Seedance 2.0 prompts

Cinematic VFX racing sequence shot on Arri Alexa 35 with anamorphic lenses featuring a low-profile tracking shot following a high-performance race car tearing through a rain-drenched circuit at extreme speeds. As the engine roars, the scene shifts into a hyper-realistic bullet-time sequence where time slows to a crawl, capturing millions of crystalline rain droplets suspended in mid-air around the aerodynamic chassis. The camera orbits the vehicle showing Surface water ripples in slow motion against the tires before time suddenly snaps back to full speed with a thunderous exhaust note as the car vanishes into a misty blur of taillights. The atmosphere is immersive and high-octane, characterized by a rhythmic transition from chaotic motion to frozen elegance, ending with an explosive sense of momentum.

The hostage children cannot stop walking and steadily approach the edge of the harbor and the hole opened in the sea clouds by the destruction of the ship.
Sommers says, "I don't care if they die; I can just kidnap other giant children later." Ripley and the children's families desperately try to stop them, but realizing they can't, they embrace the children—and everyone falls. But...!!!
Loki appears and saves them.
He transforms into a giant black dragon and grabs everyone from the sky (Loki's Devil Fruit name is not revealed in this chapter). The chapter ends with Loki in dragon form, Gear 5 Luffy, and Ragnir in squirrel form riding on Loki's head, ready to launch an attack on the MMA monsters.

Duration: 15s, Scene: Art museum at late night @Image1
Shot 1-Static shot: The girl looks around guiltily and climbs out of the picture frame @Image1
Shot 2-Tracking shot: The girl walks to the jewelry box Shot 3: The girl opens the jewelry box and puts on the earrings inside @Image3
Shot 4-Tracking shot: The girl runs quickly and climbs back into the picture frame @Image1
Shot 5: The girl smiles wearing the new earrings
@Image1 showing herself Shot 6: Jewelry box on a pure black background with only top lighting @Image2
, slow zoom-in, artistic text and voiceover appear at the top of the screen: Elevate your look. Remember to add atmospheric BGM and sound effects.

one-take video[14s][Apple iPhone front camera],[User daily UGC style],[Dramatic, exaggerated screaming sound effects],[Digital CGI for @Image1's exaggerated facial expressions and movements][In a static medium shot, a woman in a beige sweater slices a realistic
@Image1 cake on a wooden counter. Set in a bright, modern kitchen, the eye-level camera focuses on the cake while @Image1
sits in the background. The scene has a natural depth of field.][As she cuts the cake, @Image1
in the background jumps on its hind legs with its mouth wide open, appearing to scream in comedic terror. The woman stops and laughs at @Image1
's dramatic reaction.]

The vintage orange television slowly lifts off the table and levitates into the air. As it rises, the outer casing smoothly peels away and separates into multiple floating panels, revealing the intricate internal circuitry and components in an "exploded view" style. The movement is slow, fluid, and weightless, with the pieces maintaining a symmetrical arrangement. The background and warm golden lighting remain consistent throughout the transformation. Smooth transition, technical animation style, maintaining high-detail textures and cinematic quality.

A heartwarming and joyful special effect where the subject is suddenly swarmed by a large group of adorable fluffy kittens, multiple pet cats run into the scene from all directions, they playfully jump onto the subject's lap, climb on the shoulders, and nuzzle against the face, the figure is rapidly surrounded by the gathering animals creating a chaotic but cute pile of pets, high fidelity fur texture, realistic animal interaction and lively motion, the subject interacts happily with the increasing number of cats.

Use Image 1 as the first frame, referencing the character design, outfit color palette, and overall visual style of Image 1. The girl is performing a high-speed downhill skateboard ride on a winding suburban mountain road. The shot uses a Steadicam follow perspective, with an intense sense of speed throughout. The powerful wind generated by the fast ride makes her hair and clothing whip violently in the air. At the beginning, the girl pushes off with one foot to gain speed, then lowers her body to reduce wind resistance and continues accelerating. The scene features heavy motion blur to emphasize the extreme speed of the skateboard. While riding, she repeatedly shifts her center of gravity downward and leans left and right through multiple turns on the road. As she carves into the corners, the arm on the inside of the turn lowers as if lightly trying to touch the ground. On straight sections, she bends forward, keeps her knees low, and places both hands behind her back to minimize drag. In the distance, fireworks are going off above a seaside town, while a passenger airplane flies across the sky. The overall visual style should be ultra-realistic, with highly lifelike image quality and realistic photographic cinematography. No background music, only environmental sound design.

