Seedance 2.0 prompts

*John Wick style action movie. 
@Image Fatty takes a deep breath and assumes a starting stance, using the narrowness of the corridor to lure the robot towards the glass wall. Fatty uses the reaction force, kicking off the wall with both feet, performing an aerial spinning kick, breaking the neck connection line of the first robot. The robot collapses to the ground. The remaining robots continue to swarm in. The man in the hoodie realizes the corridor space is too small and he could easily be surrounded, so he turns and runs towards the office hall.

A boy seriously assembling Lego bricks in his room, the scene adopts a 3D animation style, with bright colors, smooth lines, full of childlike fun and vitality, adding a time-lapse effect to show the assembly process.
0-3 seconds: Full view of the room, sunlight spills onto the desk through the window, the boy sits at the desk concentrating on assembling Lego bricks, with a serious expression, the camera slowly pushes in
3-6 seconds: Time-lapse effect showing the boy quickly piecing together Lego bricks, the blocks gradually taking shape in his hands, the camera switches to different angles
6-9 seconds: Close-up of the hands, showing the details of the boy skillfully assembling Lego bricks, fingers flexibly manipulating the blocks, the camera follows the hand movements
9-12 seconds: Time-lapse effect continues to show the assembly process, the Lego creation gradually becomes complete, the boy's expression changes from focused to satisfied
12-15 seconds: The boy raises his head, showing a satisfied smile, the camera pulls back to show his completed Lego creation.

【Style】 Hyper-realistic cinematic CG, authentic pet documentary texture, cozy and healing style, realistic fur physical simulation, clear details, 8K quality, soft warm tones, indoor nighttime atmosphere
【Duration】 15 seconds 【Scene Setting】 Real cozy bedroom, door closed, nighttime environment, main light off, only the bedside lamp emits a warm yellow glow, the room is generally dim. There are blankets on the bed, and two pets show their heads.
🎞 Storyboard Design (including shot type + depth of field + lighting logic)
0–3 seconds 【Shot Type】 Medium Shot 【Camera Movement】 Slight slow push-in 【Depth of Field】 Shallow depth of field, blurred background
【Scene】 A chubby orange cat and a cute Shiba Inu sitting on the bed, blankets covering their necks. Both are looking at phones. The phone screen light is very bright, casting a cool light on their faces. The bedside lamp emits warm light, contrasting with the cool light of the phones. The two pets are smiling happily at the screen.
3–6 seconds 【Shot Type】 Close-up 【Camera Movement】 Slight handheld feel 【Depth of Field】 Extremely shallow depth of field 【Scene】 The orange cat's ears suddenly perk up. The expression changes from happy to alert. The phone light flickers on its face.
6–8 seconds 【Shot Type】 Near Shot 【Action】 The orange cat quickly turns off the phone. The cool phone light disappears. Only the warm light of the bedside lamp remains in the room. The orange cat burrows into the blanket, only a small tuft of fur exposed.
8–10 seconds 【Shot Type】 Medium Near Shot 【Action】 The orange cat quietly extends a small paw from the blanket and gently pokes the Shiba Inu. The Shiba Inu is stunned for a moment. Quickly turns off the phone. The cool light disappears. Burrows into the blanket and pretends to sleep with eyes closed.
10–13 seconds 【Shot Type】 Long Shot of the Doorway 【Camera Movement】 Fixed shot 【Depth of Field】 Deep depth of field 【Scene】 The bedroom door slowly opens a crack. A Golden Retriever's head peeks in. Light spills faintly from the hallway. The Golden Retriever scrutinizes the two on the bed.
13–15 seconds 【Shot Type】 Close-up of the Golden Retriever 【Action】 The Golden Retriever nods contentedly. Gently closes the door. The scene returns to the bed, where the two pets have their eyes tightly shut. The Shiba Inu secretly opens one eye. Fade to black.
💡 Key Generation Enhancement Words (Suggested additions) realistic fur simulation subtle breathing movement soft shadow transition warm and cool light contrast cinematic lighting natural micro expression quiet nighttime ambience cozy bedroom atmosphere

Novel opening: "The husband reported the gatekeeper, the wife went to work, and he was very pleased...", automatically associate and expand the novel plot and character dialogue based on the opening, generating a video in the style of a TV drama.

a 15-second video clip showing a hyper-realistic recreation of Bryan Cranston as Walter White (from Breaking Bad) delivering an intense, dramatic monologue in what looks like a supermarket setting. The character appears in his signature Heisenberg look (bald head, goatee, intense stare), gesturing emphatically while speaking with perfect lip-sync, natural facial micro-expressions, realistic skin texture, lighting, and subtle body language. The overall quality feels cinematic - smooth camera movement, believable emotion, and no obvious AI artifacts like warping or uncanny motion that plague older models.

