Seedance 2.0 prompts

The Office episode where Dwight and Michael have a conversation about mogging, jestermaxxing, and foids.

"A man is on a seaboat during a massive rain storm as a large sea monster emerges from the water and bites the boat with its' teeth and drags it into the ocean"

Doramon and spiderman fighting very high quality and intense

Image to Video of the Cadillac Formula One car 2026.

use Seedance 2.0, i want a phone commercial with high-energy, cinematic, macro close-ups, cut to hypercar, then cut to a stealth jet. MAKE IT SICK.

A Chinese mythological boy with two bun hairstyles, a red mark on his forehead, and a red ribbon tied around him, walks into Chinatown filled with red lanterns. He is looking for a group of single- or double-eyed yellow capsule-shaped small creatures wearing blue overalls. Subsequently, the boy waves his red ribbon and engages in a comedic chase battle with this group of yellow small creatures.

*John Wick style action movie. 
@Image Fatty takes a deep breath and assumes a starting stance, using the narrowness of the corridor to lure the robot towards the glass wall. Fatty uses the reaction force, kicking off the wall with both feet, performing an aerial spinning kick, breaking the neck connection line of the first robot. The robot collapses to the ground. The remaining robots continue to swarm in. The man in the hoodie realizes the corridor space is too small and he could easily be surrounded, so he turns and runs towards the office hall.

A boy seriously assembling Lego bricks in his room, the scene adopts a 3D animation style, with bright colors, smooth lines, full of childlike fun and vitality, adding a time-lapse effect to show the assembly process.
0-3 seconds: Full view of the room, sunlight spills onto the desk through the window, the boy sits at the desk concentrating on assembling Lego bricks, with a serious expression, the camera slowly pushes in
3-6 seconds: Time-lapse effect showing the boy quickly piecing together Lego bricks, the blocks gradually taking shape in his hands, the camera switches to different angles
6-9 seconds: Close-up of the hands, showing the details of the boy skillfully assembling Lego bricks, fingers flexibly manipulating the blocks, the camera follows the hand movements
9-12 seconds: Time-lapse effect continues to show the assembly process, the Lego creation gradually becomes complete, the boy's expression changes from focused to satisfied
12-15 seconds: The boy raises his head, showing a satisfied smile, the camera pulls back to show his completed Lego creation.

【Style】 Hyper-realistic cinematic CG, authentic pet documentary texture, cozy and healing style, realistic fur physical simulation, clear details, 8K quality, soft warm tones, indoor nighttime atmosphere
【Duration】 15 seconds 【Scene Setting】 Real cozy bedroom, door closed, nighttime environment, main light off, only the bedside lamp emits a warm yellow glow, the room is generally dim. There are blankets on the bed, and two pets show their heads.
🎞 Storyboard Design (including shot type + depth of field + lighting logic)
0–3 seconds 【Shot Type】 Medium Shot 【Camera Movement】 Slight slow push-in 【Depth of Field】 Shallow depth of field, blurred background
【Scene】 A chubby orange cat and a cute Shiba Inu sitting on the bed, blankets covering their necks. Both are looking at phones. The phone screen light is very bright, casting a cool light on their faces. The bedside lamp emits warm light, contrasting with the cool light of the phones. The two pets are smiling happily at the screen.
3–6 seconds 【Shot Type】 Close-up 【Camera Movement】 Slight handheld feel 【Depth of Field】 Extremely shallow depth of field 【Scene】 The orange cat's ears suddenly perk up. The expression changes from happy to alert. The phone light flickers on its face.
6–8 seconds 【Shot Type】 Near Shot 【Action】 The orange cat quickly turns off the phone. The cool phone light disappears. Only the warm light of the bedside lamp remains in the room. The orange cat burrows into the blanket, only a small tuft of fur exposed.
8–10 seconds 【Shot Type】 Medium Near Shot 【Action】 The orange cat quietly extends a small paw from the blanket and gently pokes the Shiba Inu. The Shiba Inu is stunned for a moment. Quickly turns off the phone. The cool light disappears. Burrows into the blanket and pretends to sleep with eyes closed.
10–13 seconds 【Shot Type】 Long Shot of the Doorway 【Camera Movement】 Fixed shot 【Depth of Field】 Deep depth of field 【Scene】 The bedroom door slowly opens a crack. A Golden Retriever's head peeks in. Light spills faintly from the hallway. The Golden Retriever scrutinizes the two on the bed.
13–15 seconds 【Shot Type】 Close-up of the Golden Retriever 【Action】 The Golden Retriever nods contentedly. Gently closes the door. The scene returns to the bed, where the two pets have their eyes tightly shut. The Shiba Inu secretly opens one eye. Fade to black.
💡 Key Generation Enhancement Words (Suggested additions) realistic fur simulation subtle breathing movement soft shadow transition warm and cool light contrast cinematic lighting natural micro expression quiet nighttime ambience cozy bedroom atmosphere

Novel opening: "The husband reported the gatekeeper, the wife went to work, and he was very pleased...", automatically associate and expand the novel plot and character dialogue based on the opening, generating a video in the style of a TV drama.

a 15-second video clip showing a hyper-realistic recreation of Bryan Cranston as Walter White (from Breaking Bad) delivering an intense, dramatic monologue in what looks like a supermarket setting. The character appears in his signature Heisenberg look (bald head, goatee, intense stare), gesturing emphatically while speaking with perfect lip-sync, natural facial micro-expressions, realistic skin texture, lighting, and subtle body language. The overall quality feels cinematic - smooth camera movement, believable emotion, and no obvious AI artifacts like warping or uncanny motion that plague older models.

