hair is casually tied in a messy bun, and she is wearing a faded gray oversized hoodie. In front of her is a newly opened spicy hot pot takeout, steaming hot with a red oil broth. Scattered nearby are a phone, tissues, and an open can of Coke. The background is a typical rented apartment living room, with a small 'Fu' (Fortune) character pasted on the wall. Through the window, the lights of buildings across the street are faintly visible. The woman uses chopsticks to pick up a lotus root slice, blows on it, and puts it in her mouth while speaking indistinctly to the camera. She wipes a bit of red oil from the corner of her mouth with the back of her hand, then slurps up a piece of glass noodle. She suddenly laughs at something she says, pointing her chopsticks at the camera while still chewing, her eyes crescent-shaped. Then she lowers her head and continues eating the hot pot, with a natural and relaxed expression.
Dialogue (Female, casual and relaxed tone, speaking Chaoshan dialect): "I didn't go home for the New Year this year, just me alone in Shenzhen... Hey, this spicy hot pot is really good! My mom called and asked when I'm getting married, I told her I married the spicy hot pot, hahaha." Sound effects: Sound of chopsticks hitting the plastic bowl, slurping sound of noodles, faint sound of firecrackers outside the window, occasional phone notification sounds.
Prohibited: Any text, subtitles, LOGO, or watermark.

movie scene , a car chase at full speed, with a police car chasing a Mustang in the streets of the Bronx, then suddenly the Mustang transforms into a giant flying robot and fly away

First-person POV, ultra-hyper-realistic cinematic sequence, 8k. Foreground: A hand holds a modern minimalist bluetooth speaker. Background: A modern subway station where a woman dressed in 2020s corporate fashion (beige oversized blazer, wide-leg trousers) is waiting. ⏬

1990s OVA anime realism (Prod I.G + Otomo), Japanese full-color, crisp thin genga linework, restrained cel shading + gentle gradients, subtle film grain, sharp shadows, high-contrast rim light. 24fps ultra-fast sakuga cuts, smear+impact frames, light motion blur