"2d anime goku punching a green buy button at outdoor market that has a wood sign above that says BINDER than goku goes super saiyan"

A massive cosmic arena forms in a blinding void, Tournament-of-Power scale. Crowds from countless universes roar.
At the center stands the narrator: Gintoki Sakata, relaxed, wooden sword on his shoulder, bored eyes, sharp tongue.
He announces the rule...

Sam: “Why don’t we just take the Eagles to Mount Doom?”
Frodo: “…That actually makes sense.”
Cut to them flying Eagles, dropping the ring.
Sauron’s tower explodes.
 THE END.

Cinematic 1980s dark fantasy ensemble shot of the Stranger Things party in a ruined lab, simultaneously unleashing unique superpowers (blue electricity, red plasma, telekinetic debris, glowing eyes) with 35mm grain, anamorphic flares, and volumetric red mist.

Style: Hollywood Professional Racing Movie (Le Mans Style), Cinematic Night, Rain, High Stakes Sport. Duration: 15s.

[00-05s] Shot 1: The Veteran (Interior/Close-up). Rain lashes the windshield of a high-tech race car on a track. The Veteran driver (in helmet) looks over

A realistic cinematic scene opens on a quiet Japanese countryside at dawn. Mist clings to rice paddies. A bullet train appears as a distant silver streak on the horizon. The camera launches forward at impossible speed, racing alongside the train, matching its velocity. The camera

top down shot of the the woman taking out the all the swordsmen men with and powerful attacks, we only see her from the back - camera pan up establishing, tense, nobody is moving - avoid showing the ground, focus on upper body - then at 3 seconds, jumpcut after jumpcut with blood

showdown the woman taking out the all the swordsmen men with and powerful attacks, her right eye is scarred, she has burnmarks on her body- fighting on top a glass floor above zen garden lit by purple light- , jumpcut after jumpcut with blood of her cutting one enemy after the

showdown the woman taking out the all the swordsmen men with and powerful attacks, her right eye is scarred, she has burnmarks on her body- fighting on top a glass floor above zen garden lit by purple light- , jumpcut after jumpcut of her nimble movements as she slices one enemy

# Role: Seedance 2.0 Video Prompt Specialist

**Objective:**
You are an expert video prompt engineer specialized in the **Seedance 2.0** model architecture. Your task is to convert simple user ideas into highly structured, cinematic, and technically precise JSON prompts that leverage Seedance's native audio-visual capabilities, multi-shot consistency, and physics engines.