Side angle cinematic shot. A massive ancient stone door grinds downward rapidly, rumbling and scraping stone-on-stone. At the last possible second, a figure in silhouette — leather jacket, hat brim — drops and slides along the dusty floor underneath the closing gap, barely making it through. The stone door SLAMS shut with a thunderous boom that shakes the frame. Dust explosion. The figure rolls, comes up onto one knee, breathing hard. Torch flames on the wall whip violently from the shockwave then settle. Silence except for settling dust and heavy breathing. The figure is backlit, silhouette only — no face visible. The rumbling is now muffled behind the sealed door. Deep cinematic sound design — stone grinding, the massive slam reverberating, then sudden quiet. Warm torchlight, deep shadow, film grain. Cinematic adventure, Indiana Jones tone.

Environment:

A surreal ocean in the sky where enormous waves float between cloud layers. Waterfalls spill endlessly downward into the clouds below while golden sunset light illuminates the horizon.

Action:

15.0s sequence. A colossal sky-whale made of shimmering water currents glides through the floating ocean waves. Rising from the clouds below, a massive kraken formed from swirling storm clouds and lightning tendrils attacks.

They collide as the kraken’s tentacles wrap around the whale while both creatures crash through floating waves.

Velocity Ramp choreography: the whale’s massive tail strike slows to reveal suspended droplets and lightning arcs before detonating outward as the motion resumes.

Camera:

Wide aerial tracking shot flying alongside the whale before diving beneath the floating ocean surface as the creatures crash through the water.

Style & Constraints:

Photorealistic water physics, volumetric cloud lighting, ray-traced reflections on wave surfaces, cinematic sunset atmosphere, 8K resolution.

SUBJECTS: Subject 1: A frantic barista — small, wiry, early 30s with permanently startled eyes and perpetual five o'clock shadow. Wild curly black hair barely contained under a brown newsboy cap. Wears a wrinkled olive-green apron over a flannel shirt with haphazardly rolled sleeves. Moves like a pinball — bouncing between stations, sliding across the floor, catching things mid-air without looking. Every movement triggers the next part of the machine. His body IS part of the mechanism. Pixar-style 3D rendering: rubbery expressive limbs, exaggerated squash-and-stretch on fast movements, warm skin tones. Subject 2: The café itself — every object is a component of one interconnected Rube Goldberg machine. The espresso machine is the central engine. The sequence involves: a marble track built from bent spoons along the ceiling, balanced cups on saucers that tip like dominoes, a hanging mobile of sugar cubes acting as a counterweight system, a toy train on a track delivering milk from the fridge to the steamer, and a small catapult made from a ruler and napkin holder that launches the finished cup to the counter. Subject 3: The customer — a deadpan woman in a business suit, briefcase in hand, reading glasses on a chain. Completely unfazed by the chaos. She stands at the counter with the patience of someone who has seen this before. ENVIRONMENT: A tiny corner café — barely ten feet wide. Exposed brick walls covered in chalkboard menus with hand-drawn coffee illustrations. Every horizontal surface has a mechanical element: marble tracks on shelves, cup-and-saucer balance chains along the counter, tiny pulleys strung from the ceiling with twine. Warm morning light streams through a single front window catching dust and steam. A small bell hangs above the door. The whole space feels like a brilliant inventor's workshop that serves coffee. MOOD: Manic joy. The barista is in his element — the chaos is intentional, practiced, musical. Every crash, pour, and launch is precisely timed. The punchline deflates the entire spectacle in the best possible way. TIMELINE: 0:00–0:03: The door opens — bell dings. The customer places her briefcase on the counter. Says nothing. The barista points at her, nods — he knows the order. He flicks a marble from his apron pocket onto a ceiling track. The marble rolls — clicking over ridges, banking around a curve, dropping through a funnel into a cup on a saucer on a high shelf. The cup's weight tips the saucer, pulls a string, releases a cabinet latch — coffee beans slide down a ramp into a hand-crank grinder. Audible: bell ding, marble clicking on track, cup clinking, string twang, beans cascading. 0:03–0:06: The barista cranks the grinder with one hand while pulling a lever starting the toy train. The train chugs along a counter-edge track — passes the fridge where a small arm places a milk carton in the car — continues to the steam wand where the track tilts and pours milk into a steaming pitcher. Ground coffee falls through a chute into the portafilter. The barista slams it in with his elbow while catching a falling sugar cube from the overhead mobile with his other hand, dropping it into a cup. Audible: grinder crunching, train chugging and whistling, milk pouring, portafilter clicking, mobile tinkling. 0:06–0:09: Espresso machine fires — rich dark coffee flowing into a porcelain cup. Close-up: crema forming, thick and golden-red, swirling. The barista steams milk — pitcher vibrating, velvety microfoam building. He pours with a practiced wrist flick — a perfect rosetta latte art pattern forms. He tops it with a single coffee bean placed dead center. Camera lingers on the completed drink — perfect, beautiful. Audible: espresso hissing, milk steaming (tearing-paper sound), the gentle pour, the bean placed with a tiny tap. 0:09–0:12: The delivery. The barista places the cup on the ruler catapult and slams his palm down. The cup launches in a perfect arc — camera follows in slow motion as it rotates, latte art intact, not a drop spilled. It lands with a clean clink on a saucer directly before the customer. Steam rises in a perfect spiral. The barista slides into frame behind the counter, slightly breathless, fingers pointing at the drink with showman's pride. Audible: catapult snap, cup whistling through air, clean landing clink, a beat of silence. 0:12–0:15: The customer adjusts her reading glasses. Looks at the latte art. Looks at the barista. "Actually — can I get tea?" The barista's face falls — completely deflated. Shoulders drop. Cap slides askew. A long beat. Then his eyes snap back to life. He pulls out a different marble — a green one — and flicks it onto a completely different track on the opposite wall. The entire café begins moving again — a whole new sequence activating. The customer takes a seat. She's done this before. Cut to black. Audible: her flat delivery, the defeated exhale, then the green marble clicking onto the track and the café machine roaring back to life.

Photorealistic vertical 9:16 close-up portrait of a charming young East Asian woman with long straight dark hair, wearing a simple black top, soft warm smile and playful sparkling eyes looking straight at camera, gentle baby-talk expression, cozy blurred indoor bedroom background with soft bokeh, diffused golden warm lighting creating a gentle glow on her skin, warm pastel color grading, honey and peach tones, extremely flattering beauty lighting, shallow depth of field, intimate TikTok influencer aesthetic, cute and endearing vibe, high detail, cinematic yet casual, 8k --ar 9:16 --stylize 250 --v 6"
Video / Motion Prompt (add to the above):
"15-second vertical video, subtle natural head tilts and gentle smiling, mouth moving in sync with soft high-pitched baby-talk gibberish 'Sabi Sabi Jubi Her' then repeating 'Babyserbee Babyserbee Babyserbee' in chirpy endearing voice, slight playful eye sparkles and micro-expressions, smooth continuous selfie-style camera with minimal breathing motion, warm glowing lighting consistent throughout, positive cozy atmosphere, look, high quality 60fps"

Photorealistic cinematic vertical video, 9:16 aspect ratio, extremely plump spherical brown-and-white furry dog-like creature, comically round beach-ball body, tiny stubby legs and paws, short fluffy tail, viewed from extreme low ground-level angle slightly from behind, standing on glossy polished golden wooden floor in a modern minimalist home interior, soft natural daylight, warm earth tones, rich chocolate brown fur with creamy white patches, hyper-detailed individual fur strands, subtle reflections on floor, shallow depth of field, gentle vignette, humorous surreal meme style, absurd cute proportions, what the dog doing gugugaga trend, high detail, 8k --ar 9:16 --stylize 250 --v 6

FORMAT: 15s / 6 SHOTS / single continuous chase energy / no dialogue 
STYLE: Macro jungle floor, towering grass blades, dew drops, damp earth vs neon pink cyber-implants, photorealistic macro cinematic 
Shot 01 (0:00-0:02) Dive from the canopy of a giant fern down to a cybernetically enhanced rhinoceros beetle sprinting across a fallen, moss-covered log. 
Shot 02 (0:02-0:04) Camera tracks parallel to the beetle's mechanical legs, sweeps under its glowing pink thorax, and snaps to the spinning micro-rotors on its back. 
Shot 03 (0:04-0:07) A heavy rain droplet dislodges a pebble from above; the beetle initiates a thruster-assisted sidestep, scraping its metallic horn against a fungal stalk. 
Shot 04 (0:07-0:10) The path dives into a dense thicket of thorny briars, spiderwebs, and overlapping leaves; the camera seamlessly navigates the micro-labyrinth. Shot 05 (0:10-0:13) The beetle bursts from the thicket into a clearing, a splash of muddy dew hitting the lens as its optical sensors flash tactical warnings. 
Shot 06 (0:13-0:15) Camera pulls back exponentially, transitioning from the micro scale to reveal an immense, sprawling bioluminescent greenhouse, the beetle lost in the glowing flora.

Cinematic VFX sci-fi transformation shot on Arri Alexa Mini LF with a low-angle steady-cam orbit. The scene features a rugged American soldier standing in a dusty desert hangar; as he activates a wrist-mounted neural trigger, heavy matte-black industrial armor plates and hydraulic pistons surge upward from his boots, encasing his body in a militaristic mecha frame. The camera circles closely as copper wires and steel framework interlock with violent precision, capturing his grimace of physical strain. The process accelerates with high-pressure steam venting from shoulder joints as a bulky chest plate slams shut. The transformation concludes with a heavy metallic resonance as a reinforced tactical helmet locks into place. The atmosphere is gritty and visceral, driven by a rhythmic crescendo of clanking metal and pressurized air, ending in a powerful, grounded stance.

15-second comedic animated short in the world and visual tone of Zootopia. High-quality stylized 3D animation, expressive facial acting, clean readable slapstick, bright police-station interior, polished reflective floor, warm indoor daylight. Visual comedy only, little or no dialogue.

Judy Hopps: small fast rabbit police officer, blue ZPD uniform, hyper-serious, explosive sprinting, precise slides, determined face, ears reacting sharply.
Nick Wilde: tall slim fox, green shirt and tie, relaxed posture, minimal movement, dry amused expression.
Background: one distant sloth clerk at a far desk only, never entering foreground.

Key object: one single strawberry jelly donut, same donut for the entire clip, falls from Nick’s small brown paper bag, rolls across the floor, gets stopped by Nick, then gets sealed into one clear evidence bag by Judy. No duplicate donuts, no extra props, no continuity errors.

Camera language: third-person cinematic comedy, medium shots, low-angle close tracking on the donut, one side tracking shot, one final tight two-shot. Smooth stabilized movement, tiny comedic whip corrections only when needed. Always keep donut, Judy, and Nick spatially readable.

0:00–0:03
Medium shot, light tracking in ZPD lobby. Judy and Nick walk side by side past the front desk. Judy carries a small clipboard, Nick carries a brown paper bag. One strawberry jelly donut slips out of the bag, drops to the floor, and starts rolling. Judy’s ears snap upright and she locks onto it like a fleeing suspect. Camera dips lower to keep the donut in the foreground.

0:03–0:06
Low close tracking shot on the same donut rolling fast over the shiny floor. Judy bursts into frame from behind, clipboard tucked under one arm, sprinting hard with both paws reaching forward. She almost grabs it but misses by centimeters. The donut keeps rolling. Quick readable camera adjustment, no chaotic motion.

0:06–0:09
Side medium-wide tracking shot. The donut curves around a fixed desk leg. Judy makes an exaggerated quick step and low slide to intercept, but it slips past her again. She pivots and chases immediately. In the background, Nick simply walks on a shorter diagonal path, calm and unhurried. Keep the same donut clearly visible.

0:09–0:12
Frontal medium-close shot. The donut rolls toward camera. Nick’s paw enters calmly from frame right and presses the same donut to a stop. Judy slides in from frame left and freezes with her nose just inches from it, still in full arrest pose. Hold the reaction beat clearly.

0:12–0:15
Tight two-shot. Nick lifts the same donut with two fingers and hands it over with a dry smug grin. Judy instantly switches back to formal police mode, pulls out one clear evidence bag, seals the same donut inside, and proudly presents it to camera like a major arrest. Nick stands beside her with an amused look. In deep background, the sloth clerk slowly raises a stamp. End on a clean comedic freeze frame: evidence bag with the donut

Phase 1: The Raw Era / 0.5s Cuts (Primitive Era) Visual Prompt (Chinese): (Screen center locked: A man with his mouth wide open preparing to bite food. The background switches quickly, but he maintains the same posture) [0.0s] Primitive caveman, biting a bone with meat (Cave Environment). [0.5s] Roman Emperor, biting a string of purple grapes (Marble Palace).

Video 1: Exaggerated anime sakuga high-speed fight scene 10 seconds premium quality ultra-fluid masterpiece: tough delinquent schoolgirl unique street-tough design messy ponytail blonde streaks piercings loose torn sailor uniform toothpick in mouth cocky smirk narrowed focused

Shot 1 (0.0-0.5): Macro shot of butter sliding off a spatula onto a polished floor tile.
Audio: Splat-skitter
Shot 2 (0.5-1.0): Extreme close-up of the Baker's eyes widening as she realizes.
Audio: Sharp inhale
Shot 3 (1.0-1.5): Her elbow knocks a bag of flour off the counter.

100% real-life filmed texture, iPhone handheld camera look, documentary style, cold desaturated tones, natural overcast lighting, soft shadows, slight exposure imbalance, sensor noise, lens dirt on edges, imperfect framing, autofocus breathing, random focus shifts,

Cinematic forest horror at night, dense fog, flashlight beam cutting through trees, realistic atmosphere, wet leaves, distant branches cracking, photorealistic, tense and unsettling, hard cuts only

Shot 1: Wide shot of a dark forest path, thick fog, weak flashlight beam

Prompt: Long exposure video of a contemporary dancer performing in a dark black box studio. The video captures a motion trail ghosting effect behind him, showing the path of the movement. The dancer is sharp at the end of the movement while the previous positions are blurred. Low

The scene is a Japanese-style martial arts dojo, with wooden structures and Japanese doors and windows inside, and a plaque reading "Hongkou Dojo" hanging above; the character is a woman with double braids, wearing a red Chinese-style top + blue pants, who fiercely shouts the line "I'm going to fight 10 people" before engaging in a fierce fight with multiple opponents in Japanese martial arts uniforms; the fight choreography includes punches and kicks, high kicks, and spectacular shots of flying kicks shattering wooden structures, with lines like "I fight" shouted during the combat, presenting an overall hot-blooded and powerful martial arts duel scene.

Scene 1 (0~3 seconds) The Princess throws a tantrum
Visuals: Inside an ancient boudoir, a mahogany dressing table. The Princess [@Image 2] is wearing a red wedding dress and a golden phoenix crown, with her long hair braided into thick pigtails hanging over her chest. The Princess is beautiful and cute, frowning, pouting in anger, and standing with hands on hips. Close-up of facial expression, warm candlelight. 
Dialogue: The Princess whines: "I don't want to marry someone I've never met!"

Scene 2 (3~6 seconds) The Princess enters the sedan chair
Visuals: Interior of a red festive sedan chair. The Princess [@Image 2] covers her face with a red round fan, sitting inside the chair. Red gauze curtains flutter, the Princess looks displeased and mutters. Joyful music is heard from outside. 
Dialogue: Princess's inner monologue: "He must be an ugly monster anyway..."

Scene 3 (6~12 seconds) Stunning encounter
Visuals: In the main hall of an ancient mansion, the Princess [@Image 2] slowly steps out of the sedan chair, holding the round fan, and looks up. The male lead [@Image 1], wearing a purple-gold cloud-patterned brocade robe, walks towards her from the backlight, with a white gauze outer cloak. His hair is tied up with a gold wire crown, and a ruby shines on the crown. He wears a dark purple wide belt, a white jade 'Jinbu' (waist ornament), and a jade pendant. The purple-gold robe shimmers under the sunlight, looking extremely luxurious. Black hair flutters, his peach blossom eyes smile, and he is incomparably handsome. Sunlight sprinkles down, as if coated with a layer of gold. Cinematic lighting, slow motion, robes fluttering, combining ethereal and noble aura. 

Scene 4 (12~15 seconds) The Princess is smitten
Visuals: Close-up of the Princess [@Image 2]. The round fan drops, pupils dilate, and her eyes are stunned. Her cheeks instantly flush red, and her lips are slightly parted. She shyly bites her lip and twists her sleeves. The scene fades out with a romantic and aesthetic filter. 
Dialogue: Princess's inner monologue: "...It smells so good (I love it)"

A Chinese mythological boy with two hair buns, a red mark on his forehead, and a red ribbon tied around him, walks into a Chinatown filled with red lanterns. He is looking for a group of single-eyed or double-eyed yellow capsule-shaped small creatures wearing blue overalls. Subsequently, the boy waves a red silk ribbon and engages in a comedic chase battle with this group of yellow small creatures.