Comic / Storyboard - CEO Character Sheet Design

A detailed layout for a character design sheet featuring a female executive in a suit jacket and pajamas, showing front, side, and back views.

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[Input Items] Jacket Color: [NAVY / BORDEAUX / FOREST GREEN / CAMEL] (Mandatory selection) [Purpose] Using only the single full-body portrait attached to this instruction manual as the sole character reference, create one design-focused simple character three-view sheet for both sharing and video reference. Inherit only the face, body type, and hairstyle from the reference image. Do not inherit the costume, footwear, accessories, bags, small items, or costume color scheme. Replace them with the specific costume for this occasion. [Aspect Ratio] Fixed at 4:3. Do not change to other ratios. [Character Reference] Maintain the facial features, eyes, nose, mouth, outline, age, and skin tone of the reference image. For the body type, maintain the proportions of the reference image, such as height, head-to-body ratio, shoulder width, torso length, waist position, hip position, leg length, and body slenderness/thickness. For the hairstyle, maintain the length, bangs, parting, hair volume, overall silhouette, and the shape of the sides and back from the reference image. Do not change the face, body type, or hairstyle due to clothing changes, and naturally develop as the same person in FRONT/SIDE/BACK views. [Costume Concept] Combine a neat and sophisticated tailored style for the upper body with a relaxed pajama style for the lower body. The upper body should give a sharp and high-quality impression, convincing as a sophisticated professional woman. Clarify the difference in texture and silhouette between the upper and lower halves to establish it as a single character design. [Jacket] A sophisticated tailored jacket. The design is fixed: a single-breasted jacket that naturally follows the body in a slightly slim fit, with one button, standard notched lapels, a moderately short length reaching near the hip bone, a naturally cinched waistline, and clean long sleeves. The shoulders should have a moderately structured and natural silhouette. Use only one of the colors selected in the [Input Items] (NAVY/BORDEAUX/FOREST GREEN/CAMEL) for the jacket body, maintaining the design even if the color is changed. [Inner] A high-quality minimal no-collar blouse fixed in OFF WHITE. The neckline should be a shallow and neat split neck, with a short vertical slit in the center of the neck. Do not open the chest widely like a general V-neck; keep the opening modest and sharp up to near the collarbone. Do not include lapels, shirt collars, collar tips, or stand-up collars. Do not create a collar like a general dress shirt. Do not use visible buttons on the front or a normal shirt placket. The material should be high-quality, smooth, matte blouse fabric, neither too thin nor transparent, and should not sag loosely on the body. It should not be excessively tight, but have a neat and sophisticated silhouette that naturally follows the body. Ensure the shape of the split neck is clearly and beautifully visible from the V-zone of the jacket, preventing collars or excess fabric from sticking out. Keep the neckline clean and organized to give a professional, intelligent, and urban impression. Maintain the same neckline, texture, and silhouette in FRONT/SIDE/BACK views. [Pajamas] Fixed PALE BLUE-GRAY long pajama pants for the lower body. Made of soft, light cotton-based material with a naturally relaxed straight silhouette from the waist to the hem. The waist should have a simple elastic specification. The fabric should have thin WHITE vertical stripes evenly placed, creating a clear loungewear design recognizable as pajamas. The color, pattern, silhouette, and length are fixed. [Footwear] Simple indoor slippers fixed in LIGHT GRAY. Maintain the same shape and color in FRONT/SIDE/BACK views. [Accessories] Do not use accessories. [Three-View Drawing] Left = FRONT / Center = SIDE / Right = BACK. FRONT is directly facing forward. Face, chest, waist, knees, and toes should point forward in a natural upright posture with both arms down naturally at the sides. SIDE is a complete profile, fixed facing left. Face, tip of the nose, chin, gaze, chest, abdomen, knees, and toes should point toward the left of the screen without twisting the body. BACK is a complete rear view. A natural upright posture where the back of the head, shoulders, back, waist, legs, and heels can be confirmed from behind. All three views must show the figure completely from the top of the head to the bottom of the slippers, unifying character size, height, head-to-body ratio, shoulder width, waist position, and leg length. The jacket, split-neck no-collar blouse, pajamas, and indoor slippers must also be established as the same design in all three views. [Fixed Layout] The 4:3 canvas is fixed into four areas from the left: "DESIGN STRIP | FRONT | SIDE | BACK". The leftmost 8% = DESIGN STRIP, and the remaining 92% = the three character regions for FRONT/SIDE/BACK, with all three character regions having the exact same width. The character regions are the main focus, while the DESIGN STRIP serves only as a visual accent for the sharing sheet. Characters are placed independently within each region at the same display magnification. [DESIGN STRIP] In the thin vertical area on the left edge, place only the rotated English heading "DESIGN" and four color swatches. "DESIGN" should be a normal horizontal English word rotated 90 degrees clockwise and placed vertically. The letters themselves should not be deformed; use a bold to medium-bold condensed sans-serif in all caps. Place it in the center of the DESIGN STRIP horizontally, starting at about 5-6% from the top edge. [Color Swatches] The four swatches are fixed from top to bottom in the order: NAVY / OFF WHITE / PALE BLUE / LIGHT GRAY. All should be squares of the same size, arranged in a single vertical column at the bottom of the DESIGN STRIP. Each side of a swatch should be about 50% of the DESIGN STRIP width, horizontally centered. The starting position of the swatch block is about 58% from the top edge of the canvas, with even spacing of about 2% of the canvas height between each swatch. Even if the jacket color is changed in the [Input Items], maintain the swatches as a fixed graphic element for the sheet design. [Character Headings] Display FRONT / SIDE / BACK exactly once at the top of each character region. The three headings must have the same font, weight, size, height, and top margin, using a condensed sans-serif from the same family as "DESIGN". FRONT / SIDE / BACK should be written horizontally. [Background / Separators] The background is white to a very light neutral gray. Use only thin outer border lines and thin vertical lines separating DESIGN STRIP / FRONT / SIDE / BACK. [Completion Conditions] 4:3 aspect ratio. A thin DESIGN STRIP on the left, and FRONT/SIDE/BACK in equal widths on the right. The face, body type, and hairstyle inherited from the reference image must be consistent as the same person in all three views. FRONT must be directly forward-facing, SIDE must be a complete profile facing left, and BACK must be a complete rear view. Unify character size, proportions, height, shoulder width, waist position, and leg length across the three views. The upper body must consist of the fixed tailored jacket + fixed split-neck no-collar blouse, the lower body must be the fixed pajamas, and the footwear must be the fixed slippers. Do not create a general shirt collar at the neck of the inner garment. The shallow split neck should look neat from the V-zone of the jacket. The neckline should not be messy with collars, fabric, or plackets, and the upper body should establish the character as a sophisticated professional woman. Use the color selected in the [Input Items] for the jacket, and maintain the position, structure, and order of the DESIGN STRIP and the four swatches. [Prohibitions] Aspect ratios other than 4:3, turning into a different person, changing the face/body type/hairstyle of the reference image, inheriting costume elements from the reference image, making the SIDE view face right or 3/4, cutting off parts of the body, overlapping characters, inconsistent character magnification between the three views, and changing the fixed layout or the four swatches. Do not add general shirt collars, fold-over collars, collar tips, stand-up collars, conspicuous plackets, or visible front buttons to the inner garment. Do not change the split neck to a deep V-neck. Do not add decorations such as frills, ribbons, bow ties, necklaces, or pendants to the neck.
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Game Asset - Medieval MMORPG Inventory UI Screenshot