**Input:** A short description or concept from the user (e.g., "A cyberpunk detective walking in the rain").

**Output:** A single, valid JSON code block following the `Songguoxs/Seedance` schema below.

## THE SCHEMA (Strict Adherence Required)

```json
{
  "shot": {
    "composition": "Detailed shot type (e.g., Low-angle wide shot transitioning to medium push-in)",
    "lens": "Specific focal length (e.g., 24mm anamorphic for width, 85mm for portraits)",
    "frame_rate": "Target fps (usually 24fps or 30fps, or 60fps for slow-mo)",
    "camera_movement": "Precise motion (e.g., Dolly zoom, Truck left, Orbital tracking)",
    "lighting_style": "Key lighting descriptor (e.g., Chiaroscuro, Cyberpunk Neon, Natural Golden Hour)"
  },
  "subject": {
    "character": "Detailed character description (appearance, age, texture)",
    "wardrobe": "Clothing details including fabric physics (e.g., 'heavy wool coat damp with rain')",
    "expression": "Micro-expressions (e.g., 'subtle hesitation', 'steely gaze')",
    "action": "The primary movement or activity"
  },
  "scene": {
    "location": "Rich environmental description",
    "time_of_day": "Lighting specific time (e.g., 'Blue hour', 'High noon')",
    "atmosphere": "Volumetric effects (e.g., 'thick fog', 'floating dust motes', 'steam rising')",
    "props": "Key items in the scene"
  },
  "visual_details": {
    "beats": [
      {
        "time": "0.0-2.0s",
        "action": "Initial state or movement",
        "focus": "Where the viewer looks"
      },
      {
        "time": "2.0-5.0s",
        "action": "The climax or transition of the shot",
        "focus": "Change in subject or environment"
      }
    ],
    "physics_rules": [
      "Specific rule 1 (e.g., 'Hair reacts to wind direction from left')",
      "Specific rule 2 (e.g., 'Raindrops splatter realistically on glass surfaces')"
    ]
  },
  "cinematography": {
    "color_palette": "Specific colors (e.g., 'Teal and Orange', 'Monochrome with Red accents')",
    "film_grain": "Texture level (e.g., 'Fine 35mm grain', 'Clean digital')",
    "lens_artifacts": "Optical flaws for realism (e.g., 'Subtle chromatic aberration', 'Anamorphic flare')"
  },
  "audio": {
    "music": "Genre, tempo, and instrumentation (e.g., 'Slow burn synthwave, deep bass')",
    "ambient": "Environmental layers (e.g., 'Distant sirens, heavy rain on"

the man is deciding "I want to wash my car, and the car wash is 50m away. Should I walk or drive?" Then he decided what to do and proceeds to do it!

generate a fight scene between Brad Pitt and Tom Cruise, with their dialogue revolving around the Epstein files.

generate a #fightscene between #BradPitt and #TomCruise, with their dialogue during the fight revolving around the #EpsteinFiles

Use Seedance 2.0 to generate a video about Extreme close-up on the mouth of Anya Forger, dramatic lighting, steady breathing. Her lips move with absolute conviction as she says in English: “Anya will defeat all the villains.” Subtle micro-expressions in her eyes and

SHOT 1 (0-3s): Low-angle wide shot - matte black Charger rockets toward camera, engine roaring, sparks flying from undercarriage scraping asphalt, golden hour sunlight glinting off hood, lens flare, high contrast with crushed blacks, handheld shake for impact.

Opening - Silent Dawn (Using Combined Camera Movement 3: Ascending Reveal)

The scene begins with a close-up of a spider web covered in morning dew, the dewdrops reflecting a blurred pastoral reflection. The camera slowly pulls back and rises like a breath, gradually revealing the boundless rice fields below, tightly locked in thin fog. On the distant horizon, a thin silver line silently cuts through the grayish-blue sky—that is the Shinkansen. (Ascending shot + Pull-out shot, Emotion: Tranquility, poetry, foreshadowing)

Acceleration - Metal Behemoth (Using Combined Camera Movement 4: Vertigo Chase + partial elements of Combined Movement 1)

Suddenly, the camera seems to be captured by magnetic force, sprinting towards the silver track ahead with impossible acceleration. Intense handheld shaking simulates the violent air current, and the rice fields instantly turn into a green torrent. The camera rapidly pans horizontally, keeping pace with the rapidly approaching train head. At the moment speed synchronizes, all sound in the world is stripped away, leaving only a visually intense Dutch angle tilt, emphasizing this extraordinary kinetic energy. (Intense handheld shake + Rapid horizontal pan + Dutch angle, Emotion: Burst, shock, imbalance)

Penetration - Boundary Shift (Using Combined Camera Movement 9: Spatial Transition)

Just before impact with the train head, the camera focuses on the side window of the driver's cab. A cold, honeycomb-like glass texture fills the screen. Match cut point: A slow-motion phantom of a bird hitting the glass, and at the moment of contact, the camera seamlessly penetrates. The cold, high-speed world outside suddenly switches to the warm, silent, low-noise passenger cabin inside. The light transitions from cold blue to warm yellow. (Match cut + Light/texture transformation, Emotion: Magical, turning point, entering an alternate space)

Contemplation - The Still Heart (Using Combined Camera Movement 5: Elegant Orbit and elements of Combined Movement 2)

After the camera enters, all movement returns to absolute stillness. With a Steadicam-like floating sensation, it gently orbits the woman by the window along the aisle. As it passes her profile, an extremely slow push-in focuses on her glasses lens—the blurred, flowing mountains and villages outside the window are reflected in the lens like an abstract painting. Steam from the cup rises slowly, defying physics. (Steadicam smooth orbit + Extremely slow push-in + Macro close-up, Emotion: Serenity, introspection, time suspended)

Extraction - External Spiral (Reusing Combined Camera Movement 4: Enhanced Vertigo Chase)

The camera exits through the window on the other side, instantly returning to the eye of the speed storm. It begins a high-speed spiral orbit centered on the train, the streamlined body carving dazzling metallic arcs in the sunlight. The intense orbiting motion combined with handheld tremor is dizzying, showcasing the pure aesthetic of machinery and speed. (High-speed spiral orbit + Handheld shake, Emotion: Abstraction, vertigo, mechanical aesthetic)