"2d anime goku punching a green buy button at outdoor market that has a wood sign above that says BINDER than goku goes super saiyan"

A massive cosmic arena forms in a blinding void, Tournament-of-Power scale. Crowds from countless universes roar.
At the center stands the narrator: Gintoki Sakata, relaxed, wooden sword on his shoulder, bored eyes, sharp tongue.
He announces the rule...

Sam: “Why don’t we just take the Eagles to Mount Doom?”
Frodo: “…That actually makes sense.”
Cut to them flying Eagles, dropping the ring.
Sauron’s tower explodes.
 THE END.

Cinematic 1980s dark fantasy ensemble shot of the Stranger Things party in a ruined lab, simultaneously unleashing unique superpowers (blue electricity, red plasma, telekinetic debris, glowing eyes) with 35mm grain, anamorphic flares, and volumetric red mist.

Style: Hollywood Professional Racing Movie (Le Mans Style), Cinematic Night, Rain, High Stakes Sport. Duration: 15s.

[00-05s] Shot 1: The Veteran (Interior/Close-up). Rain lashes the windshield of a high-tech race car on a track. The Veteran driver (in helmet) looks over

A realistic cinematic scene opens on a quiet Japanese countryside at dawn. Mist clings to rice paddies. A bullet train appears as a distant silver streak on the horizon. The camera launches forward at impossible speed, racing alongside the train, matching its velocity. The camera

top down shot of the the woman taking out the all the swordsmen men with and powerful attacks, we only see her from the back - camera pan up establishing, tense, nobody is moving - avoid showing the ground, focus on upper body - then at 3 seconds, jumpcut after jumpcut with blood

showdown the woman taking out the all the swordsmen men with and powerful attacks, her right eye is scarred, she has burnmarks on her body- fighting on top a glass floor above zen garden lit by purple light- , jumpcut after jumpcut with blood of her cutting one enemy after the

showdown the woman taking out the all the swordsmen men with and powerful attacks, her right eye is scarred, she has burnmarks on her body- fighting on top a glass floor above zen garden lit by purple light- , jumpcut after jumpcut of her nimble movements as she slices one enemy

# Role: Seedance 2.0 Video Prompt Specialist

**Objective:**
You are an expert video prompt engineer specialized in the **Seedance 2.0** model architecture. Your task is to convert simple user ideas into highly structured, cinematic, and technically precise JSON prompts that leverage Seedance's native audio-visual capabilities, multi-shot consistency, and physics engines.

**Input:** A short description or concept from the user (e.g., "A cyberpunk detective walking in the rain").

**Output:** A single, valid JSON code block following the `Songguoxs/Seedance` schema below.

## THE SCHEMA (Strict Adherence Required)

```json
{
  "shot": {
    "composition": "Detailed shot type (e.g., Low-angle wide shot transitioning to medium push-in)",
    "lens": "Specific focal length (e.g., 24mm anamorphic for width, 85mm for portraits)",
    "frame_rate": "Target fps (usually 24fps or 30fps, or 60fps for slow-mo)",
    "camera_movement": "Precise motion (e.g., Dolly zoom, Truck left, Orbital tracking)",
    "lighting_style": "Key lighting descriptor (e.g., Chiaroscuro, Cyberpunk Neon, Natural Golden Hour)"
  },
  "subject": {
    "character": "Detailed character description (appearance, age, texture)",
    "wardrobe": "Clothing details including fabric physics (e.g., 'heavy wool coat damp with rain')",
    "expression": "Micro-expressions (e.g., 'subtle hesitation', 'steely gaze')",
    "action": "The primary movement or activity"
  },
  "scene": {
    "location": "Rich environmental description",
    "time_of_day": "Lighting specific time (e.g., 'Blue hour', 'High noon')",
    "atmosphere": "Volumetric effects (e.g., 'thick fog', 'floating dust motes', 'steam rising')",
    "props": "Key items in the scene"
  },
  "visual_details": {
    "beats": [
      {
        "time": "0.0-2.0s",
        "action": "Initial state or movement",
        "focus": "Where the viewer looks"
      },
      {
        "time": "2.0-5.0s",
        "action": "The climax or transition of the shot",
        "focus": "Change in subject or environment"
      }
    ],
    "physics_rules": [
      "Specific rule 1 (e.g., 'Hair reacts to wind direction from left')",
      "Specific rule 2 (e.g., 'Raindrops splatter realistically on glass surfaces')"
    ]
  },
  "cinematography": {
    "color_palette": "Specific colors (e.g., 'Teal and Orange', 'Monochrome with Red accents')",
    "film_grain": "Texture level (e.g., 'Fine 35mm grain', 'Clean digital')",
    "lens_artifacts": "Optical flaws for realism (e.g., 'Subtle chromatic aberration', 'Anamorphic flare')"
  },
  "audio": {
    "music": "Genre, tempo, and instrumentation (e.g., 'Slow burn synthwave, deep bass')",
    "ambient": "Environmental layers (e.g., 'Distant sirens, heavy rain on"

the man is deciding "I want to wash my car, and the car wash is 50m away. Should I walk or drive?" Then he decided what to do and proceeds to do it!

generate a fight scene between Brad Pitt and Tom Cruise, with their dialogue revolving around the Epstein files.

generate a #fightscene between #BradPitt and #TomCruise, with their dialogue during the fight revolving around the #EpsteinFiles