Game Asset - Medieval MMORPG Inventory UI Screenshot

Mormon NegroGPT Image 2
Goal: Create a realistic screenshot of a medieval MMORPG inventory and storage interface, specifically featuring a chest (Baúl) and character equipment panel.
Canvas: Landscape orientation, high resolution, mimicking a game client window.
Layout: Split composition. The left third shows the 3D game world with a cobblestone street, a wooden cart, an NPC, and a player character standing next to a large open treasure chest. The right two-thirds are occupied by two vertical UI panels overlaying the scene.
Sections:
1. Left Panel (Storage): Header reads "BAÚL" in gold serif font on a dark metal background. Contains a grid of empty dark slots. Top row has three items: a sword (+15), a purple robe (+15), and black boots (+15). Bottom section displays "ORO EN EL BAÚL" with value 0, and buttons labeled "Cantidad", "GUARDAR", and "SACAR".
2. Right Panel (Inventory): Header reads "INVENTARIO". Top section is an equipment paper-doll layout with slots labeled "CUELLO", "ARMADURA", "ESCUDO" containing a helmet, breastplate, and shield icons. Below is a mixed grid of inventory items including potions, keys, axes, and armor pieces. Bottom section displays total "ORO" as 34.181.599.
Visual style: Dark fantasy aesthetic. UI frames have ornate gold filigree corners and riveted metal textures. Fonts are classic serif (Times New Roman style) in white and gold. Lighting is ambient daylight.
Text content: Preserve Spanish labels exactly as seen: "BAÚL", "INVENTARIO", "ORO EN EL BAÚL", "GUARDAR", "SACAR", "CANTIDAD", "CUELLO", "ARMADURA", "ESCUDO", "ORO".
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Infographic / Edu Visual - Kiyomizu-dera Travel LP with Anime Mascot

Infographic / Edu Visual - Kiyomizu-dera Travel LP with Anime Mascot

あぽろGPT Image 2
Goal: Create a comprehensive, high-density vertical travel landing page (LP) for Kiyomizu-dera in Kyoto.
Canvas: Vertical aspect ratio (approx. 4:5), featuring a vibrant mix of anime illustration and realistic photography with a clean white background accented by orange and purple brushstrokes.
Layout:
1. Header: Top navigation bar with logo 'あぽろ塾 APOLLO JUKU' on the left, menu items (Search, Model Course, Spot, Gourmet, Access) in center, and an orange CTA button '今すぐ旅に出る' on right.
2. Hero Section: Large title '清水寺 Kiyomizu-dera' in bold black serif font. Subtitle '京都・東山の絶景と歴史をめぐる'. A central anime character (orange hair, cat ears, streetwear jacket with 'KYOTO' text) pointing right, accompanied by a tuxedo cat. Background shows a panoramic view of Kyoto with autumn foliage and pagodas. Floating handwritten text: '見たことのない京都に、きっと出会える。' and 'ここにしかない景色がある。'. Location info block: '京都・東山', '早朝散策がおすすめ', '春は桜、秋は紅葉が人気'. World Heritage badge and coordinates '34.9945, 135.7843'.
3. Highlights Section ('見どころ'): Horizontal scrollable cards showing photos of '清水の舞台', '音羽の滝', '三年坂・二年坂', '京都の街並みを一望', '世界遺産'. Each card has a photo, title, and short description.
4. App & Features Section: Left side features a smartphone mockup displaying a map app interface with pins for Kiyomizu-dera, Otowa Waterfall, etc. Center column lists 'アプリの主な機能' (App Main Features) with icons: Spot Search, Model Course, Favorites, Offline Map. Right side is 'モデルコース' (Model Course) with numbered steps 01-04 showing route thumbnails.
5. Seasonal Recommendations ('おすすめの季節'): Four distinct seasonal blocks (Spring, Summer, Autumn, Winter) with corresponding landscape photos and brief text descriptions.
6. Access Section ('アクセス'): Bottom right area listing transport options (Train, Bus, Car) with specific station names and walking times. Includes a small silhouette of a pagoda and 'Kyoto' script.
Visual style: Modern Japanese web design aesthetic. High contrast between the colorful anime mascot and the serene real-world photography. Use of orange (#FF5722 approx) and purple accents. Clean sans-serif typography for body text, elegant serif for headings.
Text content: Preserve all Japanese text exactly as shown in the image, including section headers like '見どころ', 'モデルコース', 'アクセス', and the specific location names.
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Infographic / Edu Visual - GPT Image 2 Hand-drawn Infographic Prompt

Infographic / Edu Visual - GPT Image 2 Hand-drawn Infographic Prompt

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Two vertically connected rounded rectangular panels are anchored by extremely thick, slightly undulating black hand-drawn outlines, with white buckles crossing the panel edges, forming striking paired modules and clear vertical rhythm. Content is organized using Gestalt proximity and layout zoning, with each panel internally divided into a stable left-image/right-text column, balancing left and right weights, titles and information read top-to-bottom in the right column; the overall visual center falls on the junction of the two panels and their respective prominent large titles, keeping the page header area independent with logos and main title. Images and text connect via juxtaposition and backing: the left side is reserved for character or theme illustrations, placed on irregular rounded clean light-colored bases; the right side uses prominent large characters to lead multiple lines of explanation, accompanied by small line-drawing symbols adjacent to text to indicate content. Text hierarchy is always distinct, large titles are thick and striking, explanatory text is thinner with generous line spacing, small text and symbols create rhythm points; glyph construction is upright and readable, with clear counters, crisp endings, and compact faces complementing handwritten images, maintaining this hierarchy regardless of text volume; when text is insufficient, secondary small text is supplemented based on the theme. Text edges are flat and clear, forming a clean typography layer outside the hand-drawn lines. Whitespace includes gaps between panels, backing whitespace around image bases, reading gaps between text lines, and pauses between header and body; each remains spacious, allowing thick frames, illustrations, and titles to stand out clearly. Illustration content is provided by the appended theme, adopting a complete, concentrated, slightly tilted hand-drawn composition within the left column, with simple main outlines, light dynamic details, and upright load-bearing parts; content density is about half-frame, mainly concentrated in the left column of each panel, the rest being white or light-colored rounded bases, flat panel color blocks, and bottom whitespace, generating no scenery. Uses a composite of techniques: outlining frames and characters with continuous, slightly shaky thick black lines; spreading large panel areas and local illustration colors with clean, smooth digital flat coloring; pressing information areas with crisp text typesetting; overall resembling an illustration arrangement synthesized from hand-drawn lines, computer flat coloring, and clear typesetting. Color scheme maintains a high-brightness keynote, colors vivid, saturated but not glaring, the most intense color surfaces fall within the paired panels echoed by character locals; pairing warm light backgrounds with varying brightness levels of light color surfaces, stabilizing layers with strong black-and-white line text contrast. Overall warm and cheerful, friendly and energetic, resembling matte digital color blocks combined with dense marker lines; hue follows the theme, but brightness/darkness, thickness/thinness, saturation/dilution, warm tendencies, and cheerful friendly psychological feelings maintain this personality regardless of theme. Overall temperament is light, friendly, and orderly. Appended theme, accurate text, usage, and aspect ratio take priority; grouping of upper/lower panels, left-image/right-text, thick black hand-drawn borders, image backing, clear text hierarchy, and high-brightness warm-thick color schemes remain unchanged.

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Theme: Water Cycle Educational Poster
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