Curtain Call - Bridge to Heaven and Earth (Using Combined Camera Movement 8: Grand Entrance Variation)

At the highest point of the spiral, the camera sharply pulls back and up. The train is crossing a giant iron bridge spanning a lush green canyon, its form appearing precise and elegant. The camera continues to rise, accompanied by a horizontal pan, revealing the full view of the canyon and distant mountains. It finally freezes in a vast aerial long shot: the silver train, like a fine needle, quietly disappears into the shadow tunnel of the great mountain. All sounds cease, only the last wisp of a distant whistle echoes gently among the mountains until it fades away. (Large-scale pull-out shot + Ascending/Descending + Horizontal pan, Emotion: Grandeur, detachment, returning to eternity)

16:9 widescreen, open-world game screen style merging cel-shading rendering and watercolor hand-painting, bright and clear colors, soft outlined contours, 15 seconds of fantasy continent adventure. 0-4 seconds: Extreme long shot, at dawn, golden morning light slowly rises from behind the distant snow-capped mountain ridge line, light gradually covers the vast green wilderness. The wilderness is dotted with stylized low-poly trees and wildflowers, an ancient stone tower wrapped in vines is visible in the distance standing on a cliff edge, light blue particle motes float in the air, the camera slowly pushes down from above through the clouds, morning birdsong and wind sounds; 5-9 seconds: Follow shot, a blonde boy wearing a blue adventurer's tunic stands on the cliff edge overlooking the land, his cloak fluttering in the wind. He jumps off the cliff and deploys a cloth paraglider, the camera follows the boy gliding in the airflow from the side. Below him is the vast cel-shaded landscape—winding rivers, dense forests, ruined castles, a distant volcano emitting orange-red smoke, sunlight casts transparent shadows on the paraglider fabric; 10-15 seconds: The boy retracts the paraglider and lands on a patch of grass, casually pulling out a rusty sword from the ground. A round blue jelly-like small monster suddenly jumps out from the grass in front. The boy assumes a fighting stance, the small monster angrily bounces towards him. The boy nimbly dodges and lightly strikes the small monster with his sword, causing it to fly away and dissipate into purple smoke. The boy sheathes his sword and looks towards the silhouette of the huge castle ruins in the distance, wind blowing through the grass waves like a green ocean. Sound effects: Morning wind and birdsong open the scene, whooshing airflow and fabric vibration sounds during gliding, rustling sounds of grass upon landing, metallic friction sound when drawing the sword, crisp strike sound during combat, overlaid with cheerful orchestral and piano melodies throughout. Prohibited: Any text, subtitles, LOGO, or watermark.

16:9 widescreen, fantasy adventure game screen style merging cel-shading rendering and watercolor blending, predominantly blue-green cool tones with warm light accents, 15 seconds of ancient ruin exploration.
0-4 seconds: A pair of eyes slowly opens in the darkness, the sapphire blue pupils reflect blue light. The camera pulls back, a blonde boy slowly sits up on a glowing stone altar. The surroundings are a dim ancient stone chamber, the walls covered with mysterious patterns emitting a faint blue glow. The patterns extend outward like circuits, pulsating and flickering. Water drops fall from the stone wall, echoing distantly; 5-9 seconds: The boy steps barefoot onto the cold stone floor and walks towards a huge stone door at the end of the chamber. He reaches out to touch the circular mechanism rune on the door. Blue light spreads outward from the point of contact like water ripples, and the ancient patterns on the entire stone door are activated and light up sequentially. The stone door opens with a crash, and dazzling white natural light pours in from outside, submerging the entire frame. The camera follows the boy as he steps into the light; 10-15 seconds: The light dissipates, and a magnificent extreme long shot unfolds. The boy stands on the edge of a towering cliff, facing a boundless panoramic view of a fantasy world—emerald green forests, azure lakes, huge islands floating in the distance, snow-capped mountains surrounded by clouds, and a massive castle ruin emitting golden light on the horizon. The wind blows the boy's hair and clothes. The camera slowly pulls back and rises from behind the boy, taking in the entire magnificent world. Sound effects: Water drop echoes and low temple resonance at the opening, layered electronic sound effects when the stone door mechanism activates, heavy rumbling sound when the stone door opens. When the world unfolds, the orchestral music bursts from silence into a grand and magnificent main theme. Wind sounds run through the ending. Prohibited: Any text, subtitles, LOGO, or watermark.

<role>
You are an award-winning trailer director + cinematographer + storyboard artist. Your job: take ONE reference image of an actor and create a cohesive cinematic short sequence, then output AI-video-ready keyframes.
</role>
Color tone reference image 2
<input>
User provides: one reference image (image).
Scene Brief: {{scene_brief}}
</input>

<goal>
Create a 10–20 second cinematic scene with a clear theme and emotional progression (setup → build → turn → payoff) using the actor, you are allowed to add other actors in the scene if the scene needs it.
The user will generate video clips from your keyframes and stitch them into a final sequence.
</goal>

<steps>
1. a Keyframe List: 9 frames (later assembled into ONE master grid). These frames must stitch into a coherent 10–20s sequence with a clear 4-beat arc. Each frame must be a plausible continuation within the SAME environment. The frames generated must use cinematic style shot using a standard modern movie camera.
2. You MUST output ONE single master image: a Cinematic Contact Sheet / Storyboard Grid containing ALL keyframes in one large image.
- Default grid: 3x3.
</